".....I looked through the historical catalog depicting the classic American beauty and could not find an image of the Nubian Booty....." "....so I made an unrehearsed approach, but my mind went blind and I stumbled on my lines...." "......gritted my teeth in deference to Democracy and did hard, hard time at Fox, then hours and hours in detox at CNN and MSNBC...."

Surprising. Provocative. Honest. For Unveiled, reporter Cheryl Reed interviewed more than 300 nuns of diverse beliefs, lifestyles, and orders. She lived and prayed with them, witnessed their vows, mourned and celebrated with them, and asked questions no one had ever dared before: about love and sex, life and death, faith and joy, and loss and regret. In the process, Reed would discover more about motherhood, relationships, faith, and feminism than she ever gleaned from the outside world.

The Catholic Church in the United States has always been an immigrant church, from the earliest arrivals of the Spanish and English, to the influx of Irish, Germans, Italians, and other Europeans in the nineteenth century, to the most recent arrivals from the Philippines and Vietnam. Over two centuries countless laymen and laywomen worked with priests and religious to build and support churches and schools, laying the foundation for the Catholic Church in the United States. The wealth of original documents and photographs in Keeping Faith provides as no other source does a thorough and compelling portrait of these immigrants and their impact on the American Catholic institutions and American Catholic experience.

Lonely No More looks those lies finally in the eye and begins to deal with them honestly. "If my marriage is as perfect as I say it is, why am I so lonely?" "What are these dreams, these painful emotions, these attractions pointing to?" This book was extremely controversial in certain sections of ultra-conservative Christianity so I warn you, read it carefully. I stand behind every word, despite the controversy. It may even shake the ground beneath your feet. I will probably never write anything this well again. But I have certainly paid for the effort to be excellent, to be lovingly truthful, to want God. Covers age 45-52.

In this meticulously researched, award-winning book, James Holstun details seventeenth-century England's first capitalist revolution, and its first anti-capitalist revolutions, in a stirring project of Marxist history from below.

Every literary household in nineteenth-century Britain had a commonplace book, scrapbook, or album. Coleridge called his collection "Fly-Catchers", while George Eliot referred to one of her commonplace books as a "Quarry," and Michael Faraday kept quotations in his "Philosophical Miscellany." Nevertheless, the nineteenth-century commonplace book, along with associated traditions like the scrapbook and album, remain under-studied. This book tells the story of how technological and social changes altered methods for gathering, storing, and organizing information in nineteenth-century Britain. As the commonplace book moved out of the schoolroom and into the home, it took on elements of the friendship album. At the same time, the explosion of print allowed readers to cheaply cut-and-paste extractions rather than copying out quotations by hand. Built on the evidence of over 300 manuscripts, this volume unearths the composition practices of well-known writers such as Samuel Taylor Coleridge, Sir Walter Scott, George Eliot, and Alfred Lord Tennyson, and their less well-known contemporaries. Divided into two sections, the first half of the book contends that methods for organizing knowledge developed in line with the period's dominant epistemic frameworks, while the second half argues that commonplace books helped Romantics and Victorians organize people. Chapters focus on prominent organizational methods in nineteenth-century commonplacing, often attached to an associated epistemic virtue: diaristic forms and the imagination (Chapter Two); "real time" entries signalling objectivity (Chapter Three); antiquarian remnants, serving as empirical evidence for historical arguments (Chapter Four); communally produced commonplace books that attest to socially constructed knowledge (Chapter Five); and blank spaces in commonplace books of mourning (Chapter Six). Richly illustrated, this book brings an archive of commonplace books, scrapbooks, and albums to the reader.

First published in 2005. Written by eminent Egyptologist, E.A. Wallis Budge, this work addresses Egyptian religion and mythology in all of its manifestations, from times when earth, sea air and shy were filled with hostile spirits and men lived in terror of the Evil Eye, to the moment when Egyptians hailed Amen-Ra as their one god. Topics include the predynastic cults, magic, gods (cosmic, stellar, borrowed and foreign), Memphite theology, judgement of the dead, and the underworld. Important hymns and legends, in English translation are included.