Volume three contains an English translation of the commentary on Romans through Revelation. Hermann L. Strack and Paul Billerbeck's Commentary on the New Testament from the Talmud and Midrash is an important reference work for illustrating the concepts, theological background, and cultural assumptions of the New Testament. The commentary walks through each New Testament book verse by verse, referencing potentially illuminating passages from the Talmud and Midrash and providing easy access to the rich textual world of rabbinic material. Originally published between 1922 and 1928 as Kommentar zum Neuen Testament aus Talmud und Midrasch, Strack and Billerbeck's commentary has been unavailable in English until now. Translated by Joseph Longarino and edited by Jacob N. Cerone, this volume also includes an introduction by David Instone-Brewer.

In this final volume of A Theological Commentary to the Midrash, Jacob Neusner presents both what is common to the animating theology of Rabbinic Judaism in all its documentary components, and what is unique to Mekhilta, attributed to R. Ishmael. Neusner alleges that each Rabbinic document has its particular problem to solve, a problem set forth by the book of Scripture upon which it is focused, around which it is organized.

Presenting a systematic approach to the study of midrash, each of the readings presented in this book attempts to reconstruct the reasoning behind midrashic commentary on biblical narrative. The goal of the book is to convey a sensitivity to the language and meanings of the Tanakh, and to develop a reverent appreciation for the language and teachings of the Jewish sages.

This two-part book traces the literary and historic study of the story of the 'Wooing of Rebekah' in the Hebrew Bible and its creative interpretations in Rabbinic Midrash. Part 1 treats such issues as the characterization of the narrative agents in the biblical story, the use of repetition as a narrative structuring device, and the question as to the roles of Rebekah and Isaac in this story as well as in the broader Isaac-Rebekah narratives. Part 2 follows several rabbinic interpretations of this story, dealing with, among other topics, the development of the motif of Rebekah's virginity in rabbinic aggadah and halakha as well as the reception of this theme in modern feminist studies of midrash. While treating these topics, this is at the same time a methodological inquiry into the dynamics of midrashic interpretation, treating rabbinic techniques such as 'gap-filling' and 'linkage', and its differences from modern biblical exegesis.

This theological commentary to the Rabbinic Midrash explores a simple proposition, in three parts. I. The reading of Scripture by principal parts of the Rabbinic Midrash is formed by compositions and composites that are animated by a cogent theological system. II. These primary components of the Midrash-compilations, further, are in part aimed at systematic demonstrations of theorems of a theological character. III. While forming a principal part of a large theological structure and system, each document is unique. This commentary in its concluding chapter presents what is common to the animating theology of Rabbinic Judaism in all its documentary components and what is unique to Leviticus Rabbah.

The purpose of this study is to identify the propositions of the principal Midrash-compilations of formative Judaism. Continuing with the theme of volume Seven, devoted to Sifra, Jacob Neusner proceeds to Sifré to Numbers and Sifré to Deuteronomy. It is, further, to place these propositions, where established, into a relationship with those that characterize the canon as a whole. This volume presents both what is in common to the animating theology of Rabbinic Judaism in all its documentary components and what is unique to Sifré to Numbers and Sifré to Deuteronomy, respectively.

This theological commentary to the Rabbinic Midrash explores a simple proposition, in three parts: I. The reading of Scripture by principal parts of the Rabbinic Midrash is formed by compositions and composites that are animated by a cogent theological system. II. These primary components of the Midrash-compilations, further, are in part aimed at systematic demonstrations of theorems of a theological character. III. While forming a principal part of a large theological structure and system, each document is unique.

Hermann L. Strack and Paul Billerbeck's Commentary on the New Testament from the Talmud and Midrash, originally published between 1922 and 1928, is an important reference work on understanding the New Testament in light of contemporary Jewish thought. Originally published as Kommentar zum Neuen Testament aus Talmud und Midrasch, it has been unavailable in English until now. This first--ever English translation brings the work to a new audience. The commentary walks through each New Testament book verse by verse, referencing passages from the Midrash and the Talmud and showing their relevance for situating the Bible in its cultural background. While much research has been done on Second Temple Judaism since this work, nothing has come close to replacing it. This is truly an essential resource for academics, students, and pastors. Volume 2 contains an English translation of the commentary on the Gospels of Mark, Luke, and John and the Acts of the Apostles.

Womanist Midrash is an in-depth and creative exploration of the well- and lesser-known women of the Hebrew Scriptures. Using her own translations, Gafney offers a midrashic interpretation of the biblical text that is rooted in the African American preaching tradition to tell the stories of a variety of female characters, many of whom are often overlooked and nameless. Gafney employs a solid understanding of womanist and feminist approaches to biblical interpretation and the sociohistorical culture of the ancient Near East. This unique and imaginative work is grounded in serious scholarship and will expand conversations about feminist and womanist biblical interpretation.

This innovative and original book examines the broad range of Jewish interpretation from antiquity through the medieval and renaissance periods. Its primary focus is on Midrash and midrashic creativity, including the entire range of nonlegal interpretations of the Bible. Considering Midrash as a literary and cultural form, the book explores aspects of classical Midrash from various angles including mythmaking and parables. The relationship between this exoteric mode and more esoteric forms in late antiquity is also examined. This work also focuses on some of the major genres of medieval biblical exegesis: plain sense, allegory, and mystical.