The Delaware Valley Womens Fly Fishing Association has nourished a passion for fly-fishing in hundreds of women since 1996. This was when women were rare participants in outdoor sports, but during the clubs first two decades, this has changed dramatically. So many women are now fly-fishing that they have become the most important market segment in the fly-fishing industry. This book tells the story of some of these women, how they developed an interest in fly-fishing, and why. More importantly, this book is a celebration, not just of the DVWFFAs twentieth anniversary, but of fly-fishing itself, in the form of the best of articles from its widely praised newsletter. Beginners and veteran anglers of all ages and from all walks of life share their enthusiasm and love for the sport. From Cancun to Canada, fly-fishing saltwater, streams, ponds, and rivers, they share their insights, humor, and learning experiences, proving that good womens fly-fishing stories are just plain great fishing yarns.

"Many of these writers came to fly fishing in order to defy, or to wow, or to woo a man. But once the River speaks, the man becomes a superfluous distraction and a woman finds herself standing alone, in living water, defying and wowing the self. This is the moment the fly fisher is born. This beautiful birth is the heartbeat of these stories."-David James Duncan, author of The River Why and The Brothers K ? Includes stories by Pulitzer-Prize-winner E. Anne Proulx, Cowboys Are My Weakness author Pam Houston, fly casting champion Joan Slavato Wulff, Lorian Hemingway, LeAnne Schreiber, and more ? Since the success of Fly Fishing Through the Midlife Crisis and A River RUns Through It, fly fishing has been growing in popularity among both sexes ? ?Both men and women will enjoy these sometimes poignant, more often humorous tales of uniformly high literary quality.? ?Library Journal

In 2009, Republican Nevada state legislator Sharron Angle declared her candidacy against Democrat United States Senate Majority Leader Harry Reid - one of the most powerful men in the nation. Thus began a whirlwind year that would take Angle, a former teacher and housewife, from relative obscurity to becoming a leading voice in the surging TEA Party movement. Reid and the political establishment spent millions of dollars telling voters about their version of Sharron Angle. In Right Angle, youll meet the real Sharron Anglein her own words. Youll meet the concerned mother who ran for the local school board to help change homeschooling laws. Youll follow Sharron during her run against her own partys big government establishment to win a seat in the Nevada Legislature and throughout her subsequent ?ghts to preserve the Constitution.

Principles of Gender-Specific Medicine examines how normal human biology differs between men and women and how the diagnosis and treatment of disease differs as a function of gender. This revealing research covers various conditions that predominantly occur in men, and as well conditions that predominantly occur in women. Among the subjects covered are cardiovascular disease, mood disorders, the immune system, lung cancer as a consequence of smoking, osteoporosis, diabetes, obesity, and infectious diseases. * Gathers important information in the field of gender-based biology and clinical medicine, proving that a patient's sex is increasingly important in preventing illness, making an accurate diagnosis, and choosing safe and effective treatment of disease * Addresses gender-specific areas ranging from organ transplantation, gall bladder and biliary diseases, to the epidemiology of osteoporosis and fractures in men and women * Many chapters present questions about future directions of investigations

A beautiful young woman is in shock. She calls John Strangeways, a medical lawyer who must piece together the strange disparate facts of her case and in turn, becomes fearful for his life. Only Dr Thorndyke, a master of detection, may be able to solve the baffling mystery of Angelina Frood.

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in African American cabarets and on the cultural linkage between popular black musical styles and "natural" acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor.