After it was known that Jamaican natives failed interviews that were conducted in patois, the writer decided that it was time to awaken Patois. This book was written to inform readers that Patois is a written language which can be learned and spoken like any other language. The words and phrases in this book, originated from English, African, and Creole, and can be heard wherever Jamaican natives reside.

The Pain Tree tells stories that speak to all aspects of Jamaican life. Among the characters we hear from are: poor folk making the best of past hardships (“Coal”); rich folk plotting future selfishness (“The Goodness of My Heart”); an old man, familiar with darkness, who discovers in foreign capitalism a force even he cannot control (“Boxed-In”); a young girl, uprooted to a new country, forced to shoulder her mother’s unspoken burdens in addition to her own (“Lollipop”). Bookending these are two powerful stories about the inextricability of home and history: in “The Pain Tree,” the protagonist comes to realize the love she has abandoned, and the pain she has left behind; in “Flying,” the lead character, searching for that which has been missing most of his life, comes home for good. Senior navigates the hills and valleys of narrative with natural ease, interweaving thick strands of emotion and insight yet never losing sight of a story’s ebb and flow. Her Pain Tree is an engaging, thought-provoking read that transports readers fully to another place, where the unfamiliar and exciting clash and commingle with the universal.

It's been said that Jamaica is the heartbeat of the world. How can such a tiny island in the Caribbean give the world some of the best music, the best food, amazing beaches and some of the fastest athletes humanity has ever seen? Not to mention our accent and the way we talk, that everyone loves, but few understand. In this book lies the key to learning the language of Jamaica in easy to understand stories and instruction for the average lay person. Here's the best part, if you're fluent in the English language, you're more than halfway there. The experienced author brings a different spin on learning Jamaican Patois that gets you understanding the language extremely fast without the need for memorization and repetitious drills. Inside you'll find all the tools to have you speaking Jamaican Patois in record speed. Unlock the entire experience that is the Jamaican Culture.

Gardening in the Tropics contains a rich Caribbean world in poems offered to readers everywhere. Olive Senior's rich vein of humour can turn wry and then sharp in satire of colour-consciousness, class-consciousness and racism. But her predominant tone is the verbal equivalent of a pair of wide-open arms.

The African- Jamaican Aesthetics Cultural Retention and Transformation Across Borders centres on the use of African Jamaican Aesthetics in Jamaica’s literary traditions and its transformation and transmission in the diaspora.

A Jamaican language primer for native speakers and beginners alike. There are six sections: Origins, Grammar, Orthography, Vocabulary, Texts and a 50-page illustrated dictionary, presenting the basilectal register or "broad patois," using a modified Cassidy system for writing Jamaican. Selections include works by Claude McKay, Louise Bennett, Joan Andrea Hutchinson and Carolyn Cooper, alongside excerpts of classics from Laozi, Marcus Aurelius, Shakespeare, and Dickens, translated into Jamaican for the first time.

Every aspect of Barbadian history, geography, natural history, culture and society is covered.

Songs of Jamaica (1912) is a poetry collection by Claude McKay. Published before the poet left Jamaica for the United States, Songs of Jamaica is a pioneering collection of verse written in Jamaican Patois, the first of its kind. As a committed leftist, McKay was a keen observer of the Black experience in the Caribbean, the American South, and later in New York, where he gained a reputation during the Harlem Renaissance for celebrating the resilience and cultural achievement of the African American community while lamenting the poverty and violence they faced every day. “Quashie to Buccra,” the opening poem, frames this schism in terms of labor, as one class labors to fulfill the desires of another: “You tas’e petater an’ you say it sweet, / But you no know how hard we wuk fe it; / You want a basketful fe quattiewut, / ‘Cause you no know how ‘tiff de bush fe cut.” Addressing himself to a white audience, he exposes the schism inherent to colonial society between white and black, rich and poor. Advising his white reader to question their privileged consumption, dependent as it is on the subjugation of Jamaica’s black community, McKay warns that “hardship always melt away / Wheneber it comes roun’ to reapin’ day.” This revolutionary sentiment carries throughout Songs of Jamaica, finding an echo in the brilliant poem “Whe’ fe do?” Addressed to his own people, McKay offers hope for a brighter future to come: “We needn’ fold we han’ an’ cry, / Nor vex we heart wid groan and sigh; / De best we can do is fe try / To fight de despair drawin’ night: / Den we might conquer by an’ by— / Dat we might do.” With a beautifully designed cover and professionally typeset manuscript, this edition of Claude McKay’s Songs of Jamaica is a classic of Jamaican literature reimagined for modern readers.