Italy in 1850 was a politically weak and divided country. The revolutionary spirit of 1848 had faded; much of the country was again under foreign control. Her political leaders were in exile, but they could not dismiss their dreams of a united Italy. Raymond Grew, in his account of the Italian National Society, shows the part that the Society had in realizing these dreams, and presents fresh material on the climactic years of the Risorgimento—who participated in it, what issues were involved, and how unification was accomplished. Drawing upon unpublished materials from archives and libraries throughout Europe, the author presents a comprehensive picture of the social, political, and intellectual climate of the period in which Italy became a nation. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book introduces the reader to the relationship between the Italian national movement, achieved by the Risorgimento, and the Italian unification in 1860. These themes are discussed in detail and related to the broader European theatre. Covering the literary, cultural, religious and political history of the period, Beales and Biagini show Italy struggled towards nation state status on all fronts. The new edition has been thoroughly rewritten. It also contains a number of new documents. In addition, all the most up to date research of the last 20 years has been incorporated. The Risorgimento and the Unification of Italy remains the major text on nineteenth century Italy. The long introduction and useful footnotes will be of real assistance to those interested in Italian unification.

At the same time, Doyle negotiates the conceptual slipperiness of nationalism by discussing it as both constructed and real, unifying and divisive, inspiration for good and excuse for atrocity."--BOOK JACKET.

At the end of the twentieth century, many believed the story of European political development had come to an end. Modern democracy began in Europe, but for hundreds of years it competed with various forms of dictatorship. Now, though, the entire continent was in the democratic camp for the first time in history. But within a decade, this story had already begun to unravel. Some of the continent's newer democracies slid back towards dictatorship, while citizens in many of its older democracies began questioning democracy's functioning and even its legitimacy. And of course it is not merely in Europe where democracy is under siege. Across the globe the immense optimism accompanying the post-Cold War democratic wave has been replaced by pessimism. Many new democracies in Latin America, Africa, and Asia began "backsliding," while the Arab Spring quickly turned into the Arab winter. The victory of Donald Trump led many to wonder if it represented a threat to the future of liberal democracy in the United States. Indeed, it is increasingly common today for leaders, intellectuals, commentators and others to claim that rather than democracy, some form dictatorship or illiberal democracy is the wave of the future. In Democracy and Dictatorship in Europe, Sheri Berman traces the long history of democracy in its cradle, Europe. She explains that in fact, just about every democratic wave in Europe initially failed, either collapsing in upon itself or succumbing to the forces of reaction. Yet even when democratic waves failed, there were always some achievements that lasted. Even the most virulently reactionary regimes could not suppress every element of democratic progress. Panoramic in scope, Berman takes readers through two centuries of turmoil: revolution, fascism, civil war, and - -finally -- the emergence of liberal democratic Europe in the postwar era. A magisterial retelling of modern European political history, Democracy and Dictatorship in Europe not explains how democracy actually develops, but how we should interpret the current wave of illiberalism sweeping Europe and the rest of the world.

In January 1948, Alessandro Levi, a distinguished scholar in the fields of law, philosophy and political theory, published an article entitled "The 'return' of Carlo Cattaneo. " 1 Levi, himself the author of an im portant work on Cattaneo, 2 reported on several initiatives which had been taken by Italian scholars since 1945 to rescue the Lombard writer and politician from relative obscurity. With some financial assistance from the City of Milan, a committee of Italian and Swiss scholars had been formed in the spring of 1946 to publish Cattaneo's works, which until then had only appeared in fragmentary and uncritical 3 editions. LeMonnier of Florence had agreed to publish the new edi tion. Meanwhile, the Lombard historian Rinaldo Caddeo was preparing with considerable pains an edition of several volumes of Cattaneo's correspondence. In addition, a catalog of materials pertaining to Cat taneo and found among the Crispi papers was being prepared at the State Archives in Palermo. A brief biography had appeared in 1945 and other works by historians, political scientists, and journalists were 4 in progress. These initiatives seemed long overdue, in view of the fact that Cattaneo's contemporaries had considered him a leading figure in the liberal-democratic current of the Risorgimento. As Levi acknowledged in his article, however, these efforts to rescue Cattaneo's work from obscurity were something more than a belated tribute to an important participant in the history of nineteenth century Italy.

Illusive Identity is a transnational exploration of the evolution of working-class consciousness within modern Western culture. The work traces how the rise of popular culture blurred the definition and dulled the influence of class identity in Europe and the United States in the nineteenth and early twentieth centuries. Chapters tackling changing class consciousness in Britain, Germany, Italy, and the United States offer rich insight into the movement from a traditional community-based social identity to a modern consumer-based culture; a mass culture influenced by industrialization, new social institutions, and the powerful imagery of new media. Illusive Identity vividly demonstrates the transformative impact of modernity on the laboring classes, as advertising, entertainment, and the rise of the popular press replaced traditionally shared narratives about the nature of work with a new and liberating cultural paradigm.

Sabetti argues that poor government performance in contemporary Italy has been an unintended consequence of attempts to craft institutions for good government. He shows that a chief problem in contemporary Italy is not the absence of the rule of law but the presence of rule by law or too many laws.

The Journal of the Civil War Era Volume 3, Number 1 March 2013 TABLE OF CONTENTS Editor's Note William Blair Articles Amber D. Moulton Closing the "Floodgate of Impurity": Moral Reform, Antislavery, and Interracial Marriage in Antebellum Massachusetts Marc-William Palen The Civil War's Forgotten Transatlantic Tariff Debate and the Confederacy's Free Trade Diplomacy Joy M. Giguere "The Americanized Sphinx": Civil War Commemoration, Jacob Bigelow, and the Sphinx at Mount Auburn Cemetery Review Essay Enrico Dal Lago Lincoln, Cavour, and National Unification: American Republicanism and Italian Liberal Nationalism in Comparative Perspective Professional Notes James J. Broomall The Interpretation Is A-Changin': Memory, Museums, and Public History in Central Virginia Book Reviews Books Received Notes on Contributors The Journal of the Civil War Era takes advantage of the flowering of research on the many issues raised by the sectional crisis, war, Reconstruction, and memory of the conflict, while bringing fresh understanding to the struggles that defined the period, and by extension, the course of American history in the nineteenth century.

In July 1858, Count Cavour, prime minister of the Kingdom of Sardinia-Piedmont, met Napoleon III to plot the provocation of war with Austria, the result of which would be the complete expulsion of Habsburg power from Italy and the creation of an Italian confederation. This work describes the means whereby diplomacy was utilized to precipitate the war and traces its continuing role during and after the hostilities.