“We are in the presence here of a major American poet whose voice at mid-century in her own life is increasingly marked by moral passion.”—New York Times Book Review

"Adrienne Rich's poetry has long engaged critics in questions about the nature of poetic art, the character of poetic tradition, and the value of poetry as a political and cultural activity. At the same time, it has attracted many general readers, largely because it expresses the personal, social, and intellectual crises faced by feminists during the last thirty years." "In this study, Alice Templeton looks at the ways in which feminist thinking has influenced Rich's poetics while, simultaneously, her poetic practice has shaped her feminist conceptions. Templeton begins by exploring the tensions between epic, eulogistic, and lyric claims made in the poems collected in Diving into the Wreck (1973). She then examines the strategies Rich uses in subsequent collections to test and refine her feminist thinking. Templeton focuses, in particular, on the "dialogic moments" of cultural participation that Rich's poetry provides for the poet and the reader. These "moments," Templeton argues, can dispel myths of social determinism even as they implicate readers in an ethically charged communal bond." "By demonstrating the contributions that Rich has made both to feminist thinking and to our ways of reading poetic tradition, The Dream and the Dialogue treats Rich as a poet of ideas and places her work solidly in the context of contemporary literary theory."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"Trust Rich, a clarion poet of conscience, to get the fractured timbre of the times just right."--Booklist, starred review In this new collection Adrienne Rich confronts dislocations and upheavals in the United States at the beginning of the twenty-first century. The title poem, in a young schoolteacher's voice, evokes the lessons that children ("Not of course here") learn amid violence and hatred, "when the whole town flinches / blood on the undersole thickening to glass." "Usonian Journals 2000" intercuts faces and conversations, building to a dystopic/utopic vision. Throughout these fierce and musical poems, Rich traces the imprint of a public crisis on individual experience: personal lives bent by collective realities, language itself held to account.

"Adventures in Lesbian Philosophy contains many illuminating discussions (of S/M sex, lesbian ethics, lesbian desire, bisexuality), and includes a useful bibliography of lesbian criticism." --Passion "This new collection edited by Claudia Card includes important articles of interest to feminist philosophy relating to lesbian feminist issues and ethics." --Ethics "... a fun and engaging conceptual romp." --Journal of the History of Sexuality These essays explore diverse positive understandings of "lesbian philosophy," from contested sexual behaviors such as pornography and sadomasochism to the meaning of "lesbianism." Editor Claudia Card has also included an up-to-date bibliography of lesbian philosophy and related works.

Perhaps the most defining characteristic of American literature composed after World War II is the rejection of conventional form and structure with its increasingly uninhibited and experimental style. Embracing works from previously marginalized groups like African Americans and women and ushering in new genres, contemporary American literature has progressively begun to mirror the American population in diversity and versatility. In this volume, readers are invited to think critically about the social issues and ideas that are as much a part of modern American life as they are of modern American literature.

"Henneberg shows how these writers offer radically different but richly complementary strategies for breaking the silence surrounding age. Rich provides an approach to aging so strongly intertwined with other political issues that its complexity may keep us from immediately identifying age as one of her chief concerns. On the other hand, Sarton's direct treatment of aging sensitizes us to its importance and helps us see its significance in such writings as Rich's. Meanwhile, Rich's efforts to politicize age create stimulating contexts for Sarton's work. Henneberg explores elements of these writers' individual poems that develop themes of aging, including imagery and symbol, the construction of a persona, and the uses of rhythms to reinforce the themes. She also includes analyses of their fiction and nonfiction works and draws ideas from age studies by scholars such as Margaret Morganroth Gullette, Kathleen Woodward, and Thomas Cole."--From publisher description.

With the transformation and expansion of the nineteenth-century American literary canon in the past two decades, the work of the era's American women poets has come to be widely anthologized. But scant scholarship has arisen to make full sense of it. From School to Salon responds to this glaring gap. Mary Loeffelholz presents the work of nineteenth-century women poets in the context of the history, culture, and politics of the times. She uses a series of case studies to discuss why the recovery of nineteenth-century women's poetry has been a process of anthologization without succeeding analysis. At the same time, she provides a much-needed account of the changing social contexts through which nineteenth-century American women became poets: initially by reading, reciting, writing, and publishing poetry in school, and later, by doing those same things in literary salons, institutions created by the high-culture movement of the day. Along the way, Loeffelholz provides detailed analyses of the poetry, much of which has received little or no recent critical attention. She focuses on the works of a remarkably diverse array of poets, including Lucretia Maria Davidson, Lydia Sigourney, Maria Lowell, Frances Ellen Watkins Harper, Emily Dickinson, Helen Hunt Jackson, and Annie Fields. Impeccably researched and gracefully written, From School to Salon moves the study of nineteenth-century women's poetry to a new and momentous level.

Originally published in 2002 God, Literature and Process Thought looks at the use of God in writing, as a part of the creative advance, immersed in the processes of reality and affected by events in the world. This edited collection outlines and promotes the novel view that there is much to be gained when those who value the insights of process thought ‘encounter’ the many and varied writers of literature and literary theory. It also celebrates the notion of process poesis, a fresh way of reflecting theologically and philosophically that takes account of literary forms and promises to transform creatively the very structure of process thought today.

A collection of biographical information about outstanding women in American history.