The devil you know is never the one you should trust. Special Agent Patrick Collins is dispatched to Chicago, chasing a lead on the Morrígan's staff for the joint task force. Needing a cover for his presence in the Windy City, Patrick is ordered to investigate a politician running for mayor. In the lead up to election day, not everything is what it seems in a city where playing to win means appeasing the gods first and the electorate second. But Chicago brings its own set of problems outside the case: a stand-offish local god pack, a missing immortal, and Patrick's twin sister. Fighting Hannah and the Dominion Sect provides Patrick with a sinister reminder that some blood ties can never be cut. Left behind in New York City, Jonothon de Vere finds himself targeted by hunters who will go through anyone to kill him-including the packs under his protection. With a bounty on his head, Jono is forced to make a choice that Patrick would never approve of. Doing so risks breaking the trust he's built with the man he loves, but not acting will give the rival New York City god pack leverage Jono can't afford to give up. When Patrick and Jono reunite in Chicago, Patrick must confront the fraying of a relationship he's come to rely on for his own sanity. But fixing their personal problems will have to wait-because Niflheim is clawing at the shores of Lake Michigan and the dead are hungry. A Vigil in the Mourning is a 102k word m/m urban fantasy with a gay romantic subplot and a HFN ending. It is a direct sequel to A Crown of Iron & Silver. Reading the first book in the series would be helpful in enjoying this one.

“A touching and provocative exploration of the latest research on animal minds and animal emotions” from the renowned anthropologist and author (The Washington Post). Scientists have long cautioned against anthropomorphizing animals, arguing that it limits our ability to truly comprehend the lives of other creatures. Recently, however, things have begun to shift in the other direction, and anthropologist Barbara J. King is at the forefront of that movement, arguing strenuously that we can—and should—attend to animal emotions. With How Animals Grieve, she draws our attention to the specific case of grief, and relates story after story—from fieldsites, farms, homes, and more—of animals mourning lost companions, mates, or friends. King tells of elephants surrounding their matriarch as she weakens and dies, and, in the following days, attending to her corpse as if holding a vigil. A housecat loses her sister, from whom she’s never before been parted, and spends weeks pacing the apartment, wailing plaintively. A baboon loses her daughter to a predator and sinks into grief. In each case, King uses her anthropological training to interpret and try to explain what we see—to help us understand this animal grief properly, as something neither the same as nor wholly different from the human experience of loss. The resulting book is both daring and down-to-earth, strikingly ambitious even as it’s careful to acknowledge the limits of our understanding. Through the moving stories she chronicles and analyzes so beautifully, King brings us closer to the animals with whom we share a planet, and helps us see our own experiences, attachments, and emotions as part of a larger web of life, death, love, and loss.

When the gods come calling, you don't get to say no. Patrick Collins is three years into a career as a special agent for the Supernatural Operations Agency when the gods come calling to collect a soul debt he owes them. An immortal has gone missing in New York City and bodies are showing up in the wake of demon-led ritual killings that Patrick recognizes all too easily from his nightmares. Unable to walk away, Patrick finds himself once again facing off against mercenary magic users belonging to the Dominion Sect. Standing his ground alone has never been a winning option in Patrick's experience, but it's been years since he's had a partner he could trust. Looking for allies in all the wrong places, Patrick discovers the Dominion Sect's next target is the same werewolf the Fates themselves have thrown into his path. Patrick has been inexplicably attracted to the man from their first meeting, but desire has no place in war. That doesn't stop Patrick from wanting what he shouldn't have. Jonothon de Vere is gorgeous, dangerous, and nothing but trouble-to the case, to the fight against every hell, and ultimately, to Patrick's heart and soul. In the end, all debts must be paid, and Patrick can only do what he does best-cheat death.

You can't bargain with death if you've already sold your soul. Special Agent Patrick Collins has been reassigned by the Supernatural Operations Agency to New York City. Navigating his new relationship with Jonothon de Vere, the werewolf he's now soulbound to, is nothing compared to dealing with territorial disputes between the vampires and werecreatures who call the five boroughs home. But the delicate treaties that have kept the preternatural world in check are fraying at the edges, and the fallout is spilling into the mundane world. Manhattan's club scene is overrun with the vampire drug known as shine and the subways have become a dumping ground for bodies. When the dead are revealed as missing werecreatures, Patrick and Jono find themselves entangled in pack politics twisted by vampire machinations. Learning to trust each other comes with problems for both of them, and the gods with a stake in Patrick's soul debt aren't finished with him yet. Bound by promises they can't break, Patrick and Jono must find a way to survive a threat that takes no prisoners and is stalking them relentlessly through the city streets. Old and new betrayals are coming home to roost but the truth-buried in blood-is more poisonous than the lies being spun. Trying to outrun death is a nightmare-one Patrick may never wake up from.

Death is the last lover you will ever know. SOA Special Agent Patrick Collins has lived a life full of lies, and it has finally caught up with him. There's no denying his past any longer, not after giving up the truth to save himself from a murder charge. But truth alone can't set Patrick free, and time is running out to stop the Dominion Sect from turning his father into a god. Jonothon de Vere knows survival isn't a guarantee, but he's desperate to keep Patrick safe, even as hope slips through his fingers. With the future unknown, Jono will follow Patrick wherever he goes, even to Salem, where a family reunion reveals a bitter secret that was never going to stay buried. With New York City under control of their god pack, Patrick and Jono must fall back on every alliance they've brokered to fill the front lines of a war coming directly to the city streets. The veil is always thinnest on Samhain, and what awaits them on the other side is the stuff of nightmares. For when it tears, all hell will break loose, and the gods will be summoned to face a reckoning the world isn't ready for. The stakes have never been higher, failure has never been so deadly, and the Fates have never been kind to heroes. Patrick knows that better than anyone-because everything has a price, every debt always comes due, and it's finally time for Patrick to pay his.

"In the sentence ‘She's no longer suffering,' to what, to whom does ‘she' refer? What does that present tense mean?" —Roland Barthes, from his diary The day after his mother's death in October 1977, Roland Barthes began a diary of mourning. For nearly two years, the legendary French theorist wrote about a solitude new to him; about the ebb and flow of sadness; about the slow pace of mourning, and life reclaimed through writing. Named a Top 10 Book of 2010 by The New York Times and one of the Best Books of 2010 by Slate and The Times Literary Supplement, Mourning Diary is a major discovery in Roland Barthes's work: a skeleton key to the themes he tackled throughout his life, as well as a unique study of grief—intimate, deeply moving, and universal.

Remembering the dead will always give them life. The coveted Morrígan's staff is up for sale on the black market to the highest bidder, and SOA Special Agent Patrick Collins will do whatever it takes to ensure the Dominion Sect doesn't get their hands on it. Returning the weapon to its rightful owner is another step on the long road toward clearing Patrick's soul debt, but he won't walk it alone. Jonothon de Vere won't let him. Obeying the gods means Patrick must travel to London. For Jono, it means facing a past he thought he'd left behind forever. His return to England isn't welcome, and neither is their pack, but Jono and Patrick will face the antagonism together. Politics aside, their priority must be the mission, but the bone-chilling secret they uncover in the London god pack will have far-reaching repercussions no one can ignore. A race against time takes Patrick and Jono from the streets of London to the bright lights of Paris, where hospitality is thin on the ground, the air is filled with whispered prayers for the missing, and the Morrígan's staff will end up in the one place it should never have gone--a graveyard.For beneath Paris lie the long-forgotten dead, and when they rise to walk again, the living can only hope to die. On the Wings of War is a 109k word m/m urban fantasy with a gay romantic subplot and a HFN ending. It is a direct sequel to A Vigil in the Mourning. Reading the first book in the series would be helpful in enjoying this one.

Never promise a life that isn't yours to give. New York City is decked out for the holidays, and Special Agent Patrick Collins is looking forward to a reunion with his old team when he gets assigned a new case. A human child is missing, and the changeling left in her place causes a prominent witch family to demand justice from the fae. Meanwhile, continued harassment from the New York City god pack forces Jonothon de Vere to formally establish his own with Patrick. Doing so will mean a civil war within the werecreature community-a war they risk losing from the start without alliances. Making bargains with the fae is never wise, but Patrick and Jono have nothing to lose when a fae lord comes asking for their help. The Summer Lady has been kidnapped from the Seelie Court, and if they can find her, Patrick and Jono will cement an alliance with the fae. But the clues to her disappearance are found in T�r na n�g, and the Otherworld has never been kind to mortals. Venturing past the veil, Patrick and Jono risk losing territory, time, and their very lives while searching for answers. Because the Queen of Air and Darkness knows they are coming-and the ruler of the Unseelie Court has an offer for them they can't possibly refuse. A Crown of Iron & Silver is a 107k word m/m urban fantasy with a gay romantic subplot and a HFN ending. It is a direct sequel to All Souls Near & Nigh. Reading the prior books in the series would be helpful in enjoying this one.

Parting Ways explores the emergence of new end-of-life rituals in America that celebrate the dying and reinvent the roles of family and community at the deathbed. Denise Carson contrasts her father’s passing in the 1980s, governed by the structures of institutionalized death, with her mother’s death some two decades later. Carson’s moving account of her mother’s dying at home vividly portrays a ceremonial farewell known as a living wake, showing how it closed the gap between social and biological death while opening the door for family and friends to reminisce with her mother. Carson also investigates a variety of solutions--living funerals, oral ethical wills, and home funerals--that revise the impending death scenario. Integrating the profoundly personal with the objectively historical, Parting Ways calls for an "end of life revolution" to change the way of death in America.

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.