A Study Guide for Eavan Boland's "Anorexic," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.

In this powerful and authoritative study Jody Allen Randolph providesthe fullest account yet of the work of a major figure in twentieth-century Irish literature as well as in contemporary women’s writing. Eavan Boland’s achievement in changing the map of Irish poetry is tracked and analyzed from her first poems to the present. The book traces the evolution of that achievement, guiding the reader through Boland’s early attachment to Yeats, her growing unease with the absence of women’s writing, her encounter with pioneering American poets like Sylvia Plath, Elizabeth Bishop, and Adrienne Rich, and her eventual, challenging amendments in poetry and prose to Ireland’s poetic tradition. Using research from private papers the book also traces a time of upheaval and change in Ireland, exploring Boland's connection to Mary Robinson, in a chapter that details the nexus of a woman president and a woman poet in a country that was resistant to both. Finally, this book invites the reader to share a compelling perspective on the growth of a poet described by one critic as Ireland’s “first great woman poet.”

Psychiatry PRN contains core content for psychiatry education, but gives prominence to clinical and practical skills, as well as exam preparation. PRN is a Latin medical acronym meaning Pro Re Nata (as required). These letters also inform the structure of the book into the parts: Principles, Reality and Next Steps. Each of the main chapters opens with Principles, which cover the key characteristics of a psychiatric condition. This is the typical ground of textbooks, and this book covers all the necessary ground as concerns undergraduate learning outcomes, but is arguably more succinct than standard works on the subject. Nevertheless, illustrations and the careful use of pedagogic features (prominence given to key facts, tips and points of reflection, as well as effective use of tables) lift even this most standard area of coverage. The Reality section is where this book begins to really distinguish itself, with a practical articulation of clinical skills for the novice. This involves sample dialogue which might form part of the psychiatric interview, which bravely, yet skilfully reflects the reality with which patients present, and the difficulties often encountered by medical students. The content in this section includes a general approach (Tips, Tricks and Cautionary Tales), leading to a sample interview, moving on to indicative stations for Objective Structured Clinical Examinations (OSCEs). The Next Steps section puts psychiatry into the context of early working life as a doctor, and highlights where psychiatric considerations overlap with medical and surgical management, as exemplified by scenarios dealing with capacity to consent to treatment. Psychiatry PRN exists to enable students to engage with psychiatry. In addition to the framework described above, the book is rich in illustrative content, be that an original impressionistic picture of a condition, or an allusion to contemporary cultural representations of mental health and illness, to which students may relate, albeit if they haven't previously encountered psychiatric disease. To catalyse this process, the book opens with Vincent Van Gogh as its first patient, and continues in a vivid, humane fashion to prepare the student for the typical content of undergraduate psychiatry, with particular flair in terms of practical interactions with patients and associated assessment. Online Resource Centre: www.oxfordtextbooks.co.uk/orc/stringer · Video clips of key psychiatric interviews e.g. mini mental state examination, history taking of depression. Clips accompanied by guidance on usage. · Illustrative content from the book, including clinical signs drawings (with exercise), visual mnemonics of side effects and risk factors, and impressionistic drawings of psychiatric conditions. · Self-assessment resources, including sample OSCEs and interactive cases.

To mark the centenary of the National Maternity Hospital in Dublin, where Eavan Boland is writer in residence throughout 1994, Carcarnet are reissuing this book. These poems were first published in 1982, and are a commentary in the sensual and visionary world which opens out in the connection between language and motherhood, celebrating moments of great intensity.

In this important prose work, one of our major poets explores, through autobiography and argument, a woman's life in Ireland together with a poet's work. Eavan Boland beautifully uncovers the powerful drama of how these lives affect one another; how the tradition of womanhood and the historic vocation of the poet act as revealing illuminations of the other.

"Eavan Boland's first Collected Poems confirmed her place at the forefront of modern Irish poetry. New Collected Poems brings the record of her achievement up to date, adding The Lost Land (1998) and Code (2001) and reproducing all her earlier collections in their entirety, together with two key poems from 23 Poems (1962) and an excerpt from her unpublished 1971 play 'Femininity and Freedom'. Following the chronology of publication, the reader experiences the development of a poet writing in a space she has cleared by critical engagement and experiment with form, theme, and language."--BOOK JACKET.

Writing as a competitive athlete, an academic, and a woman, Leslie Heywood merges personal history and scholarship to expose the "anorexic logic" that underlies Western high culture. She maneuvers deftly across the terrain of modern literature, illustrating how this logic—the privileging of mind over body, of hard over soft, of masculine over feminine—is at the heart of the modernist style. Her argument ranges from Plato to women's bodybuilding, from Franz Kafka to Nike ads. In penetrating examinations of Kafka, Pound, Eliot, William Carlos Williams, and Conrad, Heywood demonstrates how the anorexic aesthetic is embodied in high modernism. In a compelling chapter on Jean Rhys, Heywood portrays an author who struggles to develop a clean, spare, "anorexic" style in the midst of a shatteringly messy emotional life. As Heywood points out, students are trained in the aesthetic of high modernism, and academics are pressured into its straitjacket. The resulting complications are reflected in structures as diverse as gender identity formation, sexual harassment, and eating disorders. Direct, engaging, and intensely informed by the author's personal involvement with her subject, Dedication to Hunger offers a powerful challenge to cultural assumptions about language, gender, subjectivity, and identity. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

This is a special issue of our journal Paragraph.

Dramaturgy of Form examines verse in twenty-first-century theatre practice across different languages, cultures, and media. Through interdisciplinary engagement, Kasia Lech offers a new method for verse analysis in the performance context. The book traces the dramaturgical operation of verse in new writings, musicals, devised performances, multilingual dramas, Hip Hop theatre, films, digital projects, and gig theatre, as well as translations and adaptations of classics and new theatre forms created by Irish, Spanish, Nigerian, Polish, American, Canadian, Australian, British, Russian, and multinational artists. Their verse dramaturgies explore timely issues such as global identities, agency and precarity, global and local politics, and generational and class stories. The development of dramaturgy is discussed with the focus turning to the new stylized approach to theatre, whose arrival Hans-Thies Lehmann foretold in his Postdramatic Theatre, documenting a turning point for contemporary Western theatre. Serving theatre-makers, scholars, and students working with classical and contemporary verse and poetry in performance contexts; practitioners and academics of aural and oral dramaturgies; voice and verse-speaking coaches; and actors seeking the creative opportunities that verse offers, Dramaturgy of Form reveals verse as a tool for innovation and transformation that is at the forefront of contemporary practices and experiences.