In April-May 1994 in Rwanda, 800,000 Rwandan Tutsis were massacred by their Hutu fellow citizens - more than 10,000 a day, mostly being hacked to death by machete. Jean Hatzfeld reports on the results of his interviews with nine of the Hutu killers, all of whom are now in prison, some awaiting execution. Hatzfeld elicits extraordinary testimony from these men about the genocide they perpetrated. Each describes what it was like the first time he killed someone, what he felt like when he killed a mother and child, and how he reacted when he killed a cordial acquaintance. Each reflects on his feelings of moral responsibility, his guilt, remorse, or indifference to the crimes. Since the Holocaust, it has been conventional to presume that only depraved and monstrous evil incarnate could perpetrate such crimes, but it may be, Hatzfeld suggests, that such actions are within the realm of ordinary human conduct. To read this disturbing, enlightening and very brave book is to consider the foundation of human morality and ethics in a new light.

Navigate the darkest corridors of humanity with Machete Season–a harrowing saga that dusts off the grim truths of the Rwandan Genocide. Rewind to April-May 1994, as the Tutsis face the unimaginable horror of annihilation under their fellow Hutu's brutal reign. The author, Jean Hatzfeld, painstakingly pieces together the chilling accounts shared by nine Hutu executioners. Recounted are not just tales of horror, but a frightening display of the dehumanizing banality of evil. This revelation doubles as a probing exploration of the mechanisms of mass murders and their remorseless orchestrators. Delve into their candid confessions about the dreadful slaughter of approximately 50,000 Tutsis, their neighbors. As you navigate through their stories, one piercing, unsettling theme stands out: “Killing is easier than farming." Echoes of their unsettling ambivalence towards their heinous actions fill the pages, raising alarming questions about human morality and ethics. Machete Season isn’t just a chronicle of genocide. It's an insightful contemplation on the extraordinary horrors that ordinary human beings are capable of under certain circumstances. By starkly positioning the Rwandan Genocide alongside historical war crimes and genocidal episodes, this book raises a mirror to the darkest corners of human nature, forcing you to reconsider the pylons of morality, humanity, and guilt when survival is at stake.

In April-May 1994, 800,000 Rwandan Tutsis were massacred by their Hutu fellow citizens - about 10,000 a day, mostly being hacked to death by machete. Jean Hatzfeld reports on the results of his interviews with nine of the Hutu killers, all of whom are now in prison, some awaiting execution. Hatzfeld elicits extraordinary testimony from these men about the genocide they perpetrated. Each describes what it was like the first time he killed someone, what he felt like when he killed a mother and child, and how he reacted when he killed a cordial acquaintance. Each reflects on his feelings of moral responsibility, his guilt, remorse, or indifference to the crimes. Especially since the Holocaust, it has been conventional to presume that only depraved and monstrous evil incarnate could perpetrate such crimes, but it may be, Hatzfeld suggests, that such actions are within the realm of ordinary human conduct. To read this disturbing, enlightening and very brave book is to consider in a new light the foundation of human morality and ethics.

A powerful report on the aftereffects of the genocide in Rwanda-and on the near impossibility of reconciliation between survivors and killers In two acclaimed previous works, the noted French journalist Jean Hatzfeld offered a profound, harrowing witness to the unimaginable pain and horror in the mass killings of one group of people by another. in the second, he probed further, in talks with a group of Hutu killers about their acts of unimaginable depravity.Now, in The Antelope's Strategy, he returns to Rwanda seven years later to talk with both the Hutus and Tutsis he'd come to know-some of the killers who had been released from prison or returned from Congolese exile, and the Tutsi escapees who must now tolerate them as neighbors. How are they managing with the process of reconciliation? Do you think in their hearts it is possible? The enormously varied and always surprising answers he gets suggest that the political ramifications of the international community's efforts to insist on resolution after these murderous episodes are incalculable. This is an astonishing exploration of the pain of memory, the nature of stoic hope, and the ineradicability of grief.

This fresh voice in American poetry wields lyric pleasure and well-honed insight against a cruel century that would kill us with a thousand cuts. "Morín's writing uses the mundane details of everyday life...as a jumping-off point for creating fascinating and philosophical worlds." —LitHub "Dios aprieta, pero no ahorca" ("God squeezes, but He doesn't strangle")--the epigraph of Machete--sets the stage for a powerful poet who summons a variety of ways to endure life when there's an invisible hand at your throat. Tomás Morín hails from the coastal plains of Texas, and explores a world where identity and place shift like that ever-changing shore. In these poems, culture crashes like waves and leaves behind Billie Holiday and the CIA, disco balls and Dante, the Bible and Jerry Maguire. They are long, lean, and dazzle in their telling: "Whiteface" is a list of instructions for people stopped by the police; "Duct Tape" lauds our domestic life from the point of view of the tape itself. One part Groucho Marx, one part Job, Morín considers our obsession with suffering--"the pain in which we trust"--and finds that the best answer to our predicament is sometimes anger, sometimes laughter, but always via the keen line between them that may be the sharpest weapon we have.

Renowned primatologist Mayor recounts her journey from NFL cheerleader to Fulbright Scholar to field scientist and, ultimately, to National Geographic explorer.

In Rwanda in 1994, five out of six Tutsis (800,000) were hacked to death with machetes by their Hutu neighbours. In the villages of Nyamata and N'tarama, where, in the first two days of the genocide, over 10,000 Tutsis were massacred in the churches where they sought refuge, Jean Hatzfeld interviewed some of the survivors. Of all ages, coming from different walks of life, from orphan teenage farmers to the local social worker, fourteen survivors talk of the genocide, the death of family and friends in the church and in the marshes of Bugesera to which they fled. They also talk of their present life and try to explain and understand the reasons behind the extermination. These horrific accounts of life at the very edge contrast with Hatzfeld's own sensitive and vivid descriptions of Rwanda's villages and countryside in peacetime. Into the Quick of Life brings us, in the author's own words, ?as close to (the event) as we can ever get?. It is a unique insight into a genocide.

Immaculee Ilibagiza grew up in a country she loved, surrounded by a family she cherished. But in 1994 her idyllic world was ripped apart as Rwanda descended into a bloody genocide. Immaculee’s family was brutally murdered during a killing spree that lasted three months and claimed the lives of nearly a million Rwandans. Incredibly, Immaculee survived the slaughter. For 91 days, she and seven other women huddled silently together in the cramped bathroom of a local pastor while hundreds of machete-wielding killers hunted for them. It was during those endless hours of unspeakable terror that Immaculee discovered the power of prayer, eventually shedding her fear of death and forging a profound and lasting relationship with God. She emerged from her bathroom hideout having discovered the meaning of truly unconditional love—a love so strong she was able seek out and forgive her family’s killers. The triumphant story of this remarkable young woman’s journey through the darkness of genocide will inspire anyone whose life has been touched by fear, suffering, and loss.

An incisive look at the causes and consequences of the Rwandan genocide "When we captured Kigali, we thought we would face criminals in the state; instead, we faced a criminal population." So a political commissar in the Rwanda Patriotic Front reflected after the 1994 massacre of as many as one million Tutsis in Rwanda. Underlying his statement was the realization that, though ordered by a minority of state functionaries, the slaughter was performed by hundreds of thousands of ordinary citizens, including judges, doctors, priests, and friends. Rejecting easy explanations of the Rwandan genocide as a mysterious evil force that was bizarrely unleashed, When Victims Become Killers situates the tragedy in its proper context. Mahmood Mamdani coaxes to the surface the historical, geographical, and political forces that made it possible for so many Hutus to turn so brutally on their neighbors. In so doing, Mamdani usefully broadens understandings of citizenship and political identity in postcolonial Africa and provides a direction for preventing similar future tragedies.

In 2004, the Academy Award–nominated movie Hotel Rwanda lionized hotel manager Paul Rusesabagina for single-handedly saving the lives of all who sought refuge in the Hotel des Milles Collines during Rwanda's genocide against the Tutsi in 1994. Because of the film, the real-life Rusesabagina has been compared to Oskar Schindler, but unbeknownst to the public, the hotel's refugees don't endorse Rusesabagina's version of the events. In the wake of Hotel Rwanda's international success, Rusesabagina is one of the most well-known Rwandans and now the smiling face of the very Hutu Power groups who drove the genocide. He is accused by the Rwandan prosecutor general of being a genocide negationist and funding the terrorist group Democratic Forces for the Liberation of Rwanda (FDLR). In Inside the Hotel Rwanda, survivor Edouard Kayihura tells his own personal story of what life was really like during those harrowing 100 days within the walls of that infamous hotel and offers the testimonies of others who survived there, from Hutu and Tutsi to UN peacekeepers. Kayihura tells of his life in a divided society and his journey to the place he believed would be safe from slaughter. Inside the Hotel Rwanda exposes Paul Rusesabagina as a profiteering, politically ambitious Hutu Power sympathizer who extorted money from those who sought refuge, threatening to send those who did not pay to the genocidaires, despite pleas from the hotel's corporate ownership to stop. Inside the Hotel Rwanda is at once a memoir, a critical deconstruction of a heralded Hollywood movie alleged to be factual, and a political analysis aimed at exposing a falsely created hero using his fame to be a political force, spouting the same ethnic apartheid that caused the genocide two decades ago.