A Study Guide for Arthur Rimbaud's "The Drunken Boat," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.

“As clever and witty a novel as anyone has written in a long time . . . Robbins takes readers on a wild, delightful ride. . . . A delight from beginning to end.”—Buffalo News Switters is a contradiction for all seasons: an anarchist who works for the government; a pacifist who carries a gun; a vegetarian who sops up ham gravy; a cyberwhiz who hates computers; a man who, though obsessed with the preservation of innocence, is aching to deflower his high-school-age stepsister (only to become equally enamored of a nun ten years his senior). Yet there is nothing remotely wishy-washy about Switters. He doesn’t merely pack a pistol. He is a pistol. And as we dog Switters’s strangely elevated heels across four continents, in and out of love and danger, discovering in the process the “true” Third Secret of Fatima, we experience Tom Robbins—that fearless storyteller, spiritual renegade, and verbal break dancer—at the top of his game. On one level this is a fast-paced CIA adventure story with comic overtones; on another it’s a serious novel of ideas that brings the Big Picture into unexpected focus; but perhaps more than anything else, Fierce Invalids is a sexy celebration of language and life. Praise for Fierce Invalids Home From Hot Climates “Superb.”—New York Post “Dangerous? Wicked? Forbidden? You bet. . . . Pour yourself a bowl of chips and dig in.”—Daily News, New York “Robbins is a great writer . . . and definitely a provocative rascal.”—The Tennessean “Whoever said truth is stranger than fiction never read a Tom Robbins novel. . . Clever, creative, and witty, Robbins tosses off impassioned observations like handfuls of flower petals.”—San Diego Union-Tribune

The classic influential poems by Rimbaud, in a bilingual en face edition featuring acclaimed translations by Louise Varése.

One of the most written-about literary figures in the past decade, Arthur Rimbaud left few traces when he abandoned poetry at age twenty-one and disappeared into the African desert. Although the dozen biographies devoted to Rimbaud’s life depend on one main source for information—his own correspondence—a complete edition of these remarkable letters has never been published in English. Until now. A moving document of decline, Rimbaud’s letters begin with the enthusiastic artistic pronouncements of a fifteen-year-old genius, and end with the bitter what-ifs of a man whose life has slipped disastrously away. But whether soapboxing on the essence of art, or struggling under the yoke of self-imposed exile in the desert of his later years, Rimbaud was incapable of writing an uninteresting sentence. As translator and editor Wyatt Mason makes clear in his engaging Introduction, the letters reveal a Rimbaud very different from our expectations. Rimbaud—presented by many biographers as a bohemian wild man—is unveiled as “diligent in his pursuit of his goals . . . wildly, soberly ambitious, in poetry, in everything.” I Promise to Be Good: The Letters of Arthur Rimbaud is the second and final volume in Mason’s authoritative presentation of Rimbaud’s writings. Called by Edward Hirsch “the definitive translation for our time,” Mason’s first volume, Rimbaud Complete (Modern Library, 2002), brought Rimbaud’s poetry and prose into vivid focus. In I Promise to Be Good, Mason adds the missing epistolary pieces to our picture of Rimbaud. “These letters,” he writes, “are proofs in all their variety—of impudence and precocity, of tenderness and rage—for the existence of Arthur Rimbaud.” I Promise to Be Good allows English-language readers to see with new eyes one of the most extraordinary poets in history.

Graham Robb's brilliant biography moves Rimbaud on from his perpetual adolescence where our imaginations have held him to show the extent of his transformations. From phenomenally precocious schoolboy he became Europe's most shocking and exhilarating poet, author of poems that range from the exquisite to the obscene. But this brief, five-year period as the enfant-terrible of French literature is only one small side of Rimbaud's story. Robb takes us on a biographical journey through three continents and many different identities. Rimbaud emerges from this stunning work of biographical scholarship and historical imagination as an even more complex, ambiguous and fascinating figure than ever before.

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Unknown beyond the avant-garde at the time of his death, Arthur Rimbaud (1854-1891) has been one of the most destructive and liberating influences on early 20th-century culture. This new work by the biographer of Balzac and Victor Hugo now brings the "haunting and haunted poet" ("New York Times Book Review") vividly to life. of illustrations.

"This is the fullest and fairest of the half-dozen books on Rimbaud in English. No single volume so complete exists even in French."--Roger Shattuck (The New York Times)

Osip Mandelstam is one of the greatest of twentieth-century poets and Voronezh Notebooks, a sequence of poems composed between 1935 and 1937 when he was living in internal exile in the Soviet city of Voronezh, is his last and most exploratory work. Meditating on death and survival, on power and poetry, on marriage, madness, friendship, and memory, challenging Stalin between lines that are full of the sights and sounds of the steppes, blue sky and black earth, the roads, winter breath, spring with its birds and flowers and bees, the notebooks are a continual improvisation and an unapologetic affirmation of poetry as life.