THE STORY: The play reveals to the very depths the character of Blanche du Bois, a woman whose life has been undermined by her romantic illusions, which lead her to reject--so far as possible--the realities of life with which she is faced and which s

This revised Student Edition includes an introduction by Bess Rowen, Assistant Professor at Villanova University, US, which looks in particular at the play's treatment of rape, vulnerable people, mental institutions (especially in connection to Williams's own family), sexuality and sexual desire. A Streetcar Named Desire shows a turbulent confrontation between traditional values in the American South - an old-world graciousness and beauty running decoratively to seed - set against the rough-edged, aggressive materialism of the new world. Through the vividly characterised figures of Southern belle Blanche Dubois, seeking refuge from physical ugliness in decayed gentility, and her brutal brother-in-law Stanley Kowalski, Tennessee Williams dramatises his sense of the South's past as still active and often destructive in modern America. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: · A chronology of the play and the playwright's life and work · An introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created · A succinct overview of the creation processes followed and subsequent performance history of the piece · An analysis of, and commentary on, some of the major themes and specific issues addressed by the text · A bibliography of suggested primary and secondary materials for further study

Presents a collection of ten critical essays on Williams's play "A Streetcar Named Desire" arranged in chronological order of publication.

This is a collection of thirteen original essays from a team of leading scholars in the field. In this wide-ranging volume, the contributors cover a healthy sampling of Williams's works, from the early apprenticeship years in the 1930s through to his last play before his death in 1983, Something Cloudy, Something Clear. In addition to essays on such major plays as The Glass Menagerie, A Streetcar Named Desire, and Cat on a Hot Tin Roof, among others, the contributors also consider selected minor plays, short stories, poems, and biographical concerns. The Companion also features a chapter on selected key productions as well as a bibliographic essay surveying the major critical statements on Williams.

A guide to reading "The Glass Menagerie" and "A Streetcar Named Desire" with a critical and appreciative mind encouraging analysis of plot, style, form, and structure. Also includes background on the author's life and times, sample tests, term paper suggestions, and a reading list.

Volume III of the series includes Cat on a Hot Tin Roof (1955), Orpheus Descending (1957), and Suddenly Last Summer (1958). The first, which won both the Pulitzer Prize and Drama Critics Award, has proved every bit as successful as William's earlier A Streetcar Named Desire. The other two plays, though different in kind, both have something of the quality of Greek tragedy in 20th-century settings, bringing about catharsis through ritual death.

The very title of Sweet Bird of Youth is one of ironic pity. The two chief characters--a raddled has-been actress from Hollywood, seeking to forget her present in drugs and sex, and her still handsome masseur-gigolo, who has brought her to his hometown in the South, believing that through her money and faded glamor his gaudy illusions may yet come true--are the reverse side of the American dream of youth. Yet as they work out their fate amid violence and horror, there is nevertheless a note of compassion for the damned.

Volume of literary criticism concerning Tennessee Williams' novel A streetcar named Desire.

Introduction, by J.Y. Miller.--Notebook for A streetcar named Desire, by E. Kazan.--Review of a tryout performance in Boston, by E. Hughes.--Streetcar named Desire sets season's high in acting, writing, by J. Chapman.--Streetcar named Desire is striking drama, by R. Watts, Jr.--"Streetcar" tragedy--Mr. Williams' report on life in New Orleans, by B. Atkinson.--O'Neill status won by author of "Streetcar", by H. Barnes.--The streetcar isn't drawn by Pegasus, by G.J. Nathan.--Review of Streetcar named Desire, by J.W. Krutch.--Southern discomfort, by J.M. Brown.--Masterpiece, by I. Shaw.--Miss Vivien Leigh, by H. Hobson.--Laughter dans le tramway, by R. MacColl.--Williams' feminine characters, by D. da Ponte.--A trio of Tennessee Williams' heroines: the psychology of prostitution, by P. Weissman.--Tennessee Williams and the tragedy of sensitivity, by J.T. von Szeliski.--The innocence of Tennessee Williams, by M. Magid.--A streetcar named Desire--Neitzsche descending, by J.N. Riddell.--Most famous of streetcars, by W.D. Sievers.--The southern gentlewoman, by S. Falk.--Tennessee Williams: Streetcar to glory, by C.W.E. Bigsby.--Selected bibliography (p. 116-119).

Shows the decline of the land-owming Southern artictocracy and sexual frustrations.