Published to tie in with the celebrations marking the 50th anniversary of the first Hammer Horror feature, this is a history of the studio that transformed the British horror movie into an international brand.

A collection of short stories.

The War That Saved My Life meets Coraline in this “deliciously creepy” (Publishers Weekly, starred review) middle grade historical novel following an anxious young girl learning to face her fears—and her ghosts—against the backdrop of the typhoid epidemic. Essie O’Neill is afraid of everything. She’s afraid of cats and electric lights. She’s afraid of the silver sick bell, a family heirloom that brings up frightening memories. Most of all, she’s afraid of the red door in her nightmares. But soon Essie discovers so much more to fear. Her mother has remarried, and they must move from their dilapidated tenement in the Bronx to North Brother Island, a dreary place in the East River. That’s where Essie’s new stepfather runs a quarantine hospital for the incurable sick, including the infamous Typhoid Mary. Essie knows the island is plagued with tragedy. Years ago, she watched in horror as the ship General Slocum caught fire and sank near its shores, plummeting one thousand women and children to their deaths. Now, something on the island is haunting Essie. And the red door from her dreams has become a reality, just down the hall from her bedroom in her terrifying new house. Convinced her stepfather is up to no good, Essie investigates. Yet to uncover the truth, she will have to face her own painful history—and what lies behind the red door.

Shortlisted for The Green Carnation Prize 2014 'This is not a fairytale. This is a story about how sex and money and power police our dreams.' Clear-eyed, witty and irreverent, Laurie Penny is as ruthless in her dissection of modern feminism and class politics as she is in discussing her own experiences in journalism, activism and underground culture. This is a book about poverty and prejudice, online dating and eating disorders, riots in the streets and lies on the television. The backlash is on against sexual freedom for men and women and social justice – and feminism needs to get braver. Penny speaks for a new feminism that takes no prisoners, a feminism that is about justice and equality, but also about freedom for all. It's about the freedom to be who we are, to love who we choose, to invent new gender roles, and to speak out fiercely against those who would deny us those rights. It is a book that gives the silenced a voice – a voice that speaks of unspeakable things.

The story of the USS Indianapolis is well-known. After delivering crucial components of the atomic bomb that would level Hiroshima in 1945, the Indianapolis was sunk by a Japanese submarine in the South China Sea. Of the nearly 1,200 men aboard, 900 survived the torpedoing, spilling into the sea. White tip sharks began attacking the next morning and after four days only 300 sailors were alive to rescue. Less famous are the many stories of ships sinking in shark-infested waters with gruesome results. Such as the Cape San Juan, a US troop transport ship that was torpedoed by a Japanese submarine in the Pacific Ocean near the Fiji Islands; nearly 700 of the survivors were killed by sharks. Or the HMS Birkenhead, which sunk off Danger Point, South Africa, in 1852, resulting in 440 shark-related fatalities. In 1927, the luxury Italian cruise liner Principessa Maldafa sank ninety miles off the coast of Albrohos Island while heading to Porto Seguro, Brazil. Nearly 300 who survived the wreck were killed by sharks. In 1909, the French steamer La Seyne collided with British India Steamship Co. liner Onda near Singapore, twenty-six miles from land. One hundred and one people were eventually killed by sharks. In the water, human intelligence is no match for a shark’s brutal, destructive instincts. Sharks are born to kill and eat: They detect distress, smell blood—and attack. Marine disasters such as those above result in humans becoming prey, floating in inner space as shadowy sharks swim below, ready to attack. Helpless to save yourself—floating and waiting, watching the malevolent creatures circle, knowing what will happen . . . a sudden swirl of water, a cloud of blood, the searing pain . . . until there is no more. This is unspeakable horror

This series features familiar faces from Johnny, the Homicidal Maniac, but focuses on poor little Squee, Johnny's little trauma magnet neighbor. Squee reminds us all of what childhood was all about: witnessing vicious dog attacks, being abducted by aliens, and having dinner at Satan's house.

“Breathe. No one will break me. I’m strong. Breathe. Just breathe.” On the outside, Willow appears to have it all. She’s beautiful, smart, from an influential family, and she dates the most popular guy in school—Jaden. But she would walk away from it all in a second. Willow is tormented by lies and suffocating guilt, not the hearts and flowers people believe her life is full of. She carries a dark secret. Plagued by nightmares and pain, the secret dominates her life. If she hadn’t walked away. If she had just… but she didn’t. And now she has to live with her choices. But when someone uncovers her family’s past, they use it against her, crushing her spirit little by little. She tells herself she just has to make it to graduation. Then she can leave Middleton, and her secret, far behind. When Brody transfers to Cassidy High, he turns Willow’s life upside down. He shows her what it feels like to live again, really live. And suddenly, she isn’t satisfied with just surviving until graduation. She wants a normal life—with Brody—and he wants her. But the closer they become, the more it threatens to unravel the secret she’s worked so hard to hide. Willow finds true love with Brody. Will she let his love save her, or walk away from him to keep her secret safe?

A master of the personal essay candidly explores love, death, and the counterfeit rituals of American life in this "brave, funny compendium" (Slate) Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a powerful collection of ten new works. Where her previous collection explores what it is to be a struggling twenty-something urban dweller with an overdrawn bank account and oversized ambition, The Unspeakable contends with parental death, the decision not to have children, and more-a new set of challenges tackled by a writer at her best, investigated in the same uncompromising voice that made Daum one of the most engaging thinkers writing today. In The Unspeakable, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of the contemporary American experience. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of-mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.

Christianity has had a powerful influence on every sphere of Western art, even art which on the surface might seem antithetical to the faith. This book argues that point with an analysis of the horror film genre, examining nine classics which illustrate the evolution of horror and reveal a culture haunted by fear of the unspeakable. The history and literary roots of the horror genre are also discussed. The author concludes that our innate dread of evil and the imperative of warding it off are the key mechanics of the horror experience. Films covered include Vampyr (1932), The Mummy (1932), The Thing (1951), Night of the Demon (1957), The Wicker Man (1973), The Exorcist (1973), Halloween (1978), Ringu (1998) and Pan's Labyrinth (2006).

Emma Marshall is haunted by the trauma of her past. The night she ended her engagement to cheating fiancé, Beaux, was meant to be the night she took back control, but it was only the beginning of his true hold over her. Nine months after suffering an intimate assault by the man who pledged his life to her, Emma is doing - okay. At least, that's what everyone thinks. No one knows the unspeakable truth of what happened between her and Beaux. It's a secret Emma plans to carry to the grave, until Julian Cole moves in next door and opens Emma's mind and heart to the possibility of love after betrayal. As the reporter and music executive grow closer in the music-filled city of New Orleans, Emma must risk everything to protect her newfound happiness from the man threatening to destroy her. As Emma embarks on a dangerous journey to bring her ex to justice, she soon learns the sins and secrets surrounding her are far more wicked than she ever could've imagined. Will Emma overcome her trauma and have her second chance at love? Or will the unspeakable destroy her and everyone she holds dear?