A Thousand Hands is an anthology of 50 articles by Buddhist chaplains, teachers, therapists, and social workers, presenting Buddhist approaches and resources designed to help community leaders respond to the many challenges brought to them by their communities. As a Buddhist community leader--or even a concerned community member--we may have read many sutras, practiced thousands of hours of meditation, or become well versed in Buddhist philosophy, but that does not prepare us for every situation we will face. It is very natural that people turn to a spiritual or religious community in times of trouble, and when such a person comes our hearts may fill with compassion and want to do whatever we can to ease their suffering. However, conversations with Buddhists in the West show that both training and resources in these areas are often lacking. This book is divided into three sections. The first deals primarily with ways to help one's self--ways to help develop one's capacity to be present in an effective way to help others in need, whether that is through listening more effectively or better organizing a group's money in order to keep a temple or organization stable. The second section is more about helping individuals with particular issues, such as cancer, divorce, anger, financial troubles, and depression. The third section contains chapters with broader community themes like group facilitation, leading projects, creating family programs, and volunteering. In each chapter, further resources, recommended reading, and relevant organizations are listed. "The voices contributing to this volume demonstrate that North American Buddhism is awakening from its predominantly inward and private focus and realizing that our strength for the future lies in healthy, whole, and peaceful communities. Yet the forms of suffering that manifest in communities boggle the imagination in their diversity. The essays collected here show that the necessary concern has been aroused and the helping hands of compassion are reaching out, each hand, like that of the bodhisattva Guan Yin, emblazoned with the eye of intelligence that looks into the underlying causes and the prospects for a solution." Ven. Bhikkhu Bodhi "A Thousand Hands provides a remarkably broad set of resources aimed at helping people navigate suffering with greater clarity and ease. The editors have done a wonderful job gathering together many wise voices to share on a host of important topics." Sharon Salzberg, author of Lovingkindness and Real Happiness "Buddhist communities struggle with the reality that we bring the world with us--that walking into the doors of the sangha does not instantly liberate us from our mental illness, addictions, trauma, and emotional woundedness. Even more jarring is confronting the truth that our sanghas are organized to privilege the mental, physical, and fi nancial elite. The Buddha taught a Dharma for all ages, and at its heart is the call for radical loving integrated with truth. This book helps us to hold love and truth together as we move into the profound, beautiful, and very uncomfortable space of meeting people where they are and asking: How can I care for you?" Lama Rod Owens, co-author of Radical Dharma: Talking Race, Love, and Liberation

India has been a major recipient of international aid since its independence on account of its developmental gaps and wide income disparity; yet it also ranks among the top four nations in the world in terms of the number of billionaires. How and what do these fabulously wealthy Indians contribute to the development of their own society? What is the nature of Indian philanthropy? Has the phenomenal wealth creation in recent decades seen an increase in altruistic spending in social development, and what role does the Indian state play in promoting or restraining the act of giving? Making an important distinction between charity and philanthropy, Giving with a Thousand Hands argues that while charity is alive and well in India, the country is short on philanthropy defined as altruistic giving on a large enough scale to bring about transformative social change. The author in this book offers a vision for the future of Indian philanthropy, maintaining that it has a vital role to play in the country and needs to be encouraged through various measures.

This book introduces contemporary Buddhists from across Asia and from various walks of life. Eschewing traditional hagiographies, the editors have collected sixty-six profiles of individuals who would be excluded from most Buddhist histories and ethnographies. In addition to monks and nuns, readers will encounter artists, psychologists, social workers, part-time priests, healers, and librarians as well as charlatans, hucksters, profiteers, and rabble-rousers—all whose lives reflect changes in modern Buddhism even as they themselves shape the course of these changes. The editors and contributors are fundamentally concerned with how individual Buddhists make meaning and display this understanding to others. Some practitioners profiled look to the past, lamenting the transformations Buddhism has undergone in recent times, while others embrace these. Some have adopted a “new asceticism,” while others are eager to explore different religious traditions as they think about their own ways of being Buddhist. Arranging the profiles according to these themes—looking backward, forward, inward, and outward—reveals the value of studying individual Buddhists and their idiosyncratic religious backgrounds and attitudes, thus highlighting the diversity of approaches to the practice and study of Buddhism in Asia today. Students and teachers will welcome sections on further readings and additional tables of contents that organize the profiles thematically, as well as by tradition (Theravada, Mahayana, Vajrayana), region, and country.

This gorgeous and empowering picture book from award-winning author-illustrator Evan Turk paints the portrait of Marietta Barovier, the groundbreaking Renaissance artisan who helped shape the future of Venetian glassmaking. Marietta and her family lived on the island of Murano, near Venice, as all glassmakers did in the early Renaissance. Her father, Angelo Barovier, was a true maestro, a master of glass. Marietta longed to create gorgeous glass too, but glass was men’s work. One day her father showed her how to shape the scalding-hot material into a work of art, and Marietta was mesmerized. Her skills grew and grew. Marietta worked until she created her own unique glass bead: the rosetta. Small but precious, the beautiful beads grew popular around the world and became as valuable as gold. The young girl who was once told she could not create art was now the woman who would leave her mark on glasswork for centuries to come.

“A brave and moving novel [that] has a tender empathy with the natural world.” —Hermione Lee, The New York Review of Books From the two-time Booker Prize finalist author of Days Without End comes a dazzling companion novel about memory and identity, set in Tennessee in the aftermath of the Civil War Winona Cole, an orphaned child of the Lakota Indians, finds herself growing up in an unconventional household on a farm in west Tennessee. Raised by her adoptive parents John Cole and Thomas McNulty, whose story Barry told in his acclaimed previous novel Days Without End, she forges a life for herself beyond the violence and dispossession of her past. Tennessee is a state still riven by the bitter legacy of the Civil War, and the fragile harmony of her family is soon threatened by a further traumatic event, one which Winona struggles to confront, let alone understand. Exquisitely written, A Thousand Moons is a stirring, poignant story of love and redemption, of one woman's journey and her determination to write her own future.

Forced back into the working world after her lawyer husband's downfall, Helen discovers a talent for public relations and is tempted away from her dysfunctional family by her childhood crush, who needs her professional assistance.

By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize In 2007, Time magazine named him one of the most influential novelists in the world. He has twice been short-listed for the Man Booker Prize. The New York Times Book Review called him simply “a genius.” Now David Mitchell lends fresh credence to The Guardian’s claim that “each of his books seems entirely different from that which preceded it.” The Thousand Autumns of Jacob de Zoet is a stunning departure for this brilliant, restless, and wildly ambitious author, a giant leap forward by even his own high standards. A bold and epic novel of a rarely visited point in history, it is a work as exquisitely rendered as it is irresistibly readable. The year is 1799, the place Dejima in Nagasaki Harbor, the “high-walled, fan-shaped artificial island” that is the Japanese Empire’s single port and sole window onto the world, designed to keep the West at bay; the farthest outpost of the war-ravaged Dutch East Indies Company; and a de facto prison for the dozen foreigners permitted to live and work there. To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland. But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?” A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author. Praise for The Thousand Autumns of Jacob de Zoet “A page-turner . . . [David] Mitchell’s masterpiece; and also, I am convinced, a masterpiece of our time.”—Richard Eder, The Boston Globe “An achingly romantic story of forbidden love . . . Mitchell’s incredible prose is on stunning display. . . . A novel of ideas, of longing, of good and evil and those who fall somewhere in between [that] confirms Mitchell as one of the more fascinating and fearless writers alive.”—Dave Eggers, The New York Times Book Review “The novelist who’s been showing us the future of fiction has published a classic, old-fashioned tale . . . an epic of sacrificial love, clashing civilizations and enemies who won’t rest until whole family lines have been snuffed out.”—Ron Charles, The Washington Post “By any standards, The Thousand Autumns of Jacob de Zoet is a formidable marvel.”—James Wood, The New Yorker “A beautiful novel, full of life and authenticity, atmosphere and characters that breathe.”—Maureen Corrigan, NPR