Queen Peydra has refused to submit to the curse’s inevitability for nine years, but... Still struggling against the darkness of the ever-nearing curse and growing affections for her mysterious attendant, Peydra has occupied the throne of Drayden for nine years. During that time, she has spent untold hours crafting a proposal to remove the Protection Dictum from the Law Books, but her hope flounders after a meeting during which Ruling Council ignores the main tenants of it, even in conversation. The evening after the discouraging meeting, an assassin brings a crooked blade down upon her bedclothes and Anthony is wounded as he fights with the intruder. He hides it behind machismo, but it backfires. While he recovers, and as things seem to be calming, hooded men abduct the queen and demand she give them the Stone of Drayden, a legendary object that grants the possessor important monarchical rights. When she is found and returned to the palace, she is not the same. Anxieties that she could quiet before the abduction roar in her ears and give her chest pains. Then Speaker Glorienzel is found dead at his estate and a new enigmatic man comes to take his place just as her proposal to remove the curse from law is threatened by The Cleaning of the Law Books, a tradition which she knows has the power to destroy her proposal’s viability, and the nine years she spent crafting it. With that hope-squashing thought, she soon begins to lose confidence, especially as Anthony abandons her for Theôran. Questions about Anthony’s identity and whether he will return shroud her days. His absence leaves her vulnerable to the machinations of the new Speaker of the Council. Will she abandon hope of defeating the curse and listen to Ruling Council’s demand that she ignore her intuition and place the handsome new Speaker on the throne? Abandoned Queen is the second of Fleming’s four book series, Curse of Royalty. Queen Peydra continues her struggle against the darkness of the curse, endures consequences for her bad decisions, and denies the growing affections for and dependence on her attendant. Anthony attempts to keep the queen safe despite her foolish decisions.

In the same rented apartment in a city, two men and women with completely different personalities were gathered together ... He was indifferent, silent, indifferent to things that had nothing to do with him. She, beautiful and generous, kind and pleasant, full of vivacity and sometimes charm. In her mind, he was an eccentric "uncle"; in his mind, she was a gentle and lovely "sister". Perhaps the story of 'Uncle's Love Lolita' was an innocent fantasy, but what kind of touching story would actually happen between them ...

“Outlander meets Camelot” (Kirsty Logan, author of The Gracekeepers) in the first book of an exciting historical trilogy that reveals the untold story of Languoreth—a powerful and, until now, tragically forgotten queen of sixth-century Scotland—twin sister of the man who inspired the legendary character of Merlin. Intelligent, passionate, rebellious, and brave, Languoreth is the unforgettable heroine of The Lost Queen, a tale of conflicted loves and survival set against the cinematic backdrop of ancient Scotland, a magical land of myths and superstition inspired by the beauty of the natural world. One of the most powerful early medieval queens in British history, Languoreth ruled at a time of enormous disruption and bloodshed, when the burgeoning forces of Christianity threatened to obliterate the ancient pagan beliefs and change her way of life forever. Together with her twin brother Lailoken, a warrior and druid known to history as Merlin, Languoreth is catapulted into a world of danger and violence. When a war brings the hero Emrys Pendragon, to their door, Languoreth collides with the handsome warrior Maelgwn. Their passionate connection is forged by enchantment, but Languoreth is promised in marriage to Rhydderch, son of the High King who is sympathetic to the followers of Christianity. As Rhydderch's wife, Languoreth must assume her duty to fight for the preservation of the Old Way, her kingdom, and all she holds dear. “Moving, thrilling, and ultimately spellbinding” (BookPage), The Lost Queen brings this remarkable woman to life—rescuing her from obscurity, and reaffirming her place at the center of the most enduring legends of all time. “Moving, thrilling, and ultimately spellbinding, The Lost Queen is perfect for readers of historical fiction like The Clan of the Cave Bear and Wolf Hall, and for lovers of fantasy like Outlander and The Mists of Avalon” (BookPage).

Sheds light on the complex web of allusions that link medieval authors to their literary predecessors

Smith examines the different ways in which gay men use pop music, both as producers and consumers, and how, in turn, pop uses gay men. He asks what role culture plays in shaping identity and why pop continues to thrill gay men. These 40 essays and interviews look at how performers, from The Kinks' Ray Davies to Gene's Martin Rossiter, have used pop as a platform to explore and articulate, conform to or contest notions of sexuality and gender. A defence of cultural differences and an attack on cultural elitism, Seduced and Abandoned is as passionate and provocative as pop itself.

At the heart of poetic tradition is a figure of abandonment, a woman forsaken and out of control. She appears in writings ancient and modern, in the East and the West, in high art and popular culture produced by women and by men. What accounts for her perennial fascination? What is her function—in poems and for writers? Lawrence Lipking suggests many possibilities. In this figure he finds a partial record of women's experience, an instrument for the expression of religious love and yearning, a voice for psychological fears, and, finally, a model for the poet. Abandoned women inspire new ways of reading poems and poetic tradition.

The continuing story of the residents of the planet Donovan as survival becomes more of a struggle.