"A satisfying mystery. ... Suggest for fans of other mysteries set in cute tourist areas, such as Lorna Barrett's Booktown mysteries."—Library Journal Callie Reed has put together a special event, but a killer is ripping it apart at the seams As the new owner of a music box store in Keepsake Cove, a quaint town full of collectible shops on Maryland's Eastern Shore, Callie Reed is eager to get more involved in her community. So she volunteers to plan the fall street decorations and welcome a visiting author who's come for a special book signing. But the celebratory mood is cut short when the local B&B owner is found dead, killed with a pair of vintage scissors. Suspicion is cast on the victim's estranged wife, Dorothy, who owns Keepsake Cove's vintage sewing shop. Callie is sure Dorothy is innocent, and the visiting author agrees. Together, they begin their own investigation, only to discover that many people in Keepsake Cove have secrets. Secrets that are worth killing to keep. Praise for the Keepsake Cove Mysteries: "Hughes kicks off her new Keepsake Cove series with a charming locale."—Kirkus Reviews

The sudden death of a book collector sends Alec Knight and his friend, former FBI agent Ravi Khan, on a quest to find a vintage paperback holding the clue to Nazi treasure buried in upstate New York. The pair battles neo-Nazis during their search while Alec finds he must confront the mysterious and powerful Dr. V.

Prepare for edge-of-your-seat suspense in this Thriller Short. Originally published in THRILLER 2 (2009), edited by #1 New York Times bestselling author Clive Cussler. In this captivating Thriller Short, #1 New York Times bestselling writer Lisa Jackson blends romantic suspense and danger with complex and damaging family relationships in a read you won’t be able to put down. When a five-year-old boy is found dead and presumed thrown from a window, his mother must live with the loss, reminded each day of his death, all while she plots revenge on the person who killed him. But revenge is never simple, especially when wealth and power are used to hide the truth. Don’t miss any of these exciting stories from Thriller 2: The Weapon by Jeffery Deaver Remaking by Blake Crouch Iced by Harry Hunsicker Justice Served by Mariah Stewart The Circle by David Hewson Roomful of Witnesses by R.L. Stine The House on Pine Terrace by Phillip Margolin The Desert Here and the Desert Far Away by Marcus Sakey On the Run by Carla Neggers Can You Help Me Out Here? by Robert Ferrigno Crossed Double by Joe Hartlaub The Lamented by Lawrence Light Vintage Death by Lisa Jackson Suspension of Disbelief by Tim Maleeny A Calculated Risk by Sean Chercover The Fifth World by Javier Sierra Ghost Writer by Gary Braver Through a Veil Darkly by Kathleen Antrim Bedtime for Mr. Li by David J. Montgomery Protecting the Innocent by Simon Wood Watch Out for My Girl by Joan Johnston Killing Time by Jon Land Boldt’s Broken Angel by Ridley Pearson

Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive “preferred text” for Smith's entire body of work. This third volume of the series brings together 21 of his fantasy stories.

In this masterful follow-up to Peter Spiegelman’s stunning debut Black Maps, private investigator John March finds himself drawn into a web of corruption that extends from the halls of high finance to the dark underworld of organized crime. Gregory Danes, a Wall Street analyst has gone missing, and his ex-wife, a fashionable painter, calls March to track him down. She just wants him to sign her alimony checks, but as March soon discovers, she’s not the only one looking for him. Danes was once an industry hot shot, but has lost his touch. His biggest gains lately, it seems, had been in enemies–including a few members of the Russian mob. When March receives a threat upon his own family, he realizes Danes had been involved in something far more dangerous than insider trading.

34rd report on the health status of the Nation. Presents national trends in health statistics. Each report includes an executive summary, highlights, a chartbook, trend tables, extensive appendixes, and an index.

FROM THE BESTSELLING AUTHOR OF THE CARTEL. When Tim Kearney, a small-time criminal, slits the throat of a Hell's Angel and draws a life sentence in a prison full of gang members, he knows he’s pretty much a dead man. That’s until the DEA makes Kearney an offer: impersonate the late, legendary dope smuggler Bobby Z so that the agency can trade him for one of their own, who was captured by a Mexican drug kingpin. Knowing his chances of survival are a little better than in prison, Kearney accepts, and he winds up in the middle of a desert at the notorious drug lord’s lavish compound. To his surprise he meets Bobby Z's old flame, Elizabeth, and her son. At first, it’s a short vacation by the pool, but when things turn bloody, the three of them begin the most desperate flight of their lives, with drug lords, bikers, Indians, and cops furiously chasing after them. Whether he pulls it off, whether he can keep the kid and the girl and his life, makes this compelling novel a hilarious, fast-paced thriller about a con caught in a devil’s bargain.

In Death in the Fifth Position, dashing P.R. man Peter Sargent is hired by a ballet company on the eve of a major upcoming performance. Handling the press seems to be no problem, but when a rising star in the company is killed during the performance—dropped from thirty feet above the stage, crashing to her death in a perfect fifth position—Sargent has a real case on his hands. As he ingratiates himself with the players behind the scenes (especially one lovely young ballerina), he finds that this seemingly graceful ballet company is performing their most dramatic acts behind the curtain. There are sharp rivalries, sordid affairs, and shady characters. Sargent, though, has no trouble staying on point and proving that the ballerina killer is no match for his keen eye and raffish charm.

This is a book about terminals and boundaries, mortality and closure, the infinitesimals of style and the finite limits of representational language, about least and last things together. It is a book, to start with, about three vast and familiar facts of life and art: death, content, and form. Only by their particular triangulation in the genre of prose fiction do they mark out the hypothesis of the present study: that death in fiction is the fullest instance of form indexing content, is indeed the moment when content, comprising the imponderable of negation and vacancy, can be found dissolving to pure form. Death in narrative yields, by yielding to, sheer style.

In Death Likes it Hot, dashing P.R. man Peter Sargeant travels out to a posh beach community to help a wealthy socialite plan an end-of-summer party. His enjoyment of the sun, the surf, and the company of a lovely young fashion reporter is interrupted by the death of the socialite's niece: she mysteriously drowns while swimming on a crowded beach. No one suspects murder until the police find a lethal dose of sleeping pills in her system. As Sargeant watches the police's investigation unfold, he keeps an eye on the grieving socialite; the victim's famous painter husband; a suspiciously cheery brother and sister; and a garrulous tabloid columnist. Now, instead of planning guest lists, wine choices, and menus, Sargeant is faced with a killer unlike he's ever faced: highly sophisticated, devilishly clever, and just as smooth as he is.