"Don't expect sense from these poems, in which grief, politics, literary theory, and sexuality interweave. But do expect language surprise and beautiful metaphors. . . . When [Akilah] Oliver presents her experiences in metaphor-rich language, the reader feels what she feels: incredible loss, infinite pain."--Library Journal "An extraordinary gift for everyone."--Alice Notley Written for her son, Oluchi McDonald (1982-2003), Akilah Oliver's poems incorporate prose, theory, and lyric performance into a powerful testimony of loss and longing. In their journey through the borderlands of sorrow, they grapple with violence, find expression in chants, and, like the graffiti she analyzes, become a place of public and artistic memorial. "If memory is the act of bearing witness," she writes, "then the dream is a friend driving us somewhere." Akilah Oliver is the author of the she said dialogues, recipient of the PEN/Beyond Margins Award. Born and raised in Los Angeles, she currently lives in Brooklyn and curates the Monday Night Reading Series at the Poetry Project.

A compelling debut collection from the first Coptic American poet to be published in the United States.

An American Book Award-winning poet explores her indigenous, working-class background against the backdrop of urban poverty.

Irena Bozinska, beset by difficulties with love, language, and change, is a mathematician who has recently emigrated from Poland to America. She works as an attendant for an aging jazz musician who longs for one last moment of musical glory in spite of his arthritic fingers. Jack Kaufman, cared for by a mysteriously sad young woman, is a Chicago gangster nearing the end of a colorful, violent life. Joined together by the simple circumstance of sharing the same apartment building, these four lonely people begin to form surprising, life-changing bonds with one another.

Seven essays celebrating the beauty of the imperfect marriage. We hear plenty about whether or not to get married, but much less about what it takes to stay married. Clichés around marriage—eternal bliss, domestic harmony, soul mates—leave out the real stuff. After marriage you may still want to sleep with other people. Sometimes your partner will bore the hell out of you. And when stuck paying for your spouse’s mistakes, you might miss being single. In Wedding Toasts I’ll Never Give, Ada Calhoun presents an unflinching but also loving portrait of her own marriage, opening a long-overdue conversation about the institution as it truly is: not the happy ending of a love story or a relic doomed by high divorce rates, but the beginning of a challenging new chapter of which “the first twenty years are the hardest.” Calhoun’s funny, poignant personal essays explore the bedrooms of modern coupledom for a nuanced discussion of infidelity, existential anxiety, and the many other obstacles to staying together. Both realistic and openhearted, Wedding Toasts I’ll Never Give offers a refreshing new way to think about marriage as a brave, tough, creative decision to stay with another person for the rest of your life. “What a burden,” Calhoun calls marriage, “and what a gift.”

First published in 2005. The present work contains the text of the great Syriac "Book of Medicines", edited from a manuscript in my possession, in an English translation of the same, with Introduction, Index. The first section of the Book of Medicines consists of Lectures upon Human Anatomy, Pathology, and Therapeutics, to each of which is added a series of prescriptions of the most detailed character, which the author recommends to be administered in the treatment of the various diseases described in the Lecture preceding. this is here published for the first time.

Uncorrected proof copy.

A girl reaches across an ocean to heal three generations from the aftermath of war.

In 1975, U Sam Oeur and his family, along with 2.8 million others, were driven out of Phnom Penh by the Khmer Rouge. During the next four years, the family survived life in six different concentration camps. Written in both Khmer and English, "Sacred Vows" recalls the terror of this time in Cambodia.

The deliciously funny tale of a piece of bread who wants to be a dog-- perfect for fans of Arnie the Doughnut by Laurie Keller and Everyone Loves Bacon by Kelly DiPucchio. Toasty loves dogs--so much so that he'd like to be one. He knows there are some differences--most dogs have four legs, but Toasty has two arms and two legs. Some dogs sleep in dog houses, but Toasty sleeps in a toaster. All dogs have hair and fur, but Toasty has neither because he's made of bread. In spite of these differences, he decides to go to the park to play with the dogs-- but they don't want to play, they want to eat him! Lucky for Toasty, he is rescued by a little girl who has always wanted a dog but can't have one because she is allergic. It turns out Toasty is the perfect dog for her. Sarah Hwang's inspiration for Toasty came from her childhood experience as an immigrant and her discovery that you find your best friends when you're willing to just be yourself. Her playful art for Toasty came to mind when she saw a piece of toast that reminded her of the way she used to draw dogs as a child.