This innovative book provides an incisive critique of well-established positions in postcolonial theory and a dramatic expansion in the range of interpretative tools available. Peter Hallward gives substantial readings of four significant writers whose work invites, to varying degrees, a singular interpretation of postcolonialism: Edouard Glissant, Charles Johnson, Mohammed Dib, and Severo Sarduy. Using a singular interpretation of postcolonialism is central to the argument this book makes, and to understanding the postcolonial paradigm.

How can postcolonialism be applied to Canadian literature? In all that has been written about postcolonialism, surprisingly little has specifically addressed the position of Canada, Canadian literature, or Canadian culture. Postcolonialism is a theory that has gained credence throughout the world; it is be productive to ask if and how we, as Canadians, participate in postcolonial debates. It is also vital to examine the ways in which Canada and Canadian culture fit into global discussions as our culture reflects how we interact with our neighbours, allies, and adversaries. This collection wrestles with the problems of situating Canadian literature in the ongoing debates about culture, identity, and globalization, and of applying the slippery term of postcolonialism to Canadian literature. The topics range in focus from discussions of specific literary works to general theoretical contemplations. The twenty-three articles in this collection grapple with the recurrent issues of postcolonialism — including hybridity, collaboration, marginality, power, resistance, and historical revisionism — from the vantage point of those working within Canada as writers and critics. While some seek to confirm the legitimacy of including Canadian literature in the discussions of postcolonialism, others challenge this very notion.

Bringing together high profile scholars in the fields of Deleuze and postcolonial studies, this book highlights the overlooked connections between two major schools of contemporary criticism and establishes a new critical discourse for postcolonial literature and theory.

Focuses on the influence of multiculturalism as a concept transforming literary and cultural studies. This book offers a comprehensive survey of comparative criticism in the 1990s. It demonstrates that comparative critical strategies can provide insights into the world's changing, and increasingly colliding, cultures.

This timely contribution to debates about the future of postcolonial theory explores the troubled relationship between politics and the discipline, both in the sense of the radical political changes associated with the anti-colonial struggle and the implication of literary writers in institutional discourses of power. Using Haiti as a key example, Chris Bongie explores issues of commemoration and commodification of the post/colonial by pairing early nineteenth-century Caribbean texts with contemporary works. An apt volume for an age that struggles with the reality of memories of anti-colonial resistance, Friends and Enemies is a provocative take on postcolonial scholarship.

The Postcolonial Low Countries is the first book to bring together critical and comparative approaches to the emergent field of neerlandophone postcolonial studies. The collection of essays ranges across the cultures and literatures of the Netherlands and Belgium and establishes an encounter between postcolonial theoretical discourses from both within and without the region. Each one of the contributions puts under pressure the definitive concepts of postcolonial studies in its more conventional anglophone or francophone formation, as well as perceptions of the Low Countries, Belgium and the Netherlands, as lying outside or to the side of the postcolonial domain. In the Low Countries, local and regional issues concerning multiculturalism and colonial belatedness have raised important questions about the possible grounds on which postcolonial critical concepts might be not only translated but also generated afresh, to suit these paradoxically new contexts. As The Postcolonial Low Countries incisively demonstrates, the Low Countries demand a careful rearticulation of such postcolonial ‘readymades’ as hybridity, accommodation and creolization. Gathering together contributions from both internationally renowned scholars and newly established researchers in the field, The Postcolonial Low Countries maps previously underexplored national and transnational literary critical trajectories. The book challenges in boundary shifting ways current readings of the so-described multicultural and postcolonial Netherlands and Belgium.

This is the first collection of essays bringing together Deleuzian philosophy and postcolonial theory. Bignall and Patton assemble some of the world's leading figures in these fields - including Reda Bensmaia, Timothy Bewes, Rey Chow, Philip Leonard, Nick Nesbitt, John K. Noyes, Patricia Pisters, Marcelo Svirsky and Simon Tormey - to explore rich linkages between two previously unrelated areas of study. They deal with colonial and postcolonial social, cultural and political issues in Asia, Africa, the Americas, Australia and Palestine. Topics include colonial government, nation building and ethics in the contemporary context of globalisation and decolonisation; issues relating to resistance, transformation and agency; and questions of 'representation' and discursive power as practiced through postcolonial art, cinema and literature. This book constitutes a timely intervention to debates in poststructuralist, postcolonial and postmodern studies. It will be of interest to students in cultural studies, cinema and film studies, languages and literature, political and postcolonial studies, critical theory, social and political philosophy.

With an A–Z of the key writers and thinkers central to contemporary postcolonial study, and featuring historical maps and full cross-referencing throughout, this is a comprehensive introduction to the history of the great European empires and the cultural legacies they left in their wake.

Cultural theory has often been criticized for covert Eurocentric and universalist tendencies. Its concepts and ideas are implicitly applicable to everyone, ironing over any individuality or cultural difference. Postcolonial theory has challenged these limitations of cultural theory, and Postcolonial Theory and Autobiography addresses the central challenge posed by its autobiographical turn. Despite the fact that autobiography is frequently dismissed for its Western, masculine bias, David Huddart argues for its continued relevance as a central explanatory category in understanding postcolonial theory and its relation to subjectivity. Focusing on the influence of post-structuralist theory on postcolonial theory and vice versa, this study suggests that autobiography constitutes a general philosophical resistance to universal concepts and theories. Offering a fresh perspective on familiar critical figures like Edward W. Said and Gayatri Chakravorty Spivak, by putting them in the context of readings of the work of Jacques Derrida, Gilles Deleuze, and Alain Badiou, this book relates the theory of autobiography to expressions of new universalisms that, together with postcolonial theory, rethink and extend norms of experience, investigation, and knowledge.

An interdisciplinary collection of essays, Reworking Postcolonialism explores questions of work, precarity, migration, minority and indigenous rights in relation to contemporary globalization. It brings together political, economic and literary approaches to texts and events from across the postcolonial world.