This revised edition contains corrections, extra information to date the charts more correctly, descriptions of the title page and a portrait of Ortelius.

With an introduction by Leon Voet, and with 20 contributions by Günter Schilder, Rodney Shirley, Dennis Reinhartz, H.A.M. van der Heijden, Marijke Spies and others.

Published in Antwerp in 1570, the Theatrum orbis terrarum did something no previous book had done—it presented the world in all its component parts, offering the chance to see our planet as a place of staggering variety and ultimate unity. It was the world’s first atlas. Brainchild of Abraham Ortelius, the Theatrum reflected the enormous vitality of the era, the prevailing zest for exploration and discovery, and the linked activities of international commerce and mapmaking. Paul Binding has immersed himself in the Antwerp that produced Ortelius and his atlas, and he draws on a mass of letters, personal documents, maps, and pictures to bring it vividly to life. A masterly volume that stands as a tribute to the human need to impose order and reason on an all-too-turbulent world.

The sea monsters on medieval and Renaissance maps, whether swimming vigorously, gamboling amid the waves, attacking ships, or simply displaying themselves for our appreciation, are one of the most visually engaging elements on these maps, and yet they have never been carefully studied. The subject is important not only in the history of cartography, art, and zoological illustration, but also in the history of the geography of the "marvelous" and of western conceptions of the ocean. Moreover, the sea monsters depicted on maps can supply important insights into the sources, influences, and methods of the cartographers who drew or painted them. In this highly-illustrated book the author analyzes the most important examples of sea monsters on medieval and Renaissance maps produced in Europe, beginning with the earliest mappaemundi on which they appear in the 10th century and continuing to the end of the 16th century.

"A brilliant and readable book…a rich study of humankind's restless spirit." —Candice Millard, New York Times Book Review Greeted with coast-to-coast acclaim on publication, Fernández-Armesto's ambitious history of world exploration sets a new standard. Presenting the subject for the first time on a truly global scale, Fernández-Armesto tracks the pathfinders who, over the past five millennia, lay down the routes of contact that have drawn together the farthest reaches of the world. The Wall Street Journal calls it "impressive...a huge story [told] with gusto and panache." To the Washington Post, "Pathfinders is propelled by an Argonaut of an author, indefatigable and daring. It's a wild ride." And in a front-page review, the Seattle Times hails its "tart and elegant presentation...full of surprises. Fernández-Armesto's lively mind, pithy phrasing, and stunningly thorough and diverse knowledge are a constant pleasure." A plenitude of illustrations and maps in color and black and white augment this rich history. In Pathfinders, winner of the 2007 World History Association Book Prize, we have a definitive treatment of a grand subject.

A beautifully illustrated full-color history of mapmaking across centuries -- a must-read for history buffs and armchair travelers. Theater of the World offers a fascinating history of mapmaking, using the visual representation of the world through time to tell a new story about world history and the men who made it. Thomas Reinertsen Berg takes us all the way from the mysterious symbols of the Stone Age to Google Earth, exploring how the ability to envision what the world looked like developed hand in hand with worldwide exploration. Along the way, we meet visionary geographers and heroic explorers along with other unknown heroes of the map-making world, both ancient and modern. And the stunning visual material allows us to witness the extraordinary breadth of this history with our own eyes.

This book explores the nature of creativity in engineering and technology, and how it relates to creativity in art or science. Lienhard has for ten years done a twice-weekly radio show, carried on about 35 NPR stations, consisting of 3-minute essays on technology. He uses the substance of selected segments of his radio program to create a continuous narrative presenting his insights on technological creativity. This book has the same title as his radio program, to further draw the attention of his one million listeners.

The number of people who love maps is growing. They are now very popular with the book-buying public. Among many other bits of information, this book reveals how the rules of cartography were drawn up and how people worked out the dimensions of the world.

Publisher Description