A Da Capo original: Thirty years' worth of music writing by one of the first and greatest rock scribes and a fiercely imaginative cultural critic.

This infamous book has enjoyed a lively underground reputation since its first publication in 1970. Richard Meltzer (a.k.a. R. Meltzer) took his training as a young philosopher and applied it with unalloyed enthusiasm to the lyrics, sound, and culture of rock and roll. Never before had anyone noticed the relationship between the philosophy of Heidegger and a tune by Little Anthony and the Imperials, heard the cries of agony in the Shangri Las' “Remember (Walkin' in the Sand)”, or transcribed every "papa-ooma-mow-mow" in the Trashmen's “Surfin' Bird.”From Dionne Warwick to Plato, Jim Morrison to Bert Brecht, Conway Twitty to Miguel de Unamuno, Meltzer subverts high and low culture in his search for meaning, emotion, and codes in popular music. At once an earnest investigation and a crypto put-on, the book can be read for its nuggets of information and insights or for its humor. Here with Greil Marcus's new introduction, yet another generation of readers can be outraged and inspired.

From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M

Growing up during the Depression and forced to live in coal mining camps throughout Appalachia, Virgie Hopkins is subjected to child molestation, the KKK, murder, homelessness, starvation, and ridicule for being the daughter of the town whore.Virgie grows up hating her mother who was taken away when she was nine years old and while she was gone, she and her brother were put into foster care, starved, and abused.When her mother returned, she did not know her husband or her children and Virgie could not understand why she had changed.At 16, Virgie made the decision to leave Kentucky and the only life she had ever known after discovering her prostitute mother was having an affair with the young boy Virgie loved.Filled with hatred, resentment, and shame for the woman she called Mom, it was not until her mother's funeral, did she learn the horrible truth, the reason for her change and the reason why she became the town whore, a weedmonkey.A haunting true story...Special note about Weedmonkey from the author: "My mother Victoria started writing this book when I was a little girl and the recollection is from her memory of her childhood. In 2006, she was diagnosed with terminal cancer and given three months to live. I was not only heartbroken because my mother was dying, but because her dream of writing the book was dying with her. On her deathbed, she asked me to finish writing it for her. I hope I've made her proud."

College dropout Scott Sanderson sits in a rural Florida holding cell in the middle of the night, awaiting a hearing the following morning. He has ventured from Los Angeles on his motorcycle to see the country before the responsibilities of post-college adulthood ensnare him. Ignoring his draft status, the journey takes him first to Mardi Gras, then to Florida, where his arrest abruptly curtails the adventure. Faced with jail time, he reluctantly follows the judge's orders and joins the navy. This solidifies his notion that life is stacked against him and that the generation in charge has rigged the world in its favor. In his new situation, Scott deals with many of the issues he left behind: his relationship with his father and his family, his commitment to the service, his relationships with women, and his future. Interwoven with historic events of the era and the lives of his peers both at home and in the navy, A Walk-on Part in the War follows Scott on his quest to find direction in a fractured and confused America. A modern-day odyssey, this novel captures the waning optimism and the rapid pace of individual and social change that overtook mid-1970s America.

Unleash the power of God’s grace as you journey through the Old Testament. Prepare to be challenged and transformed as you explore the stories and testimonies of the Bible, where grace refuses to be tamed. Grace is a dangerous topic. We want to domesticate it, calm it down, and stuff it into a blue blazer and a pair of khakis. But biblical grace—or charis—doesn’t like to settle down. Grace is a dangerous topic because the Bible is a dangerous book. Scandalous Grace offers: Biblically rich viewpoints that challenge conventional interpretations; An exploration of grace in the Old Testament instead of a focus on judgment; Theological perspective that showcases a benevolent God who consistently extends redemption to those seen as irredeemable. Whether you're a seasoned theologian or seeking Christian spiritual growth, Scandalous Grace promises an intellectual and spiritual journey that will expand your understanding of a God whose grace knows no boundaries.

In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the "femme fatale" figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with "bad" women.

In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.