This book offers an in-depth and updated examination of the nature of haecceity—that primitive entity which explains why something is distinct from other things. The book begins by exploring different conceptions of haecceity throughout history. The discussion of various figures across history is important for getting clear on the nature of haecceity and its role in individuation. The next part of the book examines different views about the nature of haecceity. The author defends a view on which haecceities have objects that instantiate them as constituents. Following that, the book considers arguments for and against the existence of haecceities, the epistemology of haecceity, and the distinction between qualitative and non-qualitative properties. About Haecceity will appeal to scholars and advanced students working in metaphysics, philosophy of language, epistemology, logic, and history of philosophy.

Many contemporary philosophers are interested in the scotistic notion of haecceity or `thisness' because it is relevant to important problems concerning identity and individuation, reference, modality, and propositional attitudes. Haecceity is the only book-length work devoted to this topic. The author develops a novel defense of Platonism, arguing, first, that abstracta - nonqualitative haecceities - are needed to explain concreta's being diverse at a time; and second, that unexemplified haecceities are then required to accommodate the full range of cases in which there are possible worlds containing individuals not present in the actual world. In the cognitive area, an original epistemic argument is presented which implies that certain haecceities can be grasped by a person: his own, those of certain of his mental states, and those of various abstracta, but not those of external things. It is argued that in consequence there is a clear sense in which one is directly acquainted with the former entities, but not with external things.

Haecceities: Essentialism, Identity, and Abstraction is both an artistic and philosophical examination of the limits of Abstraction in art and of kinds of radical identity that are determined in the identification of those limits. Building on his work Subjects and Objects, Strayer shows how the fundamental conditions of making and apprehending works of art can be used, in concert with language, thought, and perception, as ‘material’ for producing the more Abstract and radical artworks possible. Certain limits of Abstraction and possibilities of radical identity are then identified that are critically and philosophically considered. They prove to be so extreme that the concepts artwork, abstraction, identity, and object in art, philosophy, and philosophy of art, have to be reconsidered.

Critique after modern monetary theory -- Transcending the aesthetic -- Declarations of dependence -- Medium congruentissimum -- Allegories of the aesthetic -- Becoming second nature

Many contemporary philosophers are interested in the scotistic notion of haecceity or `thisness' because it is relevant to important problems concerning identity and individuation, reference, modality, and propositional attitudes. Haecceity is the only book-length work devoted to this topic. The author develops a novel defense of Platonism, arguing, first, that abstracta - nonqualitative haecceities - are needed to explain concreta's being diverse at a time; and second, that unexemplified haecceities are then required to accommodate the full range of cases in which there are possible worlds containing individuals not present in the actual world. In the cognitive area, an original epistemic argument is presented which implies that certain haecceities can be grasped by a person: his own, those of certain of his mental states, and those of various abstracta, but not those of external things. It is argued that in consequence there is a clear sense in which one is directly acquainted with the former entities, but not with external things.

This book offers a historical explanation of important philosophical problems in logic and mathematics, which have been neglected by the official history of modern logic. It offers extensive information on Gottlob Frege’s logic, discussing which aspects of his logic can be considered truly innovative in its revolution against the Aristotelian logic. It presents the work of Hilbert and his associates and followers with the aim of understanding the revolutionary change in the axiomatic method. Moreover, it offers useful tools to understand Tarski’s and Gödel’s work, explaining why the problems they discussed are still unsolved. Finally, the book reports on some of the most influential positions in contemporary philosophy of mathematics, i.e., Maddy’s mathematical naturalism and Shapiro’s mathematical structuralism. Last but not least, the book introduces Biancani’s Aristotelian philosophy of mathematics as this is considered important to understand current philosophical issue in the applications of mathematics. One of the main purposes of the book is to stimulate readers to reconsider the Aristotelian position, which disappeared almost completely from the scene in logic and mathematics in the early twentieth century.

Fons signatus: the sealed source -- Part One. God: chapter 1. Metaphysics and theology in tension (Augustine); chapter 2. God phenomenon (John Scotus Erigena); chapter 3. Reduction and conversion (Meister Eckhart) -- Part Two. The Flesh: chapter 4. The visibility of the flesh (Irenaeus); chapter 5. The solidity of the flesh (Tertullian); chapter 6.- The conversion of the flesh (Bonaventure) -- Part Three. The Other: chapter 7. Community and intersubjectivity (Origen); chapter 8. Angelic alterity (Thomas Aquinas); chapter 9. The singular other (John Duns Scotus) -- By way of conclusion: toward an act of return.

The concept of the cultural commons has become increasingly important for legal studies. Within this field, however, it is a contested concept: at once presented as a sphere for creativity, democratic access and freedom of speech, but one that denies property rights and misappropriates the public domain. In this book, Merima Bruncevic takes up the cultural commons not merely as an abstract notion, but in its connection to physical spaces such as museums and libraries. A legal cultural commons can, she argues, be envisioned as a lawscape that can quite literally be entered and engaged with. Focusing largely on art in the context of the copyright regime, but also addressing a number of cultural heritage issues, the book draws on the work of Deleuze and Guattari in order to examine the realm of the commons as a potential space for overcoming the dichotomy between the owner and the consumer of culture. Challenging this dichotomy, it is the productive and creative potential of law itself that is elicited through the book’s approach to the commons as the empirical basis for a new legal framework, which is able to accommodate a multitude of interests and values.

John Duns Scotus (1265–1308), beatified by Pope St. John Paul II in 1993, is widely recognized as one of the most original and influential philosophers and theologians of the Middle Ages. Ordered by Love offers a sympathetic exploration of a wide range of Scotus’s thought. Topics covered include his understanding of the relationship between faith and reason, his doctrine of individuation by “haecceity” (thisness), his theory of the univocity of the concept of being, his emphasis on God’s freedom and its supposed consequences for moral theory, his defense of Mary’s immaculate conception, and his teaching on the primacy of Christ.

This book presents an interpretation of pharmaceutical, surgical and psychotherapeutic interventions based on a univalent metalanguage: biosemiotics. It proposes that a metalanguage for the physical, mental, social, and cultural aspects of health and medicine could bring all parts and aspects of human life together and thus shape a picture of the human being as a whole, made up from the heterogeneous images of the vast variety of sciences and technologies in medicine discourse. The book adopts a biosemiotics clinical model of thinking because, similar to the ancient principle of alchemy, tam ethice quam physice, everything in this model is physical as much as it is mental. Signs in the forms of vibrations, molecules, cells, words, images, reflections and rites conform cultural, mental, physical, and social phenomena. The book decodes healing, dealing with health, illness and therapy by emphasizing the first-person experience as well as objective events. It allows readers to follow the energy-information flows through and between embodied minds and to see how they form physiological functions such as our emotions and narratives.