In this unique volume, Lampley analyzes the theology of Nat Turner's violent slave rebellion in juxtaposition with Old Testament views of prophetic violence and Jesus' politics of violence in the New Testament and in consideration of the history of Christian violence and the violence embedded in traditional Christian theology.

In this unique volume, Lampley analyzes the theology of Nat Turner's violent slave rebellion in juxtaposition with Old Testament views of prophetic violence and Jesus' politics of violence in the New Testament and in consideration of the history of Christian violence and the violence embedded in traditional Christian theology.

The second chapter aims to build an adequate portrait of the slave Nat Turner and the events leading up to his rebellion. The chapter establishes the historical context under which Nat Turner acted and reveals the social location of Turner as prophet and theologian.

A bold new interpretation of Nat Turner and the slave rebellion that stunned the American South In 1831 Virginia, Nat Turner led a band of Southampton County slaves in a rebellion that killed fifty-five whites, mostly women and children. After more than two months in hiding, Turner was captured, and quickly convicted and executed. In the Matter of Nat Turner penetrates the historical caricature of Turner as befuddled mystic and self-styled Baptist preacher to recover the haunting persona of this legendary American slave rebel, telling of his self-discovery and the dawning of his Christian faith, of an impossible task given to him by God, and of redemptive violence and profane retribution. Much about Turner remains unknown. His extraordinary account of his life and rebellion, given in chains as he awaited trial in jail, was written down by an opportunistic white attorney and sold as a pamphlet to cash in on Turner’s notoriety. But the enigmatic rebel leader had an immediate and broad impact on the American South, and his rebellion remains one of the most momentous episodes in American history. Christopher Tomlins provides a luminous account of Turner's intellectual development, religious cosmology, and motivations, and offers an original and incisive analysis of the Turner Rebellion itself and its impact on Virginia politics. Tomlins also undertakes a deeply critical examination of William Styron’s 1967 novel, The Confessions of Nat Turner, which restored Turner to the American consciousness in the era of civil rights, black power, and urban riots. A speculative history that recovers Turner from the few shards of evidence we have about his life, In the Matter of Nat Turner is also a unique speculation about the meaning and uses of history itself.

This title provides a different interpretation of the rise of evangelical Christianity in the early American South by reconstructing the complex, biracial history of the Baptist movement in southeastern Virginia.

"Examines the development of oppressive Christian theologies and the normalization of white superiority and white privilege in the United States"--

Divine Violence looks at the question of political theology and its connection to sovereignty. It argues that the practice of sovereignty reflects a Christian eschatology, one that proves very hard to overcome even by left thinkers, such as Arendt and Derrida, who are very critical of it. These authors fall into a trap described by Carl Schmitt whereby one is given a (false) choice between anarchy and sovereignty, both of which are bound within—and return us to—the same eschatological envelope. In Divine Violence, the author argues that Benjamin supplies the correct political theology to help these thinkers. He shows how to avoid trying to get rid of sovereignty (the "anarchist move" that Schmitt tells us forces us to "decide against the decision") and instead to seek to de-center and dislocate sovereignty so that it’s mythological function is disturbed. He does this with the aid of divine violence, a messianic force that comes into the world to undo its own mythology, leaving nothing in its wake. Such a move clears the myths of sovereignty away, turning us to our own responsibility in the process. In that way, the author argues,Benjamin succeeds in producing an anarchism that is not bound by Schmitt’s trap but which is sustained even while we remain dazzled by the myths of sovereignty that structure our world. Divine Violence will be of interest to students of political theory, to those with an interest in political theology, philosophy and deconstruction, and to those who are interested in thinking about some of the dilemmas that the ‘left’ finds itself in today.

Rivers' biography of Page is an important addition, and corrective, to our understanding of black spirituality and religion, political organizing, and civic engagement.

The histories of race and religion in America are inextricably intertwined. From the antebellum South to the civil rights era and the modern #BlackLivesMatter movement, Christianity has played a key role. It may be tempting to believe—in light of the way far-right politics has hijacked Christian language and ideas in recent decades—that religion was used exclusively as an oppressive tool; but the ways in which Christianity played a key role in active resistance to white supremacy from its earliest days cannot be overlooked. Extremists for Love gives readers a critical overview of twenty central figures from the history of the black liberation struggle in the United States, exposing the theological trappings of their work and what they mean for the church today. Accessible in style and academic in quality, this volume examines civil rights activists, scholars, theologians, pop culture icons, and collectives who (either implicitly or explicitly) deployed Christian ideas in their work for black liberation.

The Motif of Hope in African American Preaching during Slavery and the Post-Civil War Era: There's a Bright Side Somewhere explores the use of the motif of hope within African American preaching during slavery (1803–1865) and the post-Civil War era (1865–1896). It discusses the presentation of the motif of hope in African American preaching from an historical perspective and how this motif changed while in some instances remained the same with the changing of its historical context. Furthermore, this discussion illuminates a reality that hope has been a theme of importance throughout the history of African American preaching.