A literary icon’s “singular and beautiful” memoir of growing up as a first-generation Jewish American in Brownsville, Brooklyn (The New Yorker). A classic portrait of immigrant life in the early decades of the twentieth century, A Walker in the City is a tour of tenements, subways, and synagogues—but also a universal story of the desires and fears we experience as we try to leave our small, familiar neighborhoods for something new. With vivid imagery and sensual detail—the smell of half-sour pickles, the dry rattle of newspapers, the women in their shapeless flowered housedresses—Alfred Kazin recounts his boyhood walks through this working-class community, and his eventual foray across the river to “the city,” the mysterious, compelling Manhattan, where treasures like the New York Public Library and the Metropolitan Museum beckoned. Eventually, he would travel even farther, building a life around books and language and literature and exploring all that the world had to offer. “The whole texture, color, and sound of life in this tenement realm . . . is revealed as tapestried, as dazzling, as full of lush and varied richness as an Arabian bazaar.” —The New York Times

"As a kid growing up in Manhattan, William Helmreich played a game with his father they called "Last Stop." They would pick a subway line and ride it to its final destination, and explore the neighborhood there. Decades later, Helmreich teaches university courses about New York, and his love for exploring the city is as strong as ever. Putting his feet to the test, he decided that the only way to truly understand New York was to walk virtually every block of all five boroughs--an astonishing 6,000 miles. His epic journey lasted four years and took him to every corner of Manhattan, Brooklyn, Queens, the Bronx, and Staten Island. Helmreich spoke with hundreds of New Yorkers from every part of the globe and from every walk of life, including Mayor Michael Bloomberg and former mayors Rudolph Giuliani, David Dinkins, and Edward Koch. Their stories and his are the subject of this captivating and highly original book. We meet the Guyanese immigrant who grows beautiful flowers outside his modest Queens residence in order to always remember the homeland he left behind, the Brooklyn-raised grandchild of Italian immigrants who illuminates a window of his brownstone with the family's old neon grocery-store sign, and many, many others. Helmreich draws on firsthand insights to examine essential aspects of urban social life such as ethnicity, gentrification, and the use of space. He finds that to be a New Yorker is to struggle to understand the place and to make a life that is as highly local as it is dynamically cosmopolitan."--Publisher's description.

Over 40 historians, folklorists, and ordinary Brooklyn Jews present a vivid, living record of this astonishing cultural heritage. 150 illustrations. Map.

Challenging the standard narrative of American Jewish upward mobility, Wenger shows that Jews of the era not only worried about financial stability and their security as a minority group but also questioned the usefulness of their educational endeavors and the ability of their communal institutions to survive.

How have Jews reshaped their identities as Jews in the face of the radical newness called America? Julian Levinson explores the ways in which exposure to American literary culture -- in particular the visionary tradition identified with Ralph Waldo Emerson and Walt Whitman -- led American Jewish writers to a new understanding of themselves as Jews. Discussing the lives and work of writers such as Emma Lazarus, Mary Antin, Ludwig Lewisohn, Waldo Frank, Anzia Yezierska, I. J. Schwartz, Alfred Kazin, and Irving Howe, Levinson concludes that their interaction with American culture led them to improvise new and meaningful ways of being Jewish. In contrast to the often expressed view that the diaspora experience leads to assimilation, Exiles on Main Street traces an arc of return to Jewish identification and describes a vital and creative Jewish American literary culture.

Maeda Ai was a prominent literary critic and an influential public intellectual in late-twentieth-century Japan. Text and the City is the first book of his work to appear in English. A literary and cultural critic deeply engaged with European critical thought, Maeda was a brilliant, insightful theorist of modernity for whom the city was the embodiment of modern life. He conducted a far-reaching inquiry into changing conceptions of space, temporality, and visual practices as they gave shape to the city and its inhabitants. James A. Fujii has assembled a selection of Maeda’s essays that question and explore the contours of Japanese modernity and resonate with the concerns of literary and cultural studies today. Maeda remapped the study of modern Japanese literature and culture in the 1970s and 1980s, helping to generate widespread interest in studying mass culture on the one hand and marginalized sectors of modern Japanese society on the other. These essays reveal the broad range of Maeda’s cultural criticism. Among the topics considered are Tokyo; utopias; prisons; visual media technologies including panoramas and film; the popular culture of the Edo, Meiji, and contemporary periods; maps; women’s magazines; and women writers. Integrally related to these discussions are Maeda’s readings of works of Japanese literature including Matsubara Iwagoro’s In Darkest Tokyo, Nagai Kafu’s The Fox, Higuchi Ichiyo’s Growing Up, Kawabata Yasunari’s The Crimson Gang of Asakusa, and Narushima Ryuhoku’s short story “Useless Man.” Illuminating the infinitely rich phenomena of modernity, these essays are full of innovative, unexpected connections between cultural productions and urban life, between the text and the city.

Twenty-eight selections from the writings of some of the best-known American-Jewish novelists, dramatists, critics, and historians span the social and cultural history of American Jews in the twentieth century. Often joyous, occasionally tragic, they provide a fascinating record—from immigration to assimilation, from life in the ghetto to the current movement by many to recapture their Jewish identity. At once personal and historical, the selections are poignant and moving testimonies to the perseverance of the American-Jewish people.

Explore the diverse cultural and historical legacy of the world's greatest writers, artists and composers on foot. This unique trans-continental culture trip around the world presents a series of inspiring walks, treks, and hikes that vary between easy one-hour strolls, half day trails, and multi-day expeditions for people who love a walking holiday and are looking for a more immersive experience. The book includes walks in easy to reach countryside areas, national parks, the wild, and the great cities of the world. From an urban Street Art Walking Tour of East London to a traverse through the Georgian melting pot city of Tbilisi to a literary-themed Millennium Tour of Stieg Larsson’s Stockholm, Discover the World in 500 Walks with Writers, Artists & Musicians has all the inspiration and information you need to plan your next walking adventure.

This essay collection draws on natural history, urban ecology, and environmental politics to consider New York City’s complex relationship to nature. How can a hawk nesting above Fifth Avenue become a citywide phenomenon? Why does a sudden butterfly migration at Coney Island energize the community? What makes the presence of a community garden or an empty lot ripple so differently through the surrounding neighborhood? Is the city an oasis or a desert for biodiversity? Does nature even matter to New Yorkers, who choose to live in a concrete jungle? Still the Same Hawk examines these questions with a rich mix of creative nonfiction that ranges from analytical to anecdotal and humorous. John Waldman’s sharp, well-crafted introduction presenting dualism as the defining quality of urban nature is followed by compelling contributions from Besty McCully, Christopher Meier, Tony Hiss, Kelly McMasters, Dara Ross, William Kornblum, Phillip Lopate, David Rosane, Robert Sullivan, Anne Matthews, Devin Zuber, and Frederick Buell. Together these pieces capture a wide range of viewpoints, including the myriad and shifting ways New Yorkers experience and consider the outdoors, the historical role of nature in shaping New York’s development, what natural attributes contribute to New York’s regional identity, the many environmental tradeoffs made by urbanization, and even nature’s dark side where “urban legends” flourish.

Jack Newfield has covered it all: he has documented he unfolding drama of the 1960s; followed the boxing careers of Ali and Tyson; taken on city hall; and kept his integrity intact in the rough world of tabloid politics. Somebody's Gotta Tell It is the clear-eyed memoir of a journalist whose love for his country, and passion for his profession, has never wavered. "Fast-written, rat-a-tat-tat memoir." -Chicago Sun Times "Jack Newfield is an old-fashioned newspaperman, skeptical, passionate, and brave. He really tells it in Somebody's Gotta Tell It-an absorbing and appealing memoir of a life committed to honest politics, honest sport, and honest journalism." -Arthur Schlesinger, Jr. "Newfield has made it his life's mission to uncover and share significant truths about important people and events. No one has done the work better, nor described it as well as he has in this brilliant and engaging memoir. This book is a great telling of American history-music, culture, sports, and civil rights." -Mario Cuomo "We count our blessings in having memorable crusaders for social justice who do not let their zeal override their commitment to professional integrity. In the golden company of Lincoln Steffens and Heywood Broun, let's welcome Jack Newfield. He writes with the sharp eye of the trained observer and the engaged heart of the humanist." -Budd Schulberg "In a time when American journalism is getting its shares of slings and arrows, Jack Newfield stands out as a national treasure. I can't think of anyone among us today, as this book amply demonstrates, who brings a more passionate commitment to his craft." -Peter Maas "He does not stop. He is the loudest liberal voice in a time of timid whispers. Always, Newfield's hands plunge into the muck, to pull out the truth. This fine memoir shows how much Newfield has seen, and been involved in, of what happened in our nation. And he tells it to us in the swift sentences of one who knows what he is writing about." -Jimmy Breslin "Enthralling, moving, and sometimes poignant, this book is a must for anyone who cares about the cutting edge of our times." -Richard North Patterson