Autobiographical reminiscences of a Bengali authoress.

"From a man who dedicated eleven years of his life to uncovering the saga of his African slave ancestors comes a guide for others to capitalize on his informed techniques and discover just what it means to know where one is from. Offering groundbreaking insights on how to delve into one's past, this book is intended both for beginners and experienced researchers and provides inspiration to those who believe that their search may be hampered by having a mixed parentage or a history of migration through the ages. An instructive guide for those interested in finding out more about their family connections with the Caribbean islands, it nevertheless offers techniques and approaches that can be applied to anyone researching their ancestors around the world"--Page 4 of cover.

With the Balkans being a small tourist destination, not many know of the horrors that plagued the people living there. The traumas of the Bosnian War (1991-1995) can be seen surfacing through the war letters written by brother and sister, Denis and Amela, who were only fifteen and eleven years old at the time. Trees without Roots provides a historical account of their journey as refugees coming from a dual-religious background. As this trauma transcends through generations, these letters give a glimpse into the reality of war, war-torn families, and the struggle for survival. The hidden war letters have resurfaced over 20 years later to tell you their story. Brother and sister, Denis and Amela, were forced to abandon their youth after the Bosnian War struck their hometown, Teslic. Diving deep into the complexities of their life, this book will give you the opportunity to analyze the political, psychological, and philosophical impact of war on dual-religious refugees.

This emotionally wrenching debut novel dissects the interior world of Jasmine Simmons, an African American teenager, whose hatred of her dark skin and kinky hair propels her on a journey of self-love and acceptance. It's the last week of school for Jasmine and her African, Haitian, Puerto Rican, Jamaican and Dominican classmates. While sitting in class, Jasmine tries to will herself invisible as her teacher reads an article about a group of Black girls who, when shown a Black doll, start screaming and scampering. The article ran in Frederick Douglass's Paper. In 1853! School is about to begin again, and Jasmine is shaken to her core as she watches a 2005 film featuring little Black girls and boys reacting with shame and rejection when presented with a Black doll, even as they openly embrace a white doll. Jasmine knows well their shame since she spent her entire childhood longing to get her skin bleached, just like her classmate, Gavin. At age eight, Jasmine began secretly straightening her hair with a hot comb since she couldn't figure out how to use the relaxer kit stashed in her mom's closet. Throughout the novel, Jasmine is tormented by the evil voice inside that constantly reminds her of her racial inferiority. But after spending time with her grandmother, and after beginning a two-year rite of passage program with other girls who share her pain of being dark-skinned in a world that privileges and prizes light skin, Jasmine begins to see herself through new eyes. At the heart of Like A Tree Without Roots is the story of the untreated trauma of African descended people. Their rich, improvisational yet often tragic history is woven throughout the narrative, making it an achingly gritty yet brilliantly triumphant story of affirmation and healing.

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

Monthly current affairs magazine from a Christian perspective with a focus on politics, society, economics and culture.

This fresh, inspirational approach shows how to frame the art of dance within the context of life and how to gain the tools to appreciate, discuss and write about dance as a fine art. It also helps develop creative thinking and self-expression.

During the brutal Spanish colonization of the New World, the voice of the Aztec officer known as Xolotl, oft called Prodigal Monster, throws new light on the last days of the conquest of Mexico. He is about to open an enigmatic little can-of-worms. While ostensibly implying that a bit of treacheryperhaps mutinytook place in the palace before the retreat of June 30, Xolotl disputes Hernando Cortss claims that the Emperor was hit in the head with a stone while trying to calm a rebellious crowd in the streets below. And for once, Corts, the silver-tongued confidence man from Estremadura, is shocked to silence. The officers present believe there must be a compelling reason for the cover-up, but they have more immediate concerns that claim their attention that last desperate evening. The men must find a way to cross the Watertown causeway and the rain-drenched fields to the Anhuac border. But for the Conquistador, whose life has begun to come apart at the seams, the consequences of his decisions have reached critical proportions, and only time will tell if he will conquer the powerful Aztec empire and better yet, live to tell his story.

Since Cone's Black Theology and Black Power was first published in 1969, he has been recognized as one of the most creative contemporary black theologians. Roundly criticized by white theologians, the book and Cone's subsequent writings nevertheless gave voice and viability to the developing black theological movement of the late 1960s. Despite his influence on the African American religious community, scholars have written very little about his works, in part because of the sharp rhetoric and polemics of his first two books. Discussed here are some of his major writings, from his first essay, Christianity and Black Power (1968), through the major work Martin & Malcolm & America (1991). The systematic development of his themes (social and economic analysis, black sexism, relations between black, feminist, and so-called third-world theologies, etc.) is fully explained.