This is the story of the Charlottetown family as seen through the eyes of the oldest boy, Fred "Fiddler" MacDonald. This memoir tells of Frederick James' journeys in the City, starting with his days as a newspaper and a shoe-shine boy while attending Queen Square School, an all-boys Catholic school in the centre of the City. The story retraces his paper route in the mid-1950's and the people that he encountered in his travels.

Companion CD contains 13 recordings from 1942-1952.

From the backwaters of Georgia to the taverns of Philadelphia, Fin Button is the talk of the colonies. The British say she's a priate. The Americans call her a mutineer. The crew of the Rattlesnake call her the most unlikely thing of all: captain.

A sparkling and eye-opening history of the Broadway musical that changed the world In the half-century since its premiere, Fiddler on the Roof has had an astonishing global impact. Beloved by audiences the world over, performed from rural high schools to grand state theaters, Fiddler is a supremely potent cultural landmark. In a history as captivating as its subject, award-winning drama critic Alisa Solomon traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone, not only for Jews and not only in America. It is a story of the theater, following Tevye from his humble appearance on the New York Yiddish stage, through his adoption by leftist dramatists as a symbol of oppression, to his Broadway debut in one of the last big book musicals, and his ultimate destination—a major Hollywood picture. Solomon reveals how the show spoke to the deepest conflicts and desires of its time: the fraying of tradition, generational tension, the loss of roots. Audiences everywhere found in Fiddler immediate resonance and a usable past, whether in Warsaw, where it unlocked the taboo subject of Jewish history, or in Tokyo, where the producer asked how Americans could understand a story that is "so Japanese." Rich, entertaining, and original, Wonder of Wonders reveals the surprising and enduring legacy of a show about tradition that itself became a tradition. Wonder of wonders, miracle of miracles.

"A country of fiddlers and poets, whores and scoundrels"--Nelson's famous description of Naples--was a world eagerly embraced by a young Irish doctor called James Lowry who went to sea, apparently, for the sheer sense of adventure and a desire for exotic travel. Sent to join Nelson's victorious fleet after the Battle of the Nile, he experienced more naval action and saw more foreign climes than he had anticipated. What really engaged his interest (and enthusiasm) was the relaxed sexual mores of Italian society. With no thought that his memoirs would be published, he recounted his adventures in rather more detail than might be thought proper. This fascinating account lay hidden in the hands of Lowry's family for two hundred years before its first publication in 2006.

A boy and his family befriend a country fiddler, who teaches the boy all about playing the old tunes, which the boy promises to help keep alive. Inspired by Melvin Wine and Jake Krack.

Play of a Fiddle gives voice to people who steadfastly hold to and build on the folk traditions of their ancestors. While encountering the influences of an increasingly overwhelming popular culture, the men and women in this book follow age-old patterns of folklife and custom, making their own music and dance in celebration of them. Shedding new light on a region that maintains ties to the cultural identities of its earliest European and African inhabitants, Gerald Milnes shows how folk music in West Virginia borrowed rhythmic, melodic, and vocal forms from the Celtic, Anglo, Germanic, and Af.

This fascinating collection from the Nebula Award-wining author contains the stories: Casey Agonistes, Hunter Come Home, The Secret Place, Mine Own Ways, Fiddler's Green

Phinea Button was abandoned at a South Carolina orphanage by parents who had already produced twelve girls. Fin grows up to be quite a tomboy, more interested in playing with her only friend, Peter, and getting into fights than in becoming a proper lady. The sisters in charge of the orphanage, despairing of her behavior, place Fin in the kitchen to assist Bartimaeus, the aging cook. Bartimaeus takes Fin under his wing, but when his dark past catches up to him, Fin's life is thrown into turmoil once more. And it's not just Fin's life; the entire colony is in a state of unrest, chafing under British rule on the eve of the American Revolution. Fin has a series of encounters with British soldiers before she makes a rash decision that has her fleeing from the orphanage, and finding work on a sailing ship. But while Fin loves the ocean and its accompanying sense of freedom, she's still dogged by her past and her new-found reputation& and the accompanying danger that will come to threaten everything she holds dear.

Fiddling has had a lengthy history in Africa which has long been ignored. Jacqueline Cogdell DjeDje corrects this oversight with an expansive study on fiddling in the Fulbe, Hausa, and Dagbamba cultures of West Africa. DjeDje not only explains the history of the instrument itself, but also discusses the processes of stylistic transference and adaptation, suggesting how these may have contributed to differing performance practices. Additionally, DjeDje delves into the music, the performance context, the musicians behind the fiddle, the meaning of the instrument, and its use in these three cultures. This detailed work helps the reader understand and appreciate three little-known musical cultures in West Africa and the fiddle's influence upon them.