This book presents a study into the art of Jiangnan classical garden. Jiangnan (“the south of the Yangtze River”) refers to the water network region along the lower reaches of the Changjiang River (formerly known as Yangtze River), where Jiangsu Province Chinese gardens were primarily constructed during the 16th and 17th centuries of the later Ming and early Qing dynasties. The Jiangnan garden, an architectural space where artificial and natural elements are combined, represents the elite of classical Chinese gardens and serves as a prime exemplar for its northern counterpart, the Ming and Qing imperial gardens. The book pursues an interdisciplinary approach, combining historical information with case studies and other methods. Charts and pictures are used to supplement and reinforce the conclusions drawn from the macro narrative, enhancing the authenticity and readability of the historical monographs. It represents the first study of the classical art of landscape design in China, offering readers an insightful introduction.

The Garden of Perfect Brightness (Yuanming Yuan) in the western suburbs of the Quing capital, Beijing, was begun by the great Kangxi (r. 1661-1722) and expanded by his son, Yongzheng (r. 1722-1736) and brought to its greatest glory by his grandson, Qianlong (r. 1736-1796). A lover of literature and art, Qinglong sought an earthly reflection of his greatness in his Yuanming Yuan. For many years he designed and directed an elaborate program of garden arrangements. Representing two generations of painstaking research, this book follows the emperor as he ruled his empire from within his garden. In a landscape of lush plants, artificial mountains and lakes, and colorful buildings, he sought to represent his wealth and power to his diverse subjects and to the world at large. Having been looted and burned in the mid-nineteenth century by western forces, it now lies mostly in ruins, but it was the world’s most elaborate garden in the eighteenth century. The garden suggested a whole set of concepts—religious, philosophical, political, artistic, and popular—represented in landscape and architecture. Just as bonsai portrays a garden in miniature, the imperial Yuanming Yuan at the height of its splendor represented the Qing Empire in microcosm. Includes 62 color plates and 35 black & white photographs.

This book discusses human factors research directed towards realizing and assessing sustainability in the built environment and architecture. It reports on advanced engineering methods for sustainable infrastructure design, architecture as well as on assessments of the efficient methods and the social, environmental, and economic impact of various designs and projects. The book covers a range of topics, including the use of recycled materials in architecture, ergonomics in buildings and public design, sustainable design for smart cities, design for the aging population, industrial design, human scale in architecture, and many more. Based on the AHFE 2019 International Conference on Human Factors in Architecture, Sustainable Urban Planning and Infrastructure, held on July 24-28, 2019, in Washington D.C., USA, it offers various perspectives on sustainability and ergonomics. As such, it is a valuable reference resource for designers, urban engineers, architects, infrastructure professionals, public infrastructure owners, policy makers, government engineers and planners, as well as operations managers and academics active in urban and infrastructure research.

When The Chinese Garden was published in 1978, it was the first attempt in any language to explore the meanings that lie behind Chinese gardens. Now thoroughly revised and with new illustrations, it remains a classic of the subject. In a scholarly and accessible way, it traces the Chinese garden back through the earliest records, and explains its influence on, and how it was influenced by, philosophy, painting, architecture and literature. An exploration of Chinese culture, and how this culture manifested itself in the art of garden-making and design, The Chinese Garden provides unique insights into a great civilization and an intimate glimpse of the lives of the artists, scholars, poets and emperors who made it. Book jacket.

With their centuries-long development, the English landscape garden, the formal French garden, as well Japanese and Chinese gardens constitute an unparalleled repository of design solutions familiar throughout the world. They are frequently drawn upon as reference works, but often in a piecemeal and haphazard fashion and from botanical or art-historical vantage points. That is where the books of this new series come in. They present the various garden types from the perspective of contemporary landscape and garden design. Starting from the formidable beauty of the world’s most distinguished gardens, they point the way toward the essential compositional principles, the plants most commonly utilized and their most characteristic uses, and the possibilities for employing them in contemporary projects, thus providing readers with a rich source of inspiration for their own designs and creations. The panorama of "The Chinese Garden" stretches from the surviving historical gardens all the way to such modern examples as the garden at the Bank of China in Hong Kong (designed by I. M. Pei), Ai Weiwei’s Yiwu Riverbank Park, the Garden of Flowering Fragrance in the Los Angeles, California, region and the Garden of Awakening Orchids in Portland, Oregon.

The Splendid Chinese Garden is an illustrated guide to the classic gardens of China. It explains the history of the garden, the traditions and beliefs they represent, their aesthetic and the techniques used to create them. Also included are chapters that survey the great gardens of China, the gardens tourists love to visit and gardeners dream of seeing and exploring. Chinese Gardens in the South of the Yangtze River: Ge Garden (Yangzhou) He Yuan, also known as Jixiao Shan Zhuang (Yangzhou) Zhan Garden (Nanjing) Jichang Garden (Wuxi) Humble Administrator's Garden (Suzhou) Lingering Garden (Suzhou) Master of the Nets Garden (Suzhou) Lion Grove Garden (Suzhou) Chinese Gardens in the North of the Yangtze River: Yihe Garden or the Summer Palace (Beijing) Beihai Park (Beijing) Jingyi Garden in Xiangshan Mountain (Beijing) Imperial Garden, Palace Museum (Beijing) The Back Garden of the Prince Gong Mansion (Beijing)

This book explores international practice in landscape architecture, focusing on the provision of services from Australia to China during China’s contemporary urbanization and Australian landscape architects’ approaches to place. Landscape architectural practice requires planners and designers to have a deep understanding of local culture, site characteristics, craftsmanship and even project procedures that are often intangible. How to acquire the above local knowledge has become a major challenge for international teams. Through the survey of the practice of Australian landscape practices in China and the case study of Li Lake planning and design project, this book reveals the process and difficulties of landscape planning and design as a transnational practice, as well as its special value as a way of cross-cultural fertilization. This book is intended for students, practitioners and researchers in the fields of landscape architecture, architecture and urban planning.

With dozens of stunning photographs, this modern translation of a Classic text is a masterpiece of classical Chinese gardening. Ji Cheng's great work on garden design, the Yuan Ye or Craft of Gardens, was originally published around 1631 and is the earliest manual of landscape gardening in the Chinese tradition. This is the first complete English translation of Ji Cheng's seminal work. This Chinese gardening book is based on J Cheng's notes and experiences from his career as a garden designer, which he discusses at some length in his introduction> Since architecture is an integral part of the Chinese garden, much of the book is taken up with the design of different types of buildings and the integration of architecture with nature in the garden. Ji Cheng explains the religious and aesthetic principles underlying garden design and the appropriate emotional response to various effects. he then offers a down-to-earth series of instructions about the requirements of different types of sites, building layouts, architectural features, paving, the construction of artificial mountains, selection of rocks, and the use of natural scenery. This delightful book provides not only insights into Chinese gardening but also a unique perspective on Chinese culture and society in the late Ming dynasty. Full notes by the translator explain obscure points and introduce relevant aspects of Chinese culture, while an introduction by Maggie Keswick sets the book firmly in its historical context. Illustrations include not only Ji Cheng's original diagrams but also historical paintings and contemporary photographs of a number of outstanding gardens in the part of East China where Ji Cheng lived and worked.

Gardens are sites that can be at one and the same time admired works of art and valuable pieces of real estate. As the first account in English to be wholly based on contemporary Chinese sources, this beautifully illustrated book grounds the practices of garden-making in Ming Dynasty China (1369–1644) firmly in the social and cultural history of the day. Who owned gardens? Who visited them? How were they represented in words, in paintings and in visual culture generally, and what meanings did these representations hold at different levels of Chinese society? Drawing on a wide range of recent work in cultural theory, Craig Clunas provides for the first time a historical and materialist account of Chinese garden culture, and replaces broad generalizations and orientalist fantasy with a convincing picture of the garden's role in social life.

This book examines urban development and its role in planning in China and other Asian cities. Starting with a substantial narrative on the history, development philosophy, and urban form of ancient Asian cities, it then identifies the characteristics of urban society and different phases of development history. It then discusses urbanization patterns in China with a focus on spatial layout of the city clusters in the Yangtze River Delta since the 20th Century. Lastly, it explores institutional design and the legal system of urban planning in China and other Asian cities. As a textbook for the “Model Course in English” for international students listed by the Ministry of Education in China, it helps international researchers and students to understand urban development and planning in Asian cities.