Just as Detective Starks starts to settle down after solving her second murder case in the small town she calls home, another mystery unravels. It starts with an explosive text message to a teenage girl that lands the high school coach in hot water. But just as the town is focused on this latest piece of gossip, a murder is committed at the country inn.

The true story of the Tara Grant murder. To their suburban Detroit neighbors, Stephen and Tara Grant were happy as could be. But their marriage, plagued by resentment and extramarital affairs, was held together only by their children. Until the night Stephen snapped, strangled and dismembered his wife, then disposed of her body piece by piece in the very park his children played in.

Pearson's Magazine (1899-1925), a monthly magazine devoted to literature, politics, and the arts, was founded as a New York affiliate of the London periodical of the same name, part of which it reprinted. From 1916 to 1923, it was edited by Frank Harris.

Piles of Slain, Heaps of Corpses reads the violence in the book of Nahum against the background of the war in the Democratic Republic of the Congo and tries to show how this violent book can be therapeutic and transformative for wounded communities. Here Jacob Onyumbe views Nahum through four scholarly lenses: poetic analysis, study of Assyrian iconography related to eighth- and seventh-century Judah, ethnographic research among survivors of war in the Democratic Republic of the Congo, and modern studies on the impact of war trauma on communities of survivors. He argues that Nahum uses lyric poetry so as to evoke in seventh-century BCE Judahite audiences the memory of war and destruction at the hands of the Assyrians. The prophet uses poetry to evoke (rather than narrate) in order to bring comfort to his audience by revealing the powerful presence of God in the conditions of traumatic violence. Viewed thus, the book of Nahum cannot be dismissed (as has commonly been the case among both scholars and general readers) as irrelevant or merely vindictive. On the contrary, this book—with its depiction of a vengeful God and repulsive war scenes—is essential, especially for traumatized communities.