This book offers a collection of South African university students’ written responses to the Commedia and scholars’ commentary on them. The students’ collection includes writings of all genres and subjects: prose, poetry, personal reflection, dialogue, non-fiction based on the first two cantiche of the Commedia. Some are autobiographical and others are fictional stories, but they all have in common a very personal (and South African) approach to Dante’s text. The scholarly essays of the second part are concerned with the unusual way in which Dante is appreciated by our youth: not as a remote figure only encountered in the hallways of the literature department, but as an intimate presence, a guide, a friend whose language is familiar and invites a response.

The book takes its lead from academic Annamaria Pagliaro’s experience straddling Australia and Italy over a thirty-year period. As both former colleagues and collaborators of Pagliaro, we editors intend to open a kaleidoscope of perspectives on the international research landscape in the fields of Italian and Anglophone studies, starting from Pagliaro’s own contribution to the creation of relations between the two cultures in the period that saw her work transnationally as Director of the Monash University Prato Centre (2005-2008).

This volume focuses on a longing projected mostly toward the past (mal d’Afrique) alongside a longing toward the future (afro-optimism), and the different manifestations, shifting meanings, and potential points of contact of these two stances. The volume introduces a new perspective into the discussion of Somalia in Italian Studies. This is an intersectional work of Italian Studies scholarship, whose contributors help re-imagine the field and its relationship to Somalia with their diverse backgrounds, unique insights, and global breadth. The book integrates the current scholarship on Somalia with the most recent theoretical studies on nostalgia, visionary affect, colonial ruins, silenced archives, melancholy, ecology, food and diaspora, classical studies and performativity, storytelling, afro-fabulation and queer literature, media and humanitarianism, and afro optimism. The book will serve as an invaluable reference in multidisciplinary programs such as Global History, Africana Studies, Diaspora Studies, Migration Studies, Peace and Conflict Studies, Integrity and Global Studies, as well as Italian Studies and various core courses. Because of its interdisciplinary discussion of Somalia, the volume will draw the interest of a large readership among scholars, and non-scholars, from different disciplines and geographic affiliation.

This collection gathers the contributions of ten scholars on the topic of transnational cultural and physical mobility originating in China. These contributions aim to open conversations among Chinese Studies scholars by applying a Mobility Studies perspective. Exploring diverse narratives and forms of representation from people of Chinese heritage, the book is divided into three parts that each look closely at the relationship between movement and cultural production. The first part is dedicated to four types of mobility of people from China to Italy, namely tourist mobility (Miriam Castorina), labor mobility (Valentina Pedone), student mobility (Xu Hao), and mobility of social elites (Andrea Scibetta). The second part is dedicated to examples of reverse mobility from Italy to China (Gao Changxu, Chiara Lepri, Giuseppe Rizzuto). The third part focuses on case studies based on mobilities from China to territories other than Italy (Rebecca Ehrenwirth, Martina Renata Prosperi, Giulia Rampolla).

Food issues 食事. Interdisciplinary Studies on Food in Modern and Contemporary East Asiaconcentrates on the relationship among food, culture, literature, and language in a comparative, transcultural, or literary perspective. The contributions investigate these aspects from different approaches: historical, sociological, anthropological, religious, linguistic, and want to deepen issues such as the symbolic value of food; food as an essential element for the construction of individual identity and a sign of belonging to a community; food as an intercultural medium; food as language and the language of food. The articles included in the volume are organized in a Japanese and a Chinese section and use different approaches within humanities disciplines to explore topics ranging from classical and contemporary East Asian literature to present-day issues, focusing on Food Culture and its declinations.

This book aims to build a solid and proper contribution to the contemporary global debate on the experience of democracy and its possibilities as the most effective mediator of a series of challenges, a debate that is necessarily rooted in the critical reassessment of its Greek cultural heritage. The book is articulated around the identification of a concrete problem: the need for studies that critically discuss Athenian democracy, seen as a daily problem and practice, based on its staseis (crises) and metabolai (changes), and whose solutions and strategies may still contribute to the reflection on the social, intellectual and ethical-political challenges of contemporary democracy.

The book meticulously analyses the history of the critical reception of avantguard art through the interpretations received by one of its greatest emblems, Les Demoiselles d'Avignon by Picasso, 1907. Since Les Demoiselles has been considered over this century the true paradigm of Modern Art, this book is, fundamentally, a sort of synthesis of the discourses about Modernism from formalism, iconology, Leo Steinberg's 'Other Criteria’, sociological, the biographical and psychoanalytical theses, cultural and historicist and lastly, the impact of post-structuralism and the feminist, post-colonialist and transnational interpretations. The final chapter deals with the artistic versions of Les Demoiselles d'Avignonmade by artists. It is an essay on the different versions and identities of Modern Art and Modernism that have been produced throughout the last century.

The formulation of Maxwell’s equations completely defines the connection between the electric field and the magnetic field, definitively unifying electricity and magnetism and at the same time providing a theoretical synthesis of all the experimental phenomena connected to these areas. In his revolutionary 1864 memoir where J.C. Maxwell presented his equations, he cites a handful of scientists, which were at the basis of his Theory. This book, in its first part, presents an insight on all these latter scientists, reconstructing the scientific network behind Maxwell’s unification and, in the second part, focuses on the Italians in such a network: Ottaviano Fabrizio Mossotti and Riccardo Felici, with a further insight on the connections between Maxwell and Italy and, in particular, Tuscany.