This book deals with Christian lament in the late Reformation by exploring the efforts of a talented yet little-known layman to cope with the death of his beloved wife. A work of haunting candor and searching faith, The Pious Meditations furnishes insight into life in the past as well as resources for life in the present.

A loving father explores with honesty and intensity all facets of his grief at the death of his 25-year-old son.

My husband died, my life collapsed.

In this volume Robin Parry not only builds on traditional scholarship to interpret the book of Lamentations within its ancient context but also ventures further, exploring how the book can function as Christian Scripture. Parry provides the first systematic attempt to read Lamentations in light of the cross and resurrection. --from publisher description

Widows of the Great War is the first major account of the experience of women who had to cope with the death of their husbands during the conflict and then rebuild their lives. It explores each stage of their bereavement, from the shock of receiving the news that their husband had been killed, through grief and mourning to the practical issues of compensation and a widow's pension. The way in which the state and society treated the widows during this process is a vital theme running through the book as it reveals in vivid detail how the bureaucracy of war helped and hindered them as they sought to come to terms with their loss. Andrea Hetherington also describes often overlooked aspects of bereavement, and she features many telling first-hand accounts from the widows themselves which show how they saw their situation and how they reacted to it. Her study gives us a fascinating insight into the way in which the armed services and the government regarded war widows during the early years of the twentieth century.

This is a story of a Widow's journey from grief to life happiness. Lori, a wife, mother, career woman, politician, and independent thinker, found herself one day without her husband of 36 years, he was the love of her life. A transformation took place over the next 4 years, significant enough that her depression diminished and she was able to get off all medications that had been prescribed for many years. It wasn't easy. The children she loved could not accept the changed mother. Even as full grown adults, they were also grieving. Happiness comes in various forms...but ultimately, she found that she was happiest when she purposely moved her intentions into pure positiveness, doing the things she knew that felt right. She became healthier, happier, and significantly drawn into her resolve that if you take care of yourself first, then everything else is better. Find the joy and fun of being, and dont look back. Lori writes in her own words with frankness and honesty of her soul-searching journey through widowhood. When practicing the art of "letting go" her life dramatically changed towards different path - one of spirituality, mystical belief, freedom, and acknowledging that her path unfolded the way it's supposed to go, and nothing is ever wrong. This is a book for those who lost the love of their life. Many would find her feistiness uplifting and healing. This book is a thoughtful gift for anyone struggling with new widowhood, or in the need of finding a mid-life process for reimagining their own possibilities. Enjoy her view of widowhood from her transformation towards her journey of love. Enjoy her view of widowhood from the physical changes towards her journey of love.

The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman's Lament in Greek Tragedy addresses the possible meanings ancient audiences might have attached to these songs. Casey Dué challenges long-held assumptions about the opposition between Greeks and barbarians in Greek thought by suggesting that, in viewing the plight of the captive women, Athenian audiences extended pity to those least like themselves. Dué asserts that tragic playwrights often used the lament to create an empathetic link that blurred the line between Greek and barbarian. After a brief overview of the role of lamentation in both modern and classical traditions, Dué focuses on the dramatic portrayal of women captured in the Trojan War, tracing their portrayal through time from the Homeric epics to Euripides' Athenian stage. The author shows how these laments evolved in their significance with the growth of the Athenian Empire. She concludes that while the Athenian polis may have created a merciless empire outside the theater, inside the theater they found themselves confronted by the essential similarities between themselves and those they sought to conquer.

The essays in this volume revisit the Italian Renaissance to rethink spaces thought to be defined and certain: from the social spaces of convent, court, or home, to the literary spaces of established genres such as religious plays or epic poetry. Repopulating these spaces with the women who occupied them but have often been elided in the historical record, the essays also remind us to ask what might obscure our view of texts and archives, what has remained marginal in the texts and contexts of early modern Italy and why. The contributors, suggesting new ways of interrogating gendered discourses of genre, identities, and sanctity, offer a complex picture of gender in early modern Italian literature and culture. Read in dialogue with one another, their pieces provide a fascinating survey of currents in gender studies and early modern Italian studies and point to exciting future directions in these fields.

If you have ever experienced a deep sadness over the loss of a close loved one, you will recognize the poems in The Wounds of Grief as snapshots of many of the intense emotions that you felt but perhaps were never quite able to describe in words. Instead of allowing himself to be bullied into following societys schedule to get over it and to move on, Jerry Vornholt has used his poems to warmly recall how many of the very ordinary events that he and his wife took for granted have now become some of his most precious memories. Jerry and his wife, Sharon, frequently referred to themselves as a team throughout the forty-eight years that they had the privilege to be together. Several of the poems in this book focus on his intense desire for that relationship to be continued in heaven.