Canada’s most celebrated and acclaimed actor lets loose in a magnificent memoir that will delight and enchant readers across the country. A rollicking, rich self-portrait written by one of today’s greatest living actors. The story of a “young wastrel, incurably romantic, spoiled rotten” – his privileged Montreal background, rich in Victorian gentility, included steam yachts, rare orchid farms, music lessons in Paris and Berlin – “who tore himself away from the ski slopes to break into the big, bad world of theater not from the streets up but from an Edwardian living room down.” Plummer writes of his early acting days – on radio and stage with William Shatner and other fellow Canadians; of the early days of the Stratford Festival in southern Ontario; of his Broadway debut at twenty-four in The Starcross Story, starring Eva Le Gallienne (“It opened and closed in one night, but what a night!”); of joining Peter Hall’s Royal Shakespeare Company (its other members included Judi Dench, Vanessa Redgrave and Peter O’Toole); of his first picture, Stage Struck, directed by Sidney Lumet; and of The Sound of Music, which he affectionately dubbed “S&M.” He writes about his legendary colleagues: Dame Judith Anderson (“the Tasmanian devil from Down Under”); Sir Tyrone Guthrie; Sir Laurence Olivier; Elia Kazan (“this chameleon of chameleons might change into you, wear your skin, steal your soul”); and “that reprobate” Jason Robards, among many others. A revelation of the wild and exuberant ride that is the actor’s – at least this actor’s – life.

In Dancing in Spite of Myself, Lawrence Grossberg--well known as a pioneering figure in cultural studies--has collected essays written over the past twenty years that have also established him as one of the leading theorists of popular culture and, specifically, of rock music. Grossberg offers an original and sophisticated view of the growing power of popular culture and its increasing inseparability from contemporary structures of economic and political power and from our everyday lives. In the course of conducting this exploration into the meaning of "popularity," he investigates the nature of fandom, the social effects of rock music and youth culture, and the possibilities for understanding the history of popular texts and practices. Describing what he calls "the postmodernity of everyday life," Grossberg offers important insights into the relation of pop music to issues of postmodernity and inton the growing power of the new cultural conservatism and its relationship to "the popular." Exploring the limits of existing theories of hegemony in cultural studies, Grossberg reveals the ways in which popular culture is being mobilized in the service of economic and political struggles. In articulating his own critical practice, Grossberg surveys and challenges some of the major assumptions of popular culture studies, including notions of domination and resistance, mainstream and marginality, and authenticity and incorporation. Dancing in Spite of Myself provides an introduction to contemporary theories of popular culture and a clear statement of relationships among theories of the nature of rock music, postmodernity, and conservative hegemony.

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In this life-changing and entertaining book, Ann Kaplan offers thirteen witty, wry and inspiring chapters full of personal stories, no-nonsense advice and self-empowerment exercises that will help any reader understand how to get out of their own way. If you want to find a new life and if you want to be successful, Ann Kaplan has the answer. Straightforward, hilarious and unapologetic she provides the tools and advice that will help you move those self-imposed roadblocks, find wealth (greater than you ever imagined) and, yes, how to step on a path toward a life of true success.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1872 edition. Excerpt: ...rank; of country clergymen, and doctors, and lawyers, and gentle yeomen, who, without thinking scornfully, or even humbly, of their ancestors and worth, are too modest and sensible and proud ever to think of themselves as members of "the county" society of their respective shires. The most important personages of the Sunningwold "set," to which my readers are introduced, are a few old-fashioned people having status in quite a lowly grade of the local aristocracy; a few well-beneficed and fairly-educated rectors, with no pretentions to patrician quality; a few rather prosperous squires, like the Normans, and Pethericks, and Godbolds, who, though very great people in their own parishes and under the shadow of their own trees--especially at times of contested elections--are scarcely known even by name to the squires of like degree living on the other side of the county. The richest man in the whole set is Squire Clissold, who, though his name may be found on the roll of a certain club in Pall-mall, is seldom seen in London unless he is on his way through the capital to a grand Agricultural Show in a distant county, or has come up to the metropolis, shortly before Christmas, to receive yet another silver tankard or cup from the judges of the Smithfield Cattle Club. It was into a "set" of this prosperous and thor oughly gentle kind that the Reverend Felix Kinsman was received promptly and cordially on establishing himself at Sunningwold. And when I remember the ordinary fate of the Anglican curate, --when I recall how many of our' subordinate clergy, gentlemen of high culture and perfect refinement (who have borne themselves honourably at their universities, where collegiate life has trained them to...

The first history of the women's movement in Ukraine.