As a general rule I try to maintain a balanced and realistic approach to life. I'm convinced that the best place for a rabbit's foot is at the end of a rabbit's leg. And if there are fairies at the bottom of the garden, they go about their business and I go about mine. But although this approach keeps life on an even keel and prevents the stress of both over-excitement and grave disappointment, I do find that the perfectly mundane existence that I strive for and attain can occasionally seem a little flat, a bit lacking in absurdity. So from time to time, when a rattling cliche, or a good thumping banality presents itself, I'm inclined to give it a run for its money. Hand me a candle and I'll burn it at both ends, give me a cart and I'll put it before the horse.' In her inimitable style, coupled with her sharp wit and idiosyncratic views, Diski reviews her own experiences, an array of key historical figures and pertinent topics. Ranging from 'The Sexual Life of Catherine M.' and her ponderings on the thrill of guilt, to the biblical role of water in 'Did Jesus walk on water because he couldn't swim?' this is vintage Diski.

In Search of Lost Time (French: À la recherche du temps perdu)— previously also translated as Remembrance of Things Past, is a novel in seven volumes, written by Marcel Proust (1871–1922). It is considered to be his most prominent work, known both for its length and its theme of involuntary memory, the most famous example being the "episode of the madeleine" which occurs early in the first volume. It gained fame in English in translations by C. K. Scott Moncrieff and Terence Kilmartin as Remembrance of Things Past, but the title In Search of Lost Time, a literal rendering of the French, has gained usage since D. J. Enright adopted it for his revised translation published in 1992. The novel began to take shape in 1909. Proust continued to work on it until his final illness in the autumn of 1922 forced him to break off. Proust established the structure early on, but even after volumes were initially finished he kept adding new material and edited one volume after another for publication. The last three of the seven volumes contain oversights and fragmentary or unpolished passages, as they existed only in draft form at the death of the author; the publication of these parts was overseen by his brother Robert.

Blood Vessels and Lymphatics focuses on the embryology, anatomy, physiology, pharmacology, biochemistry, and pathology of blood vessels and lymphatics. The selection first offers information on the embryology and gross, microscopic and submicroscopic anatomy, biophysical principles and physiology, and pharmacology and biochemistry of arterial and arteriolar systems. The text then takes a look at the sympathetic innervation of arterial tree. The publication examines microcirculation and the venous system, including the structural basis of microcirculation, exchange of materials across capillary wall, pathology of microcirculation, biochemistry, and pharmacology. The book then elaborates on coronary, pulmonary, and gastrointestinal circulation, blood vessels of the pituitary and the thyroid, and disorders affecting arterial or venous circulation. The selection is a vital source of information for readers interested in the study of blood vessels and lymphatics.

A detailed study of the ways in which Anglo-Saxon society dealt with social outcasts. It begins with the period following Roman rule and ends in the century following the Norman Conquest. The author argues that outcast burials in this period showed a clear pattern of development.

From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), In Cold Blood, and The Complete Stories Perhaps no twentieth-century writer was so observant and graceful a chronicler of his times as Truman Capote. Portraits and Observations is the first volume devoted solely to all the essays ever published by this most beloved of writers. Included are such masterpieces of narrative nonfiction as “The Muses Are Heard” and the short nonfiction novel “Handcarved Coffins,” as well as many long-out-of-print essays, including portraits of Mae West, Humphrey Bogart, and Marilyn Monroe. From his travel sketches of Brooklyn, New Orleans, and Hollywood, written when he was twenty-two, to the author’s last written words, “Remembering Willa Cather,” composed the day before his death in 1984, Portraits and Observations puts on display the full spectrum of Truman Capote’s brilliance. Certainly Capote was, as Somerset Maugham famously called him, “a stylist of the first quality.” But as the pieces gathered here remind us, he was also an artist of remarkable substance.