A trip through someone else's mind would not be a pleasant journey. Even if you did not stumble across anything truly abhorrent, you could hardly avoid a good deal of ugly thoughts - hostile attitudes towards friends, negative stereotypes of groups, plenty of contempt, and a whole host ofshocking fantasies. But what is our moral relationship to our ideas? Are we justified in morally condemning ugly thoughts? In A Wild West of the Mind, George Sher argues for the provocative thesis that the realm of the purely mental is a "morality-free zone." Within that realm, no thoughts orattitudes are forbidden or required. Morality properly constrains our actions in a world full of others, but in a sense, our thoughts are off-limits-each person's individual subjectivity is boundless.Sher begins by arguing against a reigning assumption in much of moral philosophy that morality has a bearing not only on how we act, but also on what we think and feel. On Sher's view, we cannot subject private thoughts to moral evaluation or constraint precisely because they are confined to themental sphere. Actions are morally condemnable when they do harm to others; by definition, though it may motivate a harmful action, a thought in itself cannot do harm. This does not mean, of course, that our mental states are not subject to any evaluations whatsoever. Our beliefs can be irrationaland our desires can be vicious, reflecting badly on our character, but we cannot say they are "wrong" or impermissible as such. From here, Sher presents a positive defense of "free thought," one that posits that constraining our mental lives with moral proscriptions poses a severe threat to ourmental freedom, one that can significantly impoverish our lives. Broad in scope and tightly argued, this book will have much to offer philosophers working in ethics, free will, and epistemology.

Meet Cowboy Joel and Blackbeard the lizard. Both are missin' some parts, but will that keep 'em from standin' up to El Maton and winnin' the wild wild west?

New York Times bestselling author and Newbery Honor recipient Steve Sheinkin welcomes young readers to the thrilling, tragic, and downright wild historic adventure of America’s westward expansion in Which Way to the Wild West? Everything Your Schoolbooks Didn’t Tell You About America’s Westward Expansion, featuring illustrations by Tim Robinson. 1805: Explorer William Clark reaches the Pacific Ocean and pens the badly spelled line “Ocian in view! O! the joy!” (Hey, he was an explorer, not a spelling bee champion!) 1836: Mexican general Santa Anna surrounds the Alamo, trapping 180 Texans inside and prompting Texan William Travis to declare, “I shall never surrender or retreat.” 1861: Two railroad companies, one starting in the West and one in the East, start a race to lay the most track and create a transcontinental railroad. With a storyteller's voice and attention to the details that make history real and interesting, Steve Sheinkin delivers the wild facts about America's greatest adventure. From the Louisiana Purchase (remember: if you're negotiating a treaty for your country, play it cool.) to the gold rush (there were only three ways to get to California--all of them bad) to the life of the cowboy, the Indian wars, and the everyday happenings that defined living on the frontier. “An engaging...medley of anecdotes about the Wild West in nine lively chapters starting with the Louisiana Purchase and ending with the Lakota massacre at Wounded Knee in 1890. Casual vignettes of famous figures and ordinary people come to life.” —School Library Journal “Sheinkin builds his conversational narrative around stories of the men and women who peopled the west, with particular attention given to African Americans, Chinese workers, and everyday farmers and cowboys. There's plenty of humor here, but Sheinkin's strength is his ability to transition between events.”—The Horn Book Also by Steve Sheinkin: Bomb: The Race to Build—and Steal—the World's Most Dangerous Weapon The Notorious Benedict Arnold: A True Story of Adventure, Heroism & Treachery The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights Undefeated: Jim Thorpe and the Carlisle Indian School Football Team Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War King George: What Was His Problem?: Everything Your Schoolbooks Didn't Tell You About the American Revolution Two Miserable Presidents: Everything Your Schoolbooks Didn't Tell You About the Civil War Born to Fly: The First Women's Air Race Across America

Born to be a cowgirl, city-dweller Hannah Mae O'Hannigan gets a pony for the back yard and practices herding hamsters before proving her worth on her Uncle Coot's ranch out West.

Blame is an unpopular & neglected notion that goes against the grain of a therapeutically-orientated culture & has received relatively little philosophical attention. George Sher discusses questions about the nature, normative status & the relation to character of blame, arguing that it is inseparable from morality itself.

Depth psychologist Plotkin describes himself as a "psychologist gone wild." As a cultural visionary, author, and wilderness guide, he's been breaking trail for decades. Plotkin's revisioning of psychology invites readers into a conscious and embodied relationship with the more-than-human world.

Using letters written by Agnes Hatley, the author takes readers on a journey through Agnes' engagement to James Kinnier Wilson, their marriage, travels and their arrival and life in America.

Very few games seek to redefine the conventions of roleplaying as does the Mind's Eye Theatre line. There are no tables or dice involved in Mind's Eye Theatre games. Instead, you become a part of the story. You assume the role of your character as soon as you step through the door, enacting every action, movement and gesture. For the purposes of the game, you are your character. The live-action worlds of werewolves and the Wild West, combined!

William F. “Buffalo Bill” Cody was the most famous American of his age. He claimed to have worked for the Pony Express when only a boy and to have scouted for General George Custer. But what was his real story? And how did a frontiersman become a worldwide celebrity? In this prize-winning biography, acclaimed author Louis S. Warren explains not only how Cody exaggerated his real experience as an army scout and buffalo hunter, but also how that experience inspired him to create the gigantic, traveling spectacle known as Buffalo Bill’s Wild West Show. A dazzling mix of Indians, cowboys, and vaqueros, they performed on two continents for three decades, offering a surprisingly modern view of the United States and a remarkably democratic version of its history. This definitive biography reveals the genius of America’s greatest showman, and the startling history of the American West that drove him and his performers to the world stage.

Chronicles the history of the American frontier from 1800 to 1899, discussing how the expansion into the lands west of the Mississippi influenced the nation's formation.