A fantastical illustrated book where mice chase cats, penguins live in the jungle, cars fly and aeroplanes float!

To the first Europeans who came to Australia, everything seemed topsy turvy. Christmas was in the summer and trees shed their bark but not their leaves. And the animals were bizarre. There was a bird that laughed like a donkey and a type of greyhound that bound along on its hind legs like a hare. There was an animal in Tasmania whose nocturnal screeches sounded like the devil and a river creature that had a duck's bill at one end and a beaver's tail at the other. The Europeans had never seen anything like these animals before and gave them names similar to those of the European creatures they already knew. They drew and painted odd pictures of them, showing they did not understand the animals' habits. In one illustration, a wombat is standing on its back legs and in another a Tasmanian tiger is wrestling with a platypus of the same size.

No musical partnership has enjoyed greater success during its time span than that of Gilbert and Sullivan in the later 19th century. No fewer than a dozen Savoy operas are still regularly performed. The operas present audiences with splendidly rich and satirical evocations of Victorian England and its society: the prime subject matter of this book!

Reuse, recycle, renew, and rethink! Climb aboard the Topsy-Turvy Bus with Maddy and Jake as it travels around the country teaching communities the importance of taking care of the earth and creating a better, cleaner, healthier world. Based on a real Topsy-Turvy Bus created by Hazon, the largest Jewish environmental organization in North America.

A multistoried apartment building. Its plaster is grayish beige and exudes a kind of petit-bourgeois tristesse; it has the requisite carpeted balcony railings, the lone flower box, even the deckchair is there. A familiar view. It is only on second glance that we see that something is wrong. All of the balcony doors lead to nowhere, and in turn, the balconies themselves cannot be accessed.German photographer Frank Kunert (*1963 in Frankfurt/Main) has not uncovered any sort of architectural scandal. With Balcony is one of the works that sensitively and enigmatically turn familiar narrative contexts upside down and question reality itself. Far from being simply photographic satire, Kunert's miniatures give three-dimensional form to puns on thoughts and words, making them tangible in the truest sense of the word. Kunert spends weeks constructing his model sets down to the smallest detail and then photographs them in his studio-in the process, creating the antithesis of worn and hackneyed concepts and ideas. Exhibition schedule: Galerie S, Siegen, February 22-March 28, 2008 · Darmstädter Tage der Fotografie, Darmstadt, April 18-20, 22008 · Galerie Camera Obscura, Dortmund, August 16-September 6, 2008 · Artbox Frankfurt, Galerie der Editionen, October 2-29, 2008 · Stadtmuseum Münster, February 23-April 11, 2010

This is the final tome in a series of 4 books about Eden Fruitarianism. The books do not require sequential reading as they are all complementary to one another. The focus of this particular one is on Anarchism, 'Vegan Anarchism' to be more precise. It highlights the madness of this world, and shows the way forward, by bringing more sanity, through the understanding of and abidance by Nature's Laws. This book has a special chapter dedicated to the current Covid19 Plandemic.

A sailing car, flying children, and talking cows are all part of a very topsy-turvy world.

This book offers support and practical tools to help parents prepare for and support the toddler's transition between the familiar environment of their biological parent's home or foster home to a new and unfamiliar one, and considers the issues that arise at different developmental stages.

Playwriting in many forms flourished during the late Ming and early Qing dynasties. Shorter theatrical genres in particular offered playwrights opportunities for experimentation with both dramatic form and social critique. Despite their originality and wit, these short plays have been overshadowed by the lengthy masterpieces of the southern drama tradition. A Topsy-Turvy World presents English translations of shorter sixteenth-to-eighteenth-century plays, spotlighting a lesser-known side of Chinese drama. Satirical and often earthy, these mostly one-act plays depict deceit, dissembling, reversed gender roles, and sudden upending of fortunes. With zest and humor, they portray henpecked husbands, supercilious and lustful monks, all-too-human sage kings, disgruntled officials, and overreaching young scholars. These plays provide a glimpse of Chinese daily life and mores even as they question or subvert the boundaries of social, moral, and political order. Each translation is preceded by a short introduction that describes the play’s author, context, formal qualities, and textual history. A Topsy-Turvy World offers a new view of a significant period in the development of the Chinese theatrical tradition and provides insight into the role of drama as cultural critique.