Highlighting Hegel's conceptual realism Hoffmann focuses on an undervalued move in his dialectic: inversion (μεταβολή). Easily proving completeness for Kant's table of categories, Hoffmann shows how metabolic dialectic substantiates Hegel's claim for his Logic: it is indeed the science of absolute form!

In Georg Wilhelm Friedrich Hegel – A Propaedeutic, Thomas Sören Hoffmann offers a comprehensive intellectual biography of the “master philosopher of German idealism,” the last great system builder of European philosophy. All the major themes of Hegel's thought are worked through – logic and metaphysics; history and spirit; art and language; thought and nature; right, religion and science – and presented as open invitations to conversing with, to working with, indeed to thinking with the great philosopher himself. Hegel's dialectical concept of life is one key deployed by Hoffmann to throw new light on the philosopher's work and to offer resolutions of the perennial enigmas besetting and controversies surrounding it.

This interdisciplinary book develops a dialectical narrative about the beginning of the universe by combining Hegel’s philosophy with texts about the Big Bang theory. Scientific accounts of the Big Bang indicate that the first second of existence was an eventful period in which the universe progressed through six different epochs. Bringing together cosmological narratives and Hegel’s writings (particularly The Science of Logic), Gregory Phipps reads this movement as a dialectical progression, a sequence of transitions among interlinked concepts like being and nothing, finitude and infinitude, and space and time. He also draws upon Hegel’s concept of absolutes to outline a model of the multiverse. In doing so, Phipps brings Hegel’s philosophy into dialogue with contemporary science, arguing that Hegelian readings of the first second offer speculative snapshots of a hypothetical multiverse that contains the full (and probably infinite) scope of existence. For scholars and enthusiasts alike, Dialectics of the Big Bang and the Absolute Existence of the Multiverse is a thought-provoking exploration of the crosscurrents between philosophy, science, and narrative, inviting readers to contemplate the profound mysteries of the cosmos.

Marxist ideology is the only fully scientific ideology, the only one able to guide mankind toward the settlement of fundamental social problems and to point out the royal road for the proletariat to take in its march toward socialism and communism. Without Marxism, modern people cannot establish true social ideals, nor can they engage in the rational pursuit of values. Without Marxism, modern people cannot choose the correct path of development, nor can they build up new forms of civilizations. Without Marxism, modern people would never base their commitments to schedule the consensus-building effort and support the consensus-building process on any irrefutably and sufficiently sound theoretical foundations.

Features original articles by some of the most distinguished contemporary scholars of Hegel's thought, The most comprehensive collection of Hegel scholarship available in one volume, Examines Hegel's writing in a chronological order, from his very first published works to his very last, Includes chapters on the newly edited lecture series Hegel conducted in the 1820s Book jacket.

Freedom is one of the main issues of modern philosophy and Kant’s philosophy of freedom a major source for comprehending it. Whereas in contemporary debates Kant’s concept of practical freedom is addressed frequently, the cosmological foundation of it is much less discussed and even mostly taken for granted. In Metaphysics of Freedom?, by contrast, Kant’s concept of cosmological freedom is scrutinized both in a historical and a systematic perspective. As a result, a deeper and broader understanding of Kant’s conception of freedom, its presuppositions, and problems emerges.

Aus dem Inhalt: In memoriam Walter Jaeschke / Rainer Enskat: Die Form der Dialektik in Hegels Phänomenologie des Geistes / Bernardo Ferro: How Platonic is Hegel's Dialectic? A New Approach to an Old Debate / Anton Friedrich Koch: Hegel's Parmenidean Descent to the Science without Contrary / Christian Krijnen: Heterologie oder Dialektik? Rickerts Lehre vom Ursprung des Denkens im Spiegel der hegelschen Logik / Ryôsuke Ohashi: Die Logik des Absoluten und die Logik des Leeren – oder: die Durchsichtigkeit bei Hegel und das soku bei Nishitani / Ernst-Otto Onnasch: Fünf Briefe, eine Abschrift eines Goethe-Gedichts und ein Nürnberger Zeugnis von G.W.F. Hegel / Buchkritik / Bibliographie

Contains reviews, abstracts, and bibliography of the most recent theological and philosophical literature.

In the Lectures on the Proofs of the Existence of God, prepared just before his death, Hegel states that the question of proving God can receive its “scientific” treatment in the (Science of) Logic and nowhere else. He also states that Logic, at least his logical system, is the same as that of metaphysics. Here, everything finds its place in relation to everything else. This book presents a total system in the light of which everything, from physics to theology, finds its place and true presentation. It chiefly follows, in textual citation, the later, more concise version (as Part One of the Encyclopaedia of the Philosophical Sciences) of Hegel’s two presentations of this science. The stress has been on showing God’s own thought, or that of the cosmos, with which all mind is as such in unity. Logic and its forms, Hegel claims, is and are “the form of the world”. This ultimate objectivity, therefore, is at once utter subjectivity. The opposition collapses. The method here has been simply to follow the logic’s own development of thought (a development from within which Hegel himself calls its only method), to allow it once more to run its course rather than to merely “comment” on it, as if from a superior standpoint. In this work on Logic specifically, therefore, the intention is not to substitute one religion for another, as so many scholars, such as Charles Taylor, interpret Hegel as doing. Rather, it stakes out the path for specifically theological development as its ecumenical absorption into sophia, into the Idea as “all in all”, into the pure theology or wisdom of the ecumenical “Church”. One stakes this out, not in a “reduction” to philosophy, but in the re-establishment of metaphysics as itself the true theologia, the mind of heaven. What else could philosophy meaningfully be, unless “understanding spiritual things spiritually”, the being led into all truth, perched on the shoulders of those going before?

Immanuel Kant's 'The Critique of Judgment' explores the realms of aesthetic judgment and teleological judgment in a rigorous and thought-provoking manner. In this seminal work, Kant delves into the concepts of beauty, taste, and the nature of artistic creation. He presents a detailed analysis of how judgment functions in relation to aesthetics, weaving together philosophical insights with practical examples to illustrate his points. Through his meticulous argumentation, Kant lays the groundwork for the understanding of the role of judgment in appreciating art and nature. The book's dense yet insightful prose engages readers in a contemplative journey through the intersections of art, nature, and human perception. Immanuel Kant, a renowned German philosopher of the Enlightenment era, was influenced by thinkers such as Leibniz and Rousseau. His deep interest in metaphysics and epistemology led him to ponder the fundamental principles that govern human experience. 'The Critique of Judgment' reflects Kant's comprehensive philosophical system, bridging the gap between his earlier works on metaphysics and ethics. I highly recommend 'The Critique of Judgment' to readers who are interested in delving into the complexities of aesthetic and teleological judgment. Kant's nuanced arguments and incisive analysis pave the way for a deeper appreciation of art, nature, and the human mind. This book is essential reading for anyone seeking to explore the intersections of philosophy, aesthetics, and the nature of beauty.