A nine-year-old English girl must look after the dysfunctional adults in her life in this novel from the bestselling British author of Notes from an Exhibition Everyone needs Dido. All the adults in her life—grown-ups who act like children—depend on her for their happiness and stability. The nine-year-old orphan lives with her aunt Eliza, who adopted Dido when her mother died. A depressed musicologist unable to balance her brilliant academic career with motherhood, Eliza ruined her marriage with an illicit affair and is now paying the price. Her estranged husband, Giles, is an opera singer whose girlfriend, Julia, uncovers a shocking secret while concealing one of her own. As Dido shuttles between Eliza’s squalid flat and Giles’s elegant townhouse, she acts as both tactful diplomat and insightful analyst. Until something happens that powerfully impacts her young life. Narrated from the alternating viewpoints of Eliza, Giles, Julia, and Pearce, a Cornish cattle farmer who falls in love with Eliza, A Sweet Obscurity plays out like one of the Tudor madrigals at its heart: Each character is a counterpoint to another. And the theme running through their intersecting lives is Dido, who is supposed to save them all. But who will save Dido?

Bittersweet and startling, A SWEET OBSCURITY is a novel of childhood, love and the consequences of how lives are lived. 'Intriguing and impressive. A memorable study of a child forced cruelly, even tragically, to grow up too soon' Sunday Times Since her mother's death, nine year old Dido has been living with her eccentric aunt, acting as peacekeeper between Eliza, her estranged husband Giles and his girlfriend. They are each cruelly burdened in different ways. Chance draws them down to Cornwall, where a country idyll offers to lighten their urban cares. Eliza falls in love with local farmer, Pearce, an event that causes the four adults to re-assess their lives, with some painful and unforeseen consequences for adults and child alike.

During the heyday of McCarthyism, the Chicago Tribune, offended by something he had written, contemptuously dismissed Paul Boller as "an obscure professor" - he was then teaching at Southern Methodist University in Dallas, Texas. Some forty-five years later, reflecting on the incident, Boller wrote an essay on what it was like to be an obscure professor at one of America's less publicized campuses in a conservative community during the late 1950s and early 1960s. That essay became the foundation for this collection of autobiographical selections reflecting the interests and pursuits of a man who gained national recognition, both inside the academic community and beyond, but still values his obscurity. Whether it is a study of the much-maligned Calvin Coolidge or an account of his Navy service as a translator of Japanese during World War II, Boller brings to his writing a fresh approach and a lively and wry wit.

Permanent Obscurity is a youthful bohemian satire, a story of alienated nonconformists, a Thelma & Louise story. This pulp epic could be labeled a black comedy. It could be labeled anticonsumer and subversive. Welcome to the psychosexual world of Permanent Obscurity. Inspired by the underground sexploitation films of the 1960s, this bold updating of the roughies subgenre largely takes place in New York City's East Village (ca. 2006), and it chronicles the rise and fall of a unique and intense friendship. Dolores and Serena, two chemically dependent, down-and-out artists set out to take control of their lives by making a fetish-noir/femdom movie. Of course, things don't exactly turn out as planned.

Three generations of a British family struggle through war, intolerance, infidelity, and illness in this “extraordinary blockbuster” (Time Out London). In the Roundel, an odd, secluded, eight-sided house in the English countryside, Edward Pepper and Sally Banks build a life. Hoping they’ve left hardship behind—they met when Sally, a doctor, treated Edward for tuberculosis after he escaped from Nazi Germany to England—they raise a family together. The German-Jewish composer has his devoted wife’s support—though he is sidetracked by the temptations of the movie industry. But for Edward and Sally, their children, and their children’s children, tragedy and joy will always go hand-in-hand, as they maneuver through a world of often bitter and brutal realities. And as the decades pass, a family shaped in equal measure by love and human failing will find itself sorely tested by mistrust, tyranny, misunderstanding, and an AIDS diagnosis. It will take more than the strength they found in their wartime romance to fight the battles of everyday life. The critically acclaimed novels of Patrick Gale have been compared to the writings of literary giants from Iris Murdoch to Gabriel García Márquez. Powerful, moving, and magnificent, this multigenerational family saga is one of Gale’s most compassionate and memorable works, a truly masterful fiction that Armistead Maupin, author of Tales of the City, calls “achingly true and beautiful.”

“More completely than any author before him, Richard Amory explores the tormented world of love for man by man . . . a happy amalgam of James Fenimore Cooper, Jean Genet and Hudson’s Green Mansions.”—from the cover copy of the 1969 edition Published well ahead of its time, in 1966 by Greenleaf Classics, Song of the Loon is a romantic novel that tells the story of Ephraim MacIver and his travels through the wilderness. Along his journey, he meets a number of characters who share with him stories, wisdom and homosexual encounters. The most popular erotic gay book of the 1960s and 1970s, Song of the Loon was the inspiration for two sequels, a 1970 film of the same name, at least one porn movie and a parody novel called Fruit of the Loon. Unique among pulp novels of the time, the gay characters in Song of the Loon are strong and romantically drawn, which has earned the book a place in the canon of gay American literature. With an introduction by Michael Bronski, editor of Pulp Friction and author of The Pleasure Principle. Little Sister’s Classics is a new series of books from Arsenal Pulp Press, reviving lost and out-of-print gay and lesbian classic books, both fiction and nonfiction. The books in the series are produced in conjunction with Little Sister’s Book and Art Emporium, the heroic Vancouver bookstore well-known for its anti-censorship efforts.

'Poised and pitch-perfect throughout' Mail on Sunday Set in Cornwall, the bestselling novel of artistic compulsion, marriage, and the secrets left behind. 'This book is complete perfection' Stephen Fry Celebrated artist Rachel Kelly dies alone in her Penzance studio, after decades of struggling with the creative highs and devastating lows that have coloured her life. Her family gathers, each of them searching for answers. They reflect on lives shaped by the enigmatic Rachel - as artist, wife and mother - and on the ambiguous legacies she leaves them, of talent, torment and transcendent love. 'An uplifting, immensely empathetic novel' Guardian What readers love about NOTES FROM AN EXHIBITION: ' A shifting, multi-layered, beautifully textured portrait of not-quite ordinary family life' ⭐ ⭐ ⭐ ⭐ ⭐ 'The word that shimmers with me is empathy. Gale has such a sensitive understanding of how minds and hearts work and react on one another amid the chaos and sometimes intense joys of real living' ⭐ ⭐ ⭐ ⭐ ⭐ 'I loved the exhibition-style notes at the beginning of each chapter, which heralded a hint of the chapter's contents. Beautifully woven back and forth in time to reveal the complexities of fascinating family members and their relationships' ⭐ ⭐ ⭐ ⭐ ⭐

Bestselling British author Patrick Gale casts an empathetic and ferocious eye on the domestic wounds inflicted by families and lovers in this dark comedy. One minute Deborah Curtis’s husband, Julian, is alive, a handsome figure leaving their rented house in an African principality, kissing his wife goodbye in the early morning sunshine. The next moment he’s dead, the ground shaking in the aftermath of a deafening explosion. Months later, Deborah is still recovering from the assassination of her spouse and the collateral damage to her own body and soul. Bestselling author Judith Lamb is living with her partner of eight years in an isolated farmhouse on the Cornish moors, struggling with her latest novel. Her American lover, the tall, statuesque Joanna Verdura, is currently on assignment in Seneca. After reading about a diplomat killed by a car bomb meant for someone else, Joanna feels a strong compulsion to visit the dead man’s widow. After all, Deborah is Judith’s younger sister. Although she has been estranged from Judith for years, Deborah doesn’t resist when Joanna whisks her off to Cornwall to grieve in peace, far from the political spotlight. But Joanna has unleashed a demon: the sisters’ buried past. As old unresolved wounds bleed into the present, a history of abuse comes to light. Forced to confront painful memories, the women’s secrets and lies collide in a shattering, unbearably moving climax in a cat sanctuary. From the bestselling author of Notes from an Exhibition, told in the very different voices of its three female characters, The Cat Sanctuary is an ultimately redemptive tale about family and forgiveness and the love and steadfast devotion needed to find grace.

NEW YORK TIMES BESTSELLER • From the author of The Constant Rabbit comes “Harry Potter just for adults . . . [an] immensely enjoyable, almost compulsive experience” (The New York Times Book Review)—the second novel in the renowned Thursday Next series. “[Lost in a Good Book] is satire, fantasy, literary criticism, thriller, whodunit, game, puzzle, joke, postmodern prank, and tilt-a-whirl.”—The Washington Post If resourceful, fearless literary detective Thursday Next thought she could avoid the spotlight after her heroic escapades in the pages of Jane Eyre, she was sorely mistaken. Her adventures as a renowned Special Operative in literary detection have left Thursday Next yearning for a rest. But when the love of her life is eradicated by the corrupt multinational Goliath Corporation, Thursday must bite the bullet and moonlight as a Prose Resource Operative in the secret world of Jurisfiction, the police force inside the books. There she is apprenticed to Miss Havisham, the famous man-hater from Dickens’s Great Expectations, who teaches her to book-jump like a pro. If Thursday retrieves a supposedly vanquished enemy from the pages of Poe’s “The Raven,” she thinks Goliath might return her lost love, Landen. But her latest mission is endlessly complicated. Not only are there side trips into the works of Kafka and Austen, and even Beatrix Potter’s The Tale of Flopsy Bunnies, Thursday finds herself the target of a series of potentially lethal coincidences, the authenticator of a newly discovered play by the Bard himself, and the only one who can prevent an unidentifiable pink sludge from engulfing all life on Earth. Don’t miss any of Jasper Fforde’s delightfully entertaining Thursday Next novels: THE EYRE AFFAIR • LOST IN A GOOD BOOK • THE WELL OF LOST PLOTS • SOMETHING ROTTEN • FIRST AMONG SEQUELS • ONE OF OUR THURSDAYS IS MISSING • THE WOMAN WHO DIED A LOT

Drooling fanatic, n. 1. One who drools in the presence of beloved rock stars. 2. Any of a genus of rock-and-roll wannabes/geeks who walk around with songs constantly ringing in their ears, own more than 3,000 albums, and fall in love with at least one record per week. With a life that’s spanned the phonographic era and the digital age, Steve Almond lives to Rawk. Like you, he’s secretly longed to live the life of a rock star, complete with insane talent, famous friends, and hotel rooms to be trashed. Also like you, he’s content (sort of) to live the life of a rabid fan, one who has converted his unrequited desires into a (sort of) noble obsession. Rock and Roll Will Save Your Life traces Almond’s passion from his earliest (and most wretched) rock criticism to his eventual discovery of a music-crazed soul mate and their subsequent production of two little superfans. Along the way, Almond reflects on the delusional power of songs, the awkward mating habits of drooling fanatics, and why Depression Songs actually make us feel so much better. The book also includes: • sometimes drunken interviews with America’s finest songwriters • a recap of the author’s terrifying visit to Graceland while stoned • a vigorous and credibility-shattering endorsement of Styx’s Paradise Theater • recommendations you will often choose to ignore • a reluctant exegesis of the Toto song “Africa” • obnoxious lists sure to piss off rock critics But wait, there’s more. Readers will also be able to listen to a special free mix designed by the author, available online at www.stevenalmond.com, for the express purpose of eliciting your drool. For those about to rock—we salute you!