The first-class tourist may see the beauties of a country's landscapes and scenery from the window of a palace-car, but his vision goes no further--does not penetrate below the surface. To know a country one must fraternize with its people, must live with them, sympathize with them, win their confidence. High life in Europe has been paid sufficient attention by travellers and writers. I was desirous of seeing something of low life; I donned the blouse and hobnailed shoes of a workman, and spent a year in a "Tramp Trip" from Gibraltar to the Bosporus. Some of my experiences have been related in letters to the New York World, the Philadelphia Press, the St. Louis Republican, and other American newspapers, and in my official report to the United States Bureau of Labor Statistics, Department of the Interior, Washington, D.C., on the condition of the laboring classes in Europe. While the following pages contain some of those newspaper letters, the greater portion is now in print for the first time. -- Preface.

When author Rod Leger got drafted in the middle of 1966, he was in his freshman year of college. The next few years transformed his life. In this memoir, he recalls his feelings as a college student in the period leading up to the war. At the time, he never considered that the war might not be the best idea. After all, if the country was drafting young men to fight and die overseas, then it must have been right. He enlisted in the US Navy’s American Seabees, and because he completed a year of college, he was designated as a “striker” and trained as a builder. Although he spent some time in the States, he was destined to go overseas to Vietnam, where he served two tours of duty. As a member of the Seabees, he helped bring free medical care to outlying villages. The Seabees built permanent clinics, constructed roads, improved or installed infrastructure, provided clean water wells, and improved the quality of life for many Vietnamese citizens. The members of Leger’s squad also made it a personal mission to help an area orphanage. In A Tramp’s Tour, Leger shares the story of his Vietnam experience and of how the Seabees lived up to their motto: “We build for the fighters, we fight for the builders.”

Introduction. Mark Twain's own letters from the Earth -- Part I. The Mississippi. The lure of the river -- More river thoughts -- Steam boat magic and a small town boy -- The face of the water -- Goin' to the theater in the big city (a letter from "Thomas Jefferson Snodgrass," 1856) -- Mardi-Gras in New Orleans (A letter to Pamela A. Moffett, 1859) -- A tour of New Orleans -- The scene of battle: Vicksburg -- Part II. The West. "Roughing it" lecture -- Among the miners -- The killing of Julius Caesar "localized" -- A trip to Tahoe -- Off for San Francisco -- A San Francisco day trip -- San Francisco weather and other natural events -- Part III. Back East. Philadelphia: the first visit -- New York: the overgrown metropolis -- New York: the dreadful Russian bath -- New York: changes in the city -- New York: street people -- New York: personal ads -- Plymouth Rock and the Pilgriims -- First visit to Boston -- Boston: a modern Cretan labyrinth -- Boston antiquities --

"By examining non-fiction travel narratives and travel fictions in relationship to each other, Daniel Cooper Alarcón highlights the sophisticated ways that both types of writing have anticipated ideas central to critical studies of travel, tourism, and migration"--

Containing more than 600 entries, this valuable resource presents all aspects of travel writing. There are entries on places and routes (Afghanistan, Black Sea, Egypt, Gobi Desert, Hawaii, Himalayas, Italy, Northwest Passage, Samarkand, Silk Route, Timbuktu), writers (Isabella Bird, Ibn Battuta, Bruce Chatwin, Gustave Flaubert, Mary Kingsley, Walter Ralegh, Wilfrid Thesiger), methods of transport and types of journey (balloon, camel, grand tour, hunting and big game expeditions, pilgrimage, space travel and exploration), genres (buccaneer narratives, guidebooks, New World chronicles, postcards), companies and societies (East India Company, Royal Geographical Society, Society of Dilettanti), and issues and themes (censorship, exile, orientalism, and tourism). For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Literature of Travel and Exploration: An Encyclopedia website.

Containing more than 600 entries, this valuable resource presents all aspects of travel writing. There are entries on places and routes (Afghanistan, Black Sea, Egypt, Gobi Desert, Hawaii, Himalayas, Italy, Northwest Passage, Samarkand, Silk Route, Timbuktu), writers (Isabella Bird, Ibn Battuta, Bruce Chatwin, Gustave Flaubert, Mary Kingsley, Walter Ralegh, Wilfrid Thesiger), methods of transport and types of journey (balloon, camel, grand tour, hunting and big game expeditions, pilgrimage, space travel and exploration), genres (buccaneer narratives, guidebooks, New World chronicles, postcards), companies and societies (East India Company, Royal Geographical Society, Society of Dilettanti), and issues and themes (censorship, exile, orientalism, and tourism). For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Literature of Travel and Exploration: An Encyclopedia website.

This critical study analyzes major concepts in the travel literature of Mark Twain and notes how his oeuvre (including his classic works of fiction) revolves around travel as a central issue. The book focuses especially on his representations of time, place, and identity in the travel works Roughing It, A Tramp Abroad, The Innocents Abroad, Life on The Mississippi, and Following the Equator. All receive an in-depth analysis, noting Twain's strong sense of nostalgia for the disappearing American frontier, his growing concern over the assimilation of Native American cultures, and his continual search for a sense of personal and national identity. One appendix provides a complete list of the travel literature contained in Twain's personal library.

The most enduring version of the hobo that has come down from the so-called 'Golden Age of Tramping' (1890s to 1940s) is an American cultural icon, signifying freedom from restraint and rebellion to the established order while reinforcing conservative messages about American exceptionalism, individualism, race, and gender. Vagabonds, Tramps, and Hobos shows that this 'pioneer hobo' image is a misrepresentation by looking at works created by transient artists and thinkers, including travel literature, fiction, memoir, early feminist writing, poetry, sociology, political journalism, satire, and music. This book explores the diversity of meanings that accrue around 'the hobo' and 'the tramp'. It is the first analysis to frame transiency within a nineteenth-century literary tradition of the vagabond, a figure who attempts to travel without money. This book provide new ways for scholars to think about the activity and representation of US transiency.