Anne Aly, Liz Byrski, Sarah Drummond, Mehreen Faruqi, Goldie Goldbloom, Krissy Kneen, Jeanine Leane, Brigid Lowry and Pat Torres are among fifteen voices recounting what it is like to be a woman on the other side of 40. These are stories of identity and survival, and a celebration of getting older and wiser, and becoming more certain of who you are and where you want to be.

In 18th century France, letter writing became extremely fashionable, particularly amongst women. In this work, Dena Goodman opens up the world of these women though the letters which they wrote. Concentrating on the letters of four women from different social backgrounds, she shows how they came to womanhood through their writing.

This timely book assembles a chorus of sophisticated, edgy, and humorous voices on the topic of being unmarried in one’s prime. Far from being out to pasture, these writers zestily take on the challenges and enjoy the rewards of growing older as a single woman: sex (or not), occasional loneliness, single motherhood, second careers, menopause, critter comforts, and more. Joyce Maynard (“fifteen years divorced and pushing fifty with a short stick”) tries online dating, Kathi Kamen Goldmark embraces her newly empty nest, Susan Griffin savors the joys of solo travel, Wendy Merrill dumps a younger lover to save her self-esteem, Diane Mapes prefers the joys of aunthood over motherhood, Ms. Gonick dates a sexy (if uneducated) cowboy, and Rachel Toor finally finds the perfect companion — and he has four legs.

“The remarkable women celebrated in [this] vibrantly illustrated collection . . . offer stirring words of encouragement to any woman, of any age” (Booklist). The glory of growing older is the freedom to be more truly ourselves. With age we gain the confidence to pursue bold new endeavors and worry less about what other people think. In this richly illustrated volume, bestselling author and artist Lisa Congdon explores the power of women over the age of forty who are thriving and living life on their own terms. A Glorious Freedom includes profiles, interviews, and essays from women such as Vera Wang, Laura Ingalls Wilder, Julia Child, Cheryl Strayed, and many others who have found creative fulfillment and accomplished great things in the second half of their lives. Each section is lavishly illustrated and hand-lettered in Congdon's signature style.

A New York Times Bestseller An audacious, irreverent investigation of human behavior—and a first look at a revolution in the making Our personal data has been used to spy on us, hire and fire us, and sell us stuff we don’t need. In Dataclysm, Christian Rudder uses it to show us who we truly are. For centuries, we’ve relied on polling or small-scale lab experiments to study human behavior. Today, a new approach is possible. As we live more of our lives online, researchers can finally observe us directly, in vast numbers, and without filters. Data scientists have become the new demographers. In this daring and original book, Rudder explains how Facebook "likes" can predict, with surprising accuracy, a person’s sexual orientation and even intelligence; how attractive women receive exponentially more interview requests; and why you must have haters to be hot. He charts the rise and fall of America’s most reviled word through Google Search and examines the new dynamics of collaborative rage on Twitter. He shows how people express themselves, both privately and publicly. What is the least Asian thing you can say? Do people bathe more in Vermont or New Jersey? What do black women think about Simon & Garfunkel? (Hint: they don’t think about Simon & Garfunkel.) Rudder also traces human migration over time, showing how groups of people move from certain small towns to the same big cities across the globe. And he grapples with the challenge of maintaining privacy in a world where these explorations are possible. Visually arresting and full of wit and insight, Dataclysm is a new way of seeing ourselves—a brilliant alchemy, in which math is made human and numbers become the narrative of our time.

Following in the footsteps of thousands of pilgrims, penitents, and seekers over centuries, in 2012 Ellen Waterston walked the sacred ground of Spain's Camino de Santiago in search of answers to "What's next?" questions, a quest prompted by stepping down after 11 years as founder/director of a literary arts nonprofit. The list of life questions Waterston was certain she would resolve was quickly supplanted by what the Camino had in mind. Upon her return to Oregon, sorting through mementos of the trip, she was struck by a map of the ten Camino routes that converge in Santiago. The image of a woman leaping rose from the map and Camino Woman was born. This fictional character is the embodiment of all holy women marginalized by patriarchal religions, and spawned other characters, including a fictionalized peregrina of a certain age," a stylized and profane Catholic church in Father Tomas, an omniscient third-person voice, the role of the hospitalero as wisdom keeper, and caricatures of others met along the way. The title of the book has its origins in the fact that the Camino is often referred to as the Via Lactea, a reference to the fact that the Milky Way is always overhead when walking the Camino. Via Lactea is a verse novel, with a storyline that threads through it. It includes many styles and forms of poetry including free verse, new forms, and traditional ones-such as the haibun, described as terse prose usually ending with a haiku. The haibun is often associated with travel writings. Another form, the tanka, is sometimes referred to as "short song." Its meter and shape on the page both mimicked the robotic action, day after day, of walk, eat, sleep, walk some more, and the isolation Waterston sometimes felt on the trail. Another form, the ghazal, is built of couplets and repetitions. For Waterston, its form mirrored the constant rain, day after day, while on the Camino.

A Best Book of the Year: The Washington Post • Chicago Tribune • NPR • Vogue • Elle • Real Simple • InStyle • Good Housekeeping • Parade • Slate • Vox • Kirkus Reviews • Library Journal • BookPage Longlisted for the 2020 Booker Prize An Instant New York Times Bestseller A Reese's Book Club Pick "The most provocative page-turner of the year." --Entertainment Weekly "I urge you to read Such a Fun Age." --NPR A striking and surprising debut novel from an exhilarating new voice, Such a Fun Age is a page-turning and big-hearted story about race and privilege, set around a young black babysitter, her well-intentioned employer, and a surprising connection that threatens to undo them both. Alix Chamberlain is a woman who gets what she wants and has made a living, with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains' toddler one night, walking the aisles of their local high-end supermarket. The store's security guard, seeing a young black woman out late with a white child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right. But Emira herself is aimless, broke, and wary of Alix's desire to help. At twenty-five, she is about to lose her health insurance and has no idea what to do with her life. When the video of Emira unearths someone from Alix's past, both women find themselves on a crash course that will upend everything they think they know about themselves, and each other. With empathy and piercing social commentary, Such a Fun Age explores the stickiness of transactional relationships, what it means to make someone "family," and the complicated reality of being a grown up. It is a searing debut for our times.

A probing account of the honored place of older women in ancient matriarchal societies restores to contemporary women an energizing symbol of self-value, power, and respect.