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Excerpt from A Sketch of Anglo-Indian Literature: The Le Bas Prize Essay for 1907 Gradually, year by year, the ranks of our Anglo-Indian writers swell, and new works are thrown with eager anxiety on the wide sea of literature and authorship. We have often wished that a full list of them all could be made out and continually supplemented as occasion required. A dictionary of Anglo-Indian writers, or a history of Anglo-Indian literature, would form a subject of immense interest and instruction, not merely to the griffin or the litterateur, who makes India and Indians his interested or idle study, but to the student who wishes to turn over a new page in the history of the human mind and the English language and thought in a country where circumstances, associations, and ties are so very different from those of every other land. - The Calcutta Review, 1855. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

First published in 1986, this book sets Kipling firmly in the historical context not only of contemporary India but of prior Anglo-Indian writers about India. Despite his enthusiastic reception in England as ‘revealer of the East’, in India he seems to have been regarded as just one more Anglo-Indian writer. The author demonstrates the traditionalism of Kipling’s use of the themes of Anglo-Indian fiction – themes such as the ‘White Man’s grave’, domestic instability, frustration and loneliness. In particular, Kipling is shown to be writing in a strongly conservative idiom, concentrating on the role of the British hierarchy as the determining factor in a response to India, on British insecurity and fears of a repeat of the 1857 mutiny, and regarding Indian institutions only in so far as they represented a threat to British rule. Conservative critiques of liberalism are also discussed.

The present English translation is based on the original German work written by Professor Winternitz and has been revised in the light of further researches on the subject by different scholars in India and elsewhere. Vol. I relates to Veda (the four Samhitas), Brahmanas, Aranyakas, Upanisads, Vedangas and the Literature of the ritual. The Ramayana and the Mahabharata. Puranic literature and Tantra. Vol. II deals with the Buddhist Literature of India and the Jaina Literature. Vol. III covers Classical Sanskrit Literature comprising ornate Poetry, Drama, Narrative Literature, Grammar, Lexiocography, Philosophy, Dharma-Sastra, Artha-Sastra, Architecture, Music, Kama-Sutra, Ayurveda, Astronomy, Astrology and Mathematics.

Contains fine examples of Anglo-Indian literature. The original books were written at various periods in the history of Anglo-Indian literature. The first two chapters are attempts to provide an overview of the beginning and the growth in Anglo-Indian prose and poetry. When Bishop Heber wrote his Journals, he described in detail what he saw and understood in India. The chapter on his Journals contains an analysis of Heber's presentation of the socio-economic-cultural condition of India in the early nineteenth century. The essay on Twenty-One Days in India analyses as to how an Englishman smiled at his own countrymen in colonial India. The behavioural peculiarities of the characters are brought into focus, examined and then mildly satirised. This book is reminiscent of the vignettes that were published during the Victorian period in England. The tetralogy The Near and the Far of L.H. Myers is, among others, exemplary of the author's understanding of the orient. The chapter on this novel is an analysis of the orientalism of the author.

Gautam Chakravarty explores representations of the event which has become known in the British imagination as the 'Indian Mutiny' of 1857 in British popular fiction and historiography. Drawing on a wide range of primary sources including diaries, autobiographies and state papers, Chakravarty shows how narratives of the rebellion were inflected by the concerns of colonial policy and by the demands of imperial self-image. He goes on to discuss the wider context of British involvement in India from 1765 to the 1940s, and engages with constitutional debates, administrative measures, and the early nineteenth-century Anglo-Indian novel. Chakravarty approaches the mutiny from the perspectives of postcolonial theory as well as from historical and literary perspectives to show the extent to which the insurrection took hold of the popular imagination in both Britain and India. The book has a broad interdisciplinary appeal and will be of interest to scholars of English literature, British imperial history, modern Indian history and cultural studies.