What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be 'truthful'--that is, faithful to the facts of history? Or is it okay to lie in such works? In her provocative study A Thousand Darknesses, Ruth Franklin investigates these questions as they arise in the most significant works of Holocaust fiction, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led us to mistakenly focus on testimony as the only valid form of Holocaust writing. As even the most canonical texts have come under scrutiny for their fidelity to the facts, we have lost sight of the essential role that imagination plays in the creation of any literary work, including the memoir. Taking a fresh look at memoirs by Elie Wiesel and Primo Levi, and examining novels by writers such as Piotr Rawicz, Jerzy Kosinski, W.G. Sebald, and Wolfgang Koeppen, Franklin makes a persuasive case for literature as an equally vital vehicle for understanding the Holocaust (and for memoir as an equally ambiguous form). The result is a study of immense depth and range that offers a lucid view of an often cloudy field.

From the author of previous military and action adventure novels like "THE 100TH KILL," "DETACHMENT DELTA" series and "THE RETURN" comes Charles W. Sasser's latest speculative political action-adventure thriller ripped from today's headlines and based on actual current events. Police Detective James Nail is wounded and his daughter murdered in an attack that also kills "right-wing" TV personality Jerry Baer. As Nail and Baer's producer, Sharon Lowenthal, team up to track down the shooters, they discover a conspiracy that leads to an international cartel of "One Worlders" and may implicate the President of the United States. Falsely accused of terrorism, they must keep one step ahead of Homeland Security to stay alive, bring down the traitors, and save the nation. What they're saying about Charles W. Sasser "As for the writing, it's near perfect, flows smoothly and has that certain flair that all of us who type for a living seek to achieve..." PACIFIC FLYER on "Predator: The Remote-Control Air War over Iraq and Afghanistan." "The most gripping scenes in the book document...emotion in the seconds just before the Hellfire missile arrives on target..." THE NEW YORK REVIEW OF BOOKS (NEW YORK TIMES) on "Predator: The Remote-Control Air War over Iraq and Afghanistan." "A gripping combat memoir...honest and exciting...a roving tale, full of sharp detail and told in the harsh language of soldiers baptized in fire..." KIRKUS REVIEWS on "Taking Fire." "Bustles with danger, intrigue, and surprise. Rapid-fire action from beginning to end." Clive Cussler on "First Seal." "Tough, raunchy, gritty, but surprisingly tender... If you never made it to 'Nam, this book will take you there... unbeatable " MILITARY HISTORY Magazine on "The 100th Kill." "Outstanding Exciting Gut-grabbing... " LEATHERNECK Magazine on "One Shot-One Kill." "A grim, authentic window to a world of horrors only hinted at in the tabloid headlines..." PUBLISHER'S WEEKLY on "Homicide " "A powerful emotion-packed mystery..." CONCISE BOOK REVIEWS on "No Gentle Streets." "A model of good historical writing..." LEATHERNECK on "Hill 488." "Abundant action, a fast pace and an unusual ethical dilemma..." PUBLISHER'S WEEKLY on "Dark Planet."

A harrowing, action-packed account of the author's series of audacious escapes from the Nazis' Final Solution--"riveting...a fascinating and moving piece of history" (Library Journal). Young Leo Bretholz survived the Holocaust by escaping from the Nazis (and others) not once, but seven times during his almost seven-year ordeal crisscrossing war-torn Europe. He leaped from trains, outran police, and hid in attics, cellars, anywhere that offered a few more seconds of safety. First he swam the River Sauer at the German-Belgian border. Later he climbed the Alps on feet so battered they froze to his socks--only to be turned back at the Swiss border. He crawled out from under the barbed wire of a French holding camp, and hid in a village in the Pyrenees while gendarmes searched it. And in the dark hours of one November morning, he escaped from a train bound for Auschwitz. Leap into Darkness is the sweeping memoir of one Jewish boy's survival, and of the family and the world he left behind.

Although both know it is forbidden, Amy and Axel hope that by following the countless ramps leading upward they can escape from their filthy subterranean world.

This is a critical survey of a broad range of fictional representations of the Holocaust over the last twenty years. It brings a new slant to the key debates and issues relevant to those looking at representation and the Holocaust.

For almost twenty-one years, Queen Aetheria has been ruling over the kingdom of Asinia. Since the king's death, she has been terrorizing the citizens of Asinia with her cruelty. Three years into her reign, the First Tree's light shone on the kingdom, announcing the birth of a new royal child. But Aetheria had not given birth. The citizens of Asinia felt a flicker of hope that this new royal child might bring peace to Asinia. That child, Leora Hallewell, is now eighteen and is ready to end Aetheria's reign of terror. A new day is dawning for Asinia. Will Leora's light be enough to banish the darkness of the queen's reign?

One woman's heartbreaking story of a marriage destroyed by her husband's addiction to alcohol. The dynamics of codependency are illuminated in this gripping tale. Author and widow Frances Simone describes her husband's attempts at treatment and subsequent relapse, his suicide, and her own recovery through a twelve-step program for families. Frances Simone, PhD, is a recently retired professor emeritus from the graduate college of Marshall University in South Charleston, West Virginia. Her essays have appeared in The Voice and The Quarterly of the National Writing Project, the Charleston Gazette, Writers Digest, and The Forum.

A mysterious traveler intervenes in an epic holy war in this “impressive, challenging debut” of the critically acclaimed fantasy epic (Publishers Weekly, starred review). The first book in R. Scott Bakker's Prince of Nothing series introduces readers to a strikingly original and engrossingly vivid new world. With its language and classes of people, its cities, religions, mysteries, taboos, and rituals, The Darkness That Comes Before has drawn comparison to J.R.R. Tolkien’s The Lord of the Rings and Frank Herbert’s Dune. Bakker’s Eärwa is a world scarred by an apocalyptic past, evoking a time both two thousand years past and two thousand years into the future. As untold thousands gather for a crusade, two men and two women are ensnared by a mysterious traveler, Anasûrimbor Kellhus—part warrior, part philosopher, part sorcerous, charismatic presence—from lands long thought dead. The Darkness That Comes Before is a history of this great holy war, and like all histories, the survivors write its conclusion.

With contributions from 30 leading media scholars, this collection provides a comprehensive overview of the main methodologies of critical media studies. Chapters address various methods of textual analysis, as well as reception studies, policy, production studies, and contextual, multi-method approaches, like intertextuality and cultural geography. Film and television are at the heart of the collection, which also addresses emergent technologies and new research tools in such areas as software studies, gaming, and digital humanities. Each chapter includes an intellectual history of a particular method or approach, a discussion of why and how it was used to study a particular medium or media, relevant examples of influential work in the area, and an in-depth review of a case study drawn from the author's own research. Together, the chapters in this collection give media critics a complete toolbox of essential critical media studies methodologies.

The story is told by Albert N. Wilmarth, an instructor of literature at Miskatonic University in Arkham. When local newspapers report strange things seen floating in rivers during a historic Vermont flood, Wilmarth becomes embroiled in a controversy about the reality and significance of the sightings, though he sides with the skeptics. Wilmarth uncovers old legends about monsters living in the uninhabited hills who abduct people who venture or settle too close to their territory.