A killer of a crossword draws Inspector Tibbett into a mystery with “considerable charm, atmosphere (an Isle of Wight travelogue), and English geniality” (Kirkus Reviews). It’s a slow day at Scotland Yard, so Inspector Henry Tibbett takes a busman’s holiday, immersing himself in the world of puzzling puzzlers. The hijinks kick off with an amusing gift: Someone unnamed has sent Henry the beginnings of a crossword puzzle. Even more mysterious: The clues point to the group of mystery writers to whom Henry has pledged to give a presentation. Most mysterious of all: None of the writers are who they claim to be, and one is a murderer. Which one? For that you’ll need to solve the puzzle. Six across and then down, down, down. Praise for Patricia Moyes “The author who put the ‘who’ back in whodunit.” —Chicago Daily News “A new queen of crime . . . her name can be mentioned in the same breath as Agatha Christie and Ngaio Marsh.” —Daily Herald “An excellent detective novel in the best British tradition. Superbly handled.” —Columbus Dispatch “Intricate plots, ingenious murders, and skillfully drawn, often hilarious, characters distinguish Patricia Moyes’ writing.” —Mystery Scene

A crossword puzzle compiled by a mischievous group of mystery writers leads Chief Superintendent Henry Tibbett and his wife into a murder case involving a horrifying twenty-year-old secret.

A Dictionary of Anglo-American Proverbs & Proverbial Phrases Found in Literary Sources of the Nineteenth and Twentieth Centuries is a unique collection of proverbial language found in literary contexts. It includes proverbial materials from a multitude of plays, (auto)biographies of well-known actors like Britain's Laurence Olivier, songs by William S. Gilbert or Lorenz Hart, and American crime stories by Leslie Charteris. Other authors represented in the dictionary are Horatio Alger, Margery Allingham, Samuel Beckett, Lewis Carroll, Raymond Chandler, Benjamin Disraeli, Edward Eggleston, Hamlin Garland, Graham Greene, Thomas C. Haliburton, Bret Harte, Aldous Huxley, Sinclair Lewis, Jack London, George Orwell, Eden Phillpotts, John B. Priestley, Carl Sandburg, Harriet Beecher Stowe, Jesse Stuart, Oscar Wilde, and more. Many lesser-known dramatists, songwriters, and novelists are included as well, making the contextualized texts to a considerable degree representative of the proverbial language of the past two centuries. While the collection contains a proverbial treasure trove for paremiographers and paremiologists alike, it also presents general readers interested in folkloric, linguistic, cultural, and historical phenomena with an accessible and enjoyable selection of proverbs and proverbial phrases.

In both British and American detective fiction the police detective has emerged as a fictional protagonist. However, the American policemen have not achieved the prominence of their British counterparts. The thirteen essays in this volume indicate some of the principle elements which appear again and again in both British and American police procedurals.

A mystery expert investigates how the giants of the genre pull off all those crimes and keep the twists coming page after page, then shows readers how they can do it too.

Edgar- and Agatha-nominated author Colleen Barnett here updates her essential reference for readers and writers of mystery, examining women who detect, women as sleuths, and the evolving roles of women in professions and in society.

Mr. and Mrs. Tibbetts pop into a pub for lunch but get served a murder case in this novel with “all the proper ingredients for a cozy whodunit” (The New York Times). What could be more delightful than a long-forgotten relative who dies and leaves you a tidbit in his will? How about if that tidbit is in fact a charming country pub, and that pub is now yours—lock, stock, and barrels of beer? Susan Gardiner is delighted, even when it becomes clear that the establishment has a lineup of regulars, not all of them as endearing as one might prefer. No, she doesn’t love all her new customers, but she certainly didn’t intend for one of them to be poisoned by a bad batch of mushrooms. The outlook is dire for both Susan and the Blue Moon . . . until Inspector Henry Tibbett steps in. He and Emmy just want a spot of lunch, but they are, as ever, willing to take on more than they had bargained for, in this compelling British mystery by the Agatha Award-winning “new queen of crime” (Daily Herald) . “Intricate plots, ingenious murders, and skillfully drawn, often hilarious, characters distinguish Patricia Moyes’ writing.” —Mystery Scene