"The work and career of the celebrated artist Harry Clarke is inextricably linked to the complex nature of early-twentieth-century Irish culture and of modernism. This beautifully designed and fully illustrated book assesses how Clarke and his studios responded to public and private commissions in glass and in illustration. Clarke's contribution is analysed in the context of the quest for a cohesive identity by the new Irish Free State and situated within international art and design movements. The book examines the complex relationship between visual art and literature that lies at the heart of Clarke's contribution to post-independence society in Ireland. Its scholarly essays highlight the impact of patronage, public reception, advertising, propaganda, war and memory on Clarke's work, placing it within a larger political, artistic and cultural context. Essential reading for art lovers and scholars alike, Harry Clarke and Artistic Visions of the New Irish State will appeal to anyone interested in the arts of Ireland, and the history and development of early- to mid-twentieth-century visual and material culture"--Inside front flap.

Marking the 150th anniversary of the National Gallery of Ireland, celebrated Irish writers find inspiration in its magnificent collection In 1864 the National Gallery of Ireland opened to the public in Dublin. It then housed just 112 paintings. Today the gallery holds over 15,000 works of European art and is notable both for its extensive collection of Irish art and its Italian baroque and Dutch masters paintings. For this anthology, published to mark the 150th anniversary of the National Gallery of Ireland, fifty-six Irish writers have contributed short stories, essays, and poems inspired by pictures in the collection. These literary responses to art are by turns profound, playful, and insightful. Authors include acclaimed figures in contemporary Irish literature, such as Colm Tóibín, John Banville, John Boyne, Roddy Doyle, Colum McCann, Paula Meehan, Paul Muldoon, John Montague, and Seamus Heaney. The pictures that the writers have selected are intriguingly diverse. They range from old master paintings by Caravaggio, Rembrandt, El Greco, and Velázquez to works by Impressionist and Post-Impressionist artists such as Claude Monet and Pierre Bonnard, as well as works by Irish artists such as Jack B. Yeats, John Lavery, Gerard Dillon, and Paul Henry. The book is organized alphabetically by writer and each text is illustrated with the chosen work in color. Edited with preface by Janet McLean, Curator of European Art 1850–1950 at the NGI.

A text which follows the life and work of Jack B. Yeats - arguably Ireland's most famous painter - from his colourful family background, through his early days as a line illustrator, to the latter years when his originality and use of colour earned him comparisons with Titian and Giorgone.

The Vision of Peace, edited by John Dear, features the first ever collection of writings by Mairead Corrigan Maguire, the 1976 Nobel Peace Prize Winner from Belfast.

Some thirty years since its first publication, David Caron returns with an updated and greatly expanded edition of the Gazetteer of Irish Stained Glass, the definitive guide to Irish stained glass from 1900 to the present day.This is a practical and comprehensive guide for glass aficionados and those new to the art form that lists all of Ireland's significant stained-glass works, county by county, and the most noteworthy pieces abroad by Irish artists. Beautifully illustrated with vibrant new photography, the Gazetteer of Irish Stained Glass is bursting with colour and brimming with information about our most famous stained-glass artists, those who deserve to be better known, and the best contemporary artists working in the medium today.With over 2,500 entries, two essays, and biographical notes on major artists, this is the key reference book for both academics and all who wish to learn more about Ireland's celebrated stained-glass and where it can be found.

A unique political manifesto at a crucial moment from the leading figure in Irish Republicanism. Adams outlines the challenge of transforming Irish society through a vision of self-determination and sovereignty, inclusiveness and equality.

In the late sixteenth century, the English started expanding westward, establishing control over parts of neighboring Ireland as well as exploring and later colonizing distant North America. Audrey Horning deftly examines the relationship between British colonization efforts in both locales, depicting their close interconnection as fields for colonial experimentation. Focusing on the Ulster Plantation in the north of Ireland and the Jamestown settlement in the Chesapeake, she challenges the notion that Ireland merely served as a testing ground for British expansion into North America. Horning instead analyzes the people, financial networks, and information that circulated through and connected English plantations on either side of the Atlantic. In addition, Horning explores English colonialism from the perspective of the Gaelic Irish and Algonquian societies and traces the political and material impact of contact. The focus on the material culture of both locales yields a textured specificity to the complex relationships between natives and newcomers while exposing the lack of a determining vision or organization in early English colonial projects.

This book is to coincide with the National Gallery's exhibiton of the same name. With chapters from leading Irish historians, including Roy Foster, Tom Dunne and Raoisain Kennedy, 'Creating History' delivers fascinating assessments that situate the Easter Rising and Ireland's claim to independence through the historical significance and aesthetic value of Ireland's major artistic works.

Examines why Young Ireland attached such importance to the writing of history, how it went about writing that history, and what impact their historical writings had.

Told through the prism of the lives of 21 extraordinary women, this remarkable book offers an alternative vision of Irish history – one that puts the spotlight on women whose contributions have been forgotten or overlooked. Author Clodagh Finn travels through the ages to 'meet', among others, Macha, the Celtic horse goddess of Ulster; St Dahalin, an early Irish saint and miracle worker; Jo Hiffernan, painter and muse to the artists Whistler and Courbet; Jennie Hodgers, a woman who fought as a male soldier in the American Civil War; Sr Concepta Lynch, businesswoman, Dominican sister and painter of a unique Celtic shrine; the Overend sisters, farmers, charity workers and motoring enthusiasts; and Rosemary Gibb, athlete, social worker, clown and accomplished magician. From a Stone Age farmer who lived in Co. Clare more than 5,000 years ago to the modern-day founder of a 3D printing company, this book opens a fascinating window onto the life and times of some amazing women whose stories were shaped by the centuries in which they lived.