A cloth bag containing eight copies of the title, that may also include a folder.

Traces the decline of Anglo-American civilization and the concept of the gentleman in a fictionalized social history that follows a man named Kensington and the people who surround him from 1901 to 1969.

To celebrate the 20th anniversary of NYRB Classics, a handpicked anthology of selections from the series. In Greek mythology, Ariadne gave Theseus a ball of red thread to guide him through the labyrinth, and the Red Thread offers a path through and a way to explore the ins and outs and twists and turns of the celebrated NYRB Classics series, now twenty years old. The collection brings together twenty-five pieces drawn from the more than five hundred books that have come out as NYRB Classics over the last twenty years. Stories, essays, interviews, poems, along with chapters from novels and memoirs and other longer narratives have been selected by Edwin Frank, the series editor, to chart a distinctive, entertaining, and thought-provoking course across the expansive and varied terrain of the Classics series.

This globe-spanning history of sewing and embroidery, culture and protest, is “an astonishing feat . . . richly textured and moving” (The Sunday Times, UK). In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances. Threads of Life is a chronicle of identity, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the universal beauty and power of sewing.

SAS trooper and trainee pilot Jamie Hull was flying solo when his aircraft caught fire. It should have been the end of his life, but it was the beginning of his story. With flames up to his chin, he brought the plane in, climbed out and jumped from the wing. As he lay on the ground, fully conscious, waiting for the emergency services, he could smell his flesh burn. Even if he survived, what would he have left to live for? But this man is made of stern stuff. He fought back from the brink of death, and created a new and profoundly meaningful life from the wreckage of his experience. Meet Jamie Hull, former Special Services soldier, now Ambassador for Help for Heroes and veteran of two marathons, a 3,000-mile bicycle race across America and an expedition up Mount Kilimanjaro. His story will take to you to the furthest extremes of human endurance and endeavour.

"A fascinating history of…[a craft] that preceded and made possible civilization itself." —New York Times Book Review New discoveries about the textile arts reveal women's unexpectedly influential role in ancient societies. Twenty thousand years ago, women were making and wearing the first clothing created from spun fibers. In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women. Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture. Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion. In a "brilliantly original book" (Katha Pollitt, Washington Post Book World), she argues that women were a powerful economic force in the ancient world, with their own industry: fabric.

The New York Times bestselling author stitches “an unbreakable thread of friendship and faith” into her second novel in her quilting series (Publishers Weekly). Come home to Marie Bostwick’s poignant novel of new beginnings, old friends, and the rich, varied tapestry of lives fully lived . . . At twenty-seven, having fled an abusive marriage with little more than her kids and the clothes on her back, Ivy Peterman figures she has nowhere to go but up. Quaint, historic New Bern, Connecticut, seems as good a place as any to start fresh. With a part-time job at the Cobbled Court Quilt Shop and budding friendships, Ivy feels hopeful for the first time in ages. But when a popular quilting TV show is taped at the quilt shop, Ivy’s unwitting appearance in an on-air promo alerts her ex-husband to her whereabouts. Suddenly, Ivy is facing the fight of her life—one that forces her to face her deepest fears as a woman and a mother. This time, however, she’s got a sisterhood behind her: companions as complex, strong, and lasting as the quilts they stitch . . . Praise for Marie Bostwick’s A Single Thread “A big-hearted novel filled with wit and wisdom.” —Susan Wiggs, New York Times bestselling author “Bostwick’s warmly nourishing, emotionally compelling novel is quiet yet powerful.” —Chicago Tribune “Marie Bostwick beautifully captures the very essence of women’s friendships—the love, the pain, the trust, the forgiveness—and crafts a seamless and heartfelt novel from them . . . a writer at the top of her game.” —Kristy Kiernan, award-winning author of Catching Genius

A Parents’ Choice Recommended Award Winner A Junior Library Guild Gold Standard Selection From New York Times bestselling authors Laura Schroff and Alex Tresniowski comes the young readers edition of an unbelievable memoir about an unlikely friendship that forever changed the lives of a busy sales executive and a hungry eleven-year-old boy. On one rainy afternoon, on a crowded New York City street corner, eleven-year-old Maurice met Laura. Maurice asked Laura for spare change because he was hungry, and something made Laura stop and ask Maurice if she could take him to lunch. Maurice and Laura went to lunch together, and also bought ice cream cones and played video games. It was the beginning of an unlikely and magical friendship that changed both of their lives forever. An Invisible Thread is the true story of the bond between an eleven-year-old boy and a busy sales executive; a heartwarming journey of hope, kindness, adventure, and love—and the power of fate to help us find our way.

St. Paul, MN, 1946: As little girls, the Malone sisters relied on each other for companionship and affection as their mother remained distant, beating back the demons of her own mysterious childhood. Now, as young women ready to embrace promising futures, Eliza imagines a life of adventure and achievement, while far simpler hopes for family and happiness occupy Shannon. Instead, the closely-knit sisters endure two life-changing tragedies, and their powerful bonds of love and loyalty threaten to break under the weight of trauma and loss, secrets and misunderstandings. One sister leaves, possibly forever. Heartbroken and scarred from a battle with tuberculosis, the other vows to never let go of the invisible thread that runs between them- and in the course of her journey, she discovers the true meaning of family.