An undiscovered treasure: the romance of cookery first published in America in 1911. A cross between the ease of quick-cook and the solidity and care of Mrs Beaton, interspersed with delicious period dialogue. As hard to put down as a novel. And who knew the Victorian cooks had such a ranges of dishes AND ingredients? Callender cooking.

Cast Away began in 1994 when Fox executive Elizabeth Gabler told me that Tom Hanks thought there might be a movie in the story of a modern man stranded on a desert island...which Tom jokingly called 'Chuck of the Jungle'. So begins William Broyles, Jr.'s fascinating introduction, written exclusively for this book, about the process and challenges inherent in writing a screenplay that was not, by design, going to have a lot of dialogue in it, and about his collaboration with two extraordinarily gifted artists, actor Tom Hanks and director Robert Zemeckis. Broyles's introduction shows how a movie and its story evolve, shift, and shape while the creators grapple with all manner of internal and external choices: from developing what was Tom Hanks's idea into a story, and building a narrative structure and thematic threads into a screenplay, to researching the details of the specific - and ironic - situation of a FedEx executive stranded on a desert island.

So what is evil? What makes a person a “villain?” Is it intent to harm…or is it something deeper than that? Each one of the thirteen authors in this amazing collection has taken a completely different approach to answering this question. They have gone above and beyond expressing the idea of evil and supervillainy. They get to the bottom of why villains are the way they are, and what they hope to gain from it. These are dangerous women wielding Absolute Power… and they’ll be glad to let you know exactly why you should fear them.

Passionate Bible teacher Kay Warren shows women--even those who battle depression and anxiety--that a joy-filled life is within their reach.

A Thousand Ways to Please a Husband With Bettina's Best Recipes

This volume, with essays by leading archaeologists and prehistorians, considers how prehistoric humans attempted to recognise, understand and conceptualise death.