In 'A Vagabond in the Caucasus. With Some Notes of His Experiences Among the Russians', Stephen Graham transports readers to the rugged and mysterious Caucasus region, capturing the essence of his journey through vivid descriptions and captivating storytelling. The book combines elements of travelogue, adventure, and social commentary, offering a unique perspective on the people and landscapes of the Caucasus. Graham's immersive writing style and keen observation of human behavior make this work a standout in early 20th-century travel literature. Stephen Graham, a well-traveled British author and journalist, drew inspiration for this book from his own experiences exploring remote regions of Russia. His deep fascination with different cultures and his adventurous spirit led him to embark on daring journeys, resulting in the insightful narratives found in 'A Vagabond in the Caucasus'. I highly recommend 'A Vagabond in the Caucasus. With Some Notes of His Experiences Among the Russians' to readers who appreciate immersive travel literature and insightful observations on social dynamics. Stephen Graham's evocative writing will transport you to the heart of the Caucasus and leave you with a newfound appreciation for this enigmatic region.

First published in 2006. This book by Stephen Graham is a supremely unique take on travel through Russia and the Caucasus. Graham takes to the road in a modest fashion, with a bag and his camera at his side. As he arrives in Moscow not long after the Russian Revolution in 1917 he is not welcomed with open arms. Instead, Graham is greeted by a group of soldiers as he walks down the street and is arrested. He recounts this experience, as well as every moment of his time spent 'vagabonding' across the Caucasus with glorious detail. His photographs to accompany the text capture the fleeting moments of this politically heated time in Russia with candid accuracy. This momentous work is not to be overlooked by anyone interested in travel or history, or anyone with a taste for an unconventional account of the land of the Caucasus.

Russomania: Russian Culture and the Creation of British Modernism provides a new account of modernist literature's emergence in Britain. British writers played a central role in the dissemination of Russian literature and culture during the early twentieth century, and their writing was transformed by the encounter. This study restores the thick history of that moment, by analyzing networks of dissemination and reception to recover the role of neglected as well as canonical figures, and institutions as well as individuals. The dominant account of British modernism privileges a Francophile genealogy, but the turn-of-the century debate about the future of British writing was a triangular debate, a debate not only between French and English models, but between French, English, and Russian models. Francophile modernists associated Russian literature, especially the Tolstoyan novel, with an uncritical immersion in 'life' at the expense of a mastery of style, and while individual works might be admired, Russian literature as a whole was represented as a dangerous model for British writing. This supposed danger was closely bound up with the politics of the period, and this book investigates how Russian culture was deployed in the close relationships between writers, editors, and politicians who made up the early twentieth-century intellectual class—the British intelligentsia. Russomania argues that the most significant impact of Russian culture is not to be found in stylistic borrowings between canonical authors, but in the shaping of the major intellectual questions of the period: the relation between language and action, writer and audience, and the work of art and lived experience. The resulting account brings an occluded genealogy of early modernism to the fore, with a different arrangement of protagonists, different critical values, and stronger lines of connection to the realist experiments of the Victorian past, and the anti-formalism and revived romanticism of the 1930s and 1940s future.