"Palmer was fourteen years old in September 1958 when he made the unlikely journey alone by train to Phillips Exeter Academy in New Hampshire. It is impossible to read this boy’s story―‘ninth child of ten, and the sixth of seven sons’―without feeling the loneliness of that first passage away from home―a black boy crossing into a bastion of white privilege―and the scale of the transformation that awaited him."―Carrie Brown, author of The Stargazer's Sister "My friendship with Larry has been among the most enduring of my Exeter friendships, but―before I read his memoir of social and racial dislocation―I never knew the story that unfolded in the home Larry left when he came to Exeter. Larry’s remarkable family story gives me a deeper appreciation of someone I met as a teenager and have known all my life. As a teammate and a friend, I always loved Larry. Now I understand him more."―John Irving “Larry Palmer’s Scholarship Boy is a poignant exploration of family, longing, and cultural disorientation, seen through the eyes of an African American teenager sent to live and study at a prestigious New England prep school in the 1950s. This absorbing story reminds us that the questions of race and identity we wrestle with today are nothing new, and progress, when it comes at all, often comes at a snail’s pace.”―Dinty W. Moore, author of Between Panic & Desire “Near the end of Larry Palmer’s fine memoir Scholarship Boy his family tries to assemble for a family portrait. The picture is difficult to compose: the family members are moving hither and yon, reassembling in different configurations, struggling to honor the intricacies that govern the Palmer clan. And they are a rich and complex family, with Lear-like grand personalities. Scholarship Boy is also a book about a very brilliant young man who went to Phillips Exeter, Harvard College, and Yale Law School. It is a tale of his loneliness, his desire to honor his parents’ dictates, his difficulty in living in two worlds, and his ability, thank goodness, to find mentors, institutions, and friends to sustain him. It is also a very poignant narrative, full of pathos and love, about one family’s participation in recent African American history, including segregation, school integration, and dreams fulfilled and nullified. Honest, gracefully written, and uncompromisingly vulnerable, Larry Palmer’s book is unceremoniously generous. Palmer does not grandstand: He is never simply this or that. He is, in the best sense, simply himself: A man trying to stand in a furious whirlwind.” ―Kenneth A. McClane, W.E.B. DuBois Professor of Literature Emeritus, Cornell University “On the surface, this is the story of a black boy’s adventure of finding his way in the all-white, blazers, ties and sports world of an all-boys boarding school in the 1950s. Its heart, however, is the family this boy comes from. As the next to the youngest of ten, it was the older brothers and sisters who gave this scholarship boy the chops to navigate the treacherous waters of an alien world with aplomb and make the best of his opportunities. What an apt tribute that each of them gets to step into the limelight of this luminous coming-of-age memoir.”―Annette Gendler, author of Jumping Over Shadows and How to Write Compelling Stories from Family History

On December 17, 1993, a freak accident split Waynes pelvis in half to create what is known as an open book fracture, a life threatening injury with a lifelong impact on the survivor. From the moment his wife Martine was told that he may not survive, to the ongoing pain and torment of being emasculated and impotent, this book details a brave journey to recovery while having to reconcile with a life, and a marriage, forever changed. Love is the name of our pursuit for wholeness, our desire to be complete. ~Plato, The Symposium Marriage vows include through sickness and health, but what happens when the sickness is due to traumatic injury that left the victim not only with a walking disability, but also with sexual dysfunction? How does this play into the lives, and bedrooms, of the marriage partners?

Christian faith and theology always reflect the culture patterns of thinking, understanding and worldview in which they are planted. Western Culture for nearly 2500 years has looked to the philosophical heritage of ancient Greece to interpret reality, particularly the dualistic patterns of thinking set forth by Plato and Aristotle. In contrast to this Greek dualism, Christianity arose out of the Hebraic worldview whose thinking patterns are holistic, as opposed to dualistic. But both Catholicism and Protestantism have been held captive to various forms of dualism since the fifth century. Dualism has robbed Western culture of freedom and cut us off from and hope of a true knowledge of reality in itself. Instead it has limited knowledge to mere appearances. In the past century, the rise of the theories of Relativity and Quantum Mechanics has shown that reality is holistic and interrelated rather than reflecting two underlying irreconcilable (dualistic) realms. A World Split Apart provides a survey of dualism and its effects on Western culture and theology. And shows that we can truly have a holistic understanding of reality, and opens the door for a more profound, consistent and rational understanding of the Trinity, the person of the incarnate Christ and the implications that these theological realities have for all of life.

“A satire of writerly ambition wrapped in a psychological thriller . . . An homage to Patricia Highsmith, Oscar Wilde and Edgar Allan Poe, but its execution is entirely Boyne’s own.”—Ron Charles, The Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND MINNEAPOLIS STAR TRIBUNE Maurice Swift is handsome, charming, and hungry for fame. The one thing he doesn’t have is talent—but he’s not about to let a detail like that stand in his way. After all, a would-be writer can find stories anywhere. They don’t need to be his own. Working as a waiter in a West Berlin hotel in 1988, Maurice engineers the perfect opportunity: a chance encounter with celebrated novelist Erich Ackermann. He quickly ingratiates himself with the powerful – but desperately lonely – older man, teasing out of Erich a terrible, long-held secret about his activities during the war. Perfect material for Maurice’s first novel. Once Maurice has had a taste of literary fame, he knows he can stop at nothing in pursuit of that high. Moving from the Amalfi Coast, where he matches wits with Gore Vidal, to Manhattan and London, Maurice hones his talent for deceit and manipulation, preying on the talented and vulnerable in his cold-blooded climb to the top. But the higher he climbs, the further he has to fall. . . . Sweeping across the late twentieth century, A Ladder to the Sky is a fascinating portrait of a relentlessly immoral man, a tour de force of storytelling, and the next great novel from an acclaimed literary virtuoso. Praise for A Ladder to the Sky “Boyne's mastery of perspective, last seen in The Heart's Invisible Furies, works beautifully here. . . . Boyne understands that it's far more interesting and satisfying for a reader to see that narcissist in action than to be told a catchall phrase. Each step Maurice Swift takes skyward reveals a new layer of calumny he's willing to engage in, and the desperation behind it . . . so dark it seems almost impossible to enjoy reading A Ladder to the Sky as much as you definitely will enjoy reading it.”—NPR “Delicious . . . spins out over several decades with thrilling unpredictability, following Maurice as he masters the art of co-opting the stories of others in increasingly dubious ways. And while the book reads as a thriller with a body count that would make Highsmith proud, it is also an exploration of morality and art: Where is the line between inspiration and thievery? To whom does a story belong?”—Vanity Fair

"A truly profound debut."—Buzzfeed "A time-bending suspense that's contemplative and fresh, evocative and gripping."—USA Today "Henry's story captivates, both as a romance and as an imaginative rethinking of time and space."—Publishers Weekly "This time-traveling, magical, and beautifully written love story definitely deserves a spot on your bookshelf."—Bustle Emily Henry's stunning debut novel is Friday Night Lights meets The Time Traveler's Wife and perfectly captures those bittersweet months after high school, when we dream not only of the future, but of all the roads and paths we've left untaken. Natalie's last summer in her small Kentucky hometown is off to a magical start . . . until she starts seeing the "wrong things." They're just momentary glimpses at first—her front door is red instead of its usual green, there’s a preschool where the garden store should be. But then her whole town disappears for hours, fading away into rolling hills and grazing buffalo, and Nat knows something isn't right. Then there are the visits from the kind but mysterious apparition she calls "Grandmother," who tells her, "You have three months to save him." The next night, under the stadium lights of the high school football field, she meets a beautiful boy named Beau, and it's as if time just stops and nothing exists. Nothing, except Natalie and Beau.

Filled with beauty, terror and strangeness, This Census-Taker is a poignant and riveting exploration of memory and identity. "One of our most important writers." Independent on Sunday In a remote house on a hilltop, a lonely boy witnesses a traumatic event. He tries - and fails - to flee. Left alone with his increasingly deranged parent, he dreams of safety, of joining the other children in the town below, of escape. When at last a stranger knocks at his door, the boy senses that his days of isolation might be over. But by what authority does this man keep the meticulous records he carries? What is the purpose behind his questions? Is he friend? Enemy? Or something else altogether? PRAISE FOR CHINA MIEVILLE 'You can't talk about Miéville without using the word "brilliant".' Ursula Le Guin, Guardian 'Miéville is gifted with an incomparable visionary imagination.' Financial Times 'Miéville - twice winner of the British Fantasy Award and three times winner of the Arthur C. Clarke Award - is head and shoulders above other writers in this genre.' The Times 'With each book Miéville becomes more and more ambitious, with a profusion of ideas and images on each page that makes other contemporary books look thin and reductive.' Scotland on Sunday