'The forerunner of an entire school of African literary art.' Sunday Times Those men who are history now; did they feel like this? A 1950s Hampstead pub; a freezing night. Lois can't tear her eyes away from the haunted, restless African man in the corner. Over brandy and stew, she discovers he is in awe of her friend, Panafrica's greatest political writer and fighter. Their meeting inducts this stranger, Udomo, into London's revolutionary community of exiled African activists: the start of a life-changing journey. Amidst the internal politics and love affairs, Udomo is inspired by other leaders' independence uprisings; but when he returns to his native land to overthrow the colonial oppressors, his idealism is put to the ultimate test ... Inspired by Peter Abrahams' befriending of future African heads of state in mid-century London , A Wreath for Udomo (1956) is a radical lost classic, unforgettably exploring the nature of freedom, power, leadership and love.

Introduced by Jeff VanderMeer - 'a classic: stunning, dangerous, darkly beautiful' - welcome to the post-apocalyptic White Lotus: a luxury hotel at the end of the world in this lost 1967 dystopia ... 'Chilling and prescient.' Andrew Hunter Murray 'Elemental and true.' Kiran Millwood Hargrave 'Mesmerizing.' Sandra Newman 'Like someone from the future screaming to us.' Salena Godden The day we came up from the shelters four people were found dead on the steps of the hotel. Welcome to Termush: a luxury coastal resort like no other. All the wealthy guests are survivors: preppers who reserved rooms long before the Disaster. Inside, they embrace exclusive radiation shelters, ambient music and lavish provisions; outside, radioactive dust falls on the sculpture park, security men step over dead birds, and a reconnaissance party embarks. Despite weathering a nuclear apocalypse, their problems are only just beginning. Soon, the Management begins censoring news; disruptive guests are sedated; initial generosity towards Strangers ceases as fears of contamination and limited resources grow. But as the numbers - and desperation - of external survivors increase, they must decide what it means to forge a new moral code at the end (or beginning?) of the world ... Translated by Sylvia Clayton

'One of my all-time favourite novels.' Tsitsi Dangarembga 'The first African novel in English to draw international attention.' New York Times 'The forerunner of an entire school of African literary art.' Sunday Times And the black man and the white were like two men alone in the world .. Xuma will never forget the day he arrived in the Johannesburg slums: the charismatic woman who takes him in, the brutal police raids, the fights, friendships, dancing, drinking and romances - yet it soon feels like home. But when he becomes a leader in the city's gold mines, he is shocked by the racist treatment of the labourers. And as he begins to question whether 'man could be without colour', Xuma stages an act of defiance that changes his life forever . . . In 1946, Peter Abrahams' classic novel Mine Boy exposed South Africa's fledgling racial apartheid system and townships to the world - and its wisdom, vividness and political power endures to this day. What readers are saying: 'Beautiful, memorable characters [I've] remembered since my childhood. These are the kind of stories that make the world better for having been written.' 'A seminal work of African fiction ... Prose as unadorned as Solzhenitsyn or Hemingway.' 'I can still recall Xuma almost 20 years later ... A beautiful book.' 'An unsung gem, amazing ... Its simplicity makes the story such a dramatic tale.'

Trapped in History tells how the British colonised Kenya and how African nationalism arose under Jomo Kenyatta. It describes the terrifying first attacks by the guerrilla freedom fighters known as Mau Mau. Though defeated, the Mau Mau hastened the end of British rule in Kenya. Trapped in History explores the effect the uprising on the author, who grew up as a child in the Kenya colony. The book is both a history, as well as a memoir, of the end of Empire.

Comprenons-nous rellement le contenu principiel du contrat social? Comment combattre effacement la corruption. Pourquoi assistons-nous continuellement la dilution des repres normatifs, la monte du tribalisme et de la xnophobie? Comment contenir et radiquer les pandmies? Comment faire reculer la pauvret? Comment endiguer la monte de lincivisme du fanatisme religieux, de linscurit etc. Cet ouvrage ne vise aucun autre objectif que de pointer du doigt certains reflexes nuisibles dont lAfricain doit site se dbarrasser sil rve rellement dune meilleure Afrique.

This text combines Boehmer's keynote essays on the mother figure and the postcolonial nation, with incisive new work on male autobiography, 'daughter' writers, the colonial body, the trauma of the post-colony, and the nation in a transnational context.

This collection explores the complexities of black existence, and intellectual and cultural life in the work and legacies of centenarian writers, Peter Abrahams, Noni Jabavu, Sibusiso Cyril Lincoln Nyembezi and Es’kia Mphahlele

Worlds in one country is a compact, inclusive history of writing in South Africa from the nineteenth century to 1994 that crosses boundaries of language and colour, including prose, poetry and theatre.

Explores intellectual currents in African prose and verse from sung or chanted lines to modern writings