'If I had to pick a single general martial arts history book in English, I would recommend A Brief History of the Martial Arts by Dr Jonathan Clements' RICHARD BEITLICH, Martial History Team blog From Shaolin warrior monks to the movies of Bruce Lee, a new history of the evolution of East Asian styles of unarmed combat, from Kung Fu to Ninjutsu Folk tales of the Shaolin Temple depict warrior monks with superhuman abilities. Today, dozens of East Asian fighting styles trace their roots back to the Buddhist brawlers of Shaolin, although any quest for the true story soon wanders into a labyrinth of forgeries, secret texts and modern retellings. This new study approaches the martial arts from their origins in military exercises and callisthenics. It examines a rich folklore from old wuxia tales of crime-fighting heroes to modern kung fu movies. Centre stage is given to the stories that martial artists tell themselves about themselves, with accounts (both factual and fictional) of famous practitioners including China's Yim Wing-chun, Wong Fei-hong, and Ip Man, as well as Japanese counterparts such as Kano Jigoro, Itosu Anko and So Doshin. The history of martial arts encompasses secret societies and religious rebels, with intimate glimpses of the histories of China, Korea and Japan, their conflicts and transformations. The book also charts the migration of martial arts to the United States and beyond. Special attention is paid to the turmoil of the twentieth century, the cross-cultural influence of Japanese colonies in Asia, and the post-war rise of martial arts in sport and entertainment - including the legacy of Bruce Lee, the dilemma of the ninja and the global audience for martial arts in fiction.

For several years, I have wanted to write the history of karate in Southeastern Massachusetts. However, there always seemed to be other priorities that distracted my focus. In 2009 I retired from my position as a police detective, and having been retired from the armed forces, I now had no legitimate reason not to devote as much time as possible to such a good karate idea well, except for a brief period of hospitalization due to a serious surgery that kept me hospitalized for twenty-seven days and then at home for three weeks under nurses' care with months of recovery. Karate history, in general, is, in some cases, somewhat obscured, including in the United States. I am willing to bet that not many people have thought of or proceeded to put in writing any historical account of karate in specific communities of the United States other than the Armed Services Judo and Jujitsu Academy in Pensacola, Florida, and the paper Helium by Can Tran. There are a number of historical writings as to how karate was introduced to the United States; however, I have not come across any historical account that takes us from Japan to the United States and to a particular community. There are also a number of historical accounts, but only pertaining to individual organizations or instructors. For this reason, I decided that this may spark the interest of other practitioners of martial arts to write factual accounts to the best of their abilities so that other young martial artists may draw some knowledge from these written facts or events. Even if this does not occur, at least the Shotokan practitioners can have some guidance as to the historical facts, at least in a certain US community. The reason I emphasize the Shotokan practitioners is because I have a greater involvement with the Shotokan system of karate. Perhaps this can be used as the basis of historical research or studies, especially among the college clubs and even dojos. I hope to keep your interest from beginning to end as I will cover a short history of karate in general and Shotokan karate to the history of karate in Southeastern Massachusetts. This will also be useful in recognizing specific individuals, masters, and instructors that deserve the credit and acknowledgment since karate remains a sport with less recognition compared to other sports. As Gichin Funakoshi often reminded his students, "The spirit of karate-do is lost without courtesy." Therefore, this written account expresses the acknowledgment of those who brought karate to us, beginning at the grass roots of the communities, for this is how it manifested to national participation. This is one courtesy we often forget; it is like not knowing, or forgetting, where we come from. So often I have come across karate practitioners that are black belts and instructing karate classes and they do not know much, if anything, about how and where karate began and how it spread to all parts of the world. Sure, if you should ask any person with some karate interest as to where karate originated and how it spread, they almost always give the basic knowledge that it started from Dharma in India to China to Okinawa but not a whole lot more than that. In Japan, karate is a culture, not just instructions on how to kick and punch. As to this, I quote Funakoshi's writing: "The ultimate aim of Karate lies not in victory or defeat, but in the perfection of the character of the participant." Through this, there are a number of dojo kun to be followed, and the five most important are the following: seek perfection of character, be faithful, endeavor to excel, respect others, and refrain from violent behavior. These are usually found posted on a wall in the dojo. Additional dojo kun will be listed at the end of the book in both Japanese and English.

A concise yet comprehensive history of traditional Okinawan and Japanese karate, with biographies of the great karate masters This concise-yet-comprehensive history of traditional Okinawan and Japanese karate includes authoritative biographies of the great karate masters of the past and the philosophical issues they faced as karate changed and evolved. Bringing a fresh understanding to the study of the martial arts, Mark I. Cramer dispels many of the often-repeated martial-arts myths as he details the lineages of the modern styles of karate and describes the social, cultural, and political events that influenced them. While most books focus on a single style of karate or the biography of just one of the great teachers, this book offers a well-researched and detailed overview. By bringing all of this knowledge together in one volume, Cramer—an award-winning inductee into the USA Karate Federation’s Hall of Fame—fills a crucial gap.

"The Little Bubishi tells the story of karate and the amazing tales of its legendary masters in an enjoyable way that is intended for children. But the story is enjoyable for readers of all ages. The legends of Karate-Do are brought to life in its beautifully descriptive stories that tell of the heroics and steely determination that embody karate history. The peaceful philosophies behind this multi-layered martial art are too often overlooked, while its graphic fighting forms more often take center stage. Karate is explained simply, so children may gain a greater understanding of the true meaning and nature of Karate-Do"--Page 4 of cover.

Linking the time when karate was a strictly Okinawan art of self-defense shrouded in the deepest secrecy and the present day, when it has become a martial art practiced throughout the world, is Gichin Funakoshi, the "Father of Karate-do." Out of modesty, he was reluctant to write this autobiography and did not do so until he was nearly ninety years of age. Trained in the Confucian classics, he was a schoolteacher early in life, but after decades of study under the foremost masters, he gave up his livelihood to devote the rest of his life to the propagation of the Way of Karate. Under his guidance, techniques and nomenclature were refined and modernized, the spiritual essence was brought to the fore, and karate evolved into a true martial art. Various forms of empty-hand techniques have been practiced in Okinawa for centuries, but due to the lack of historical records, fancy often masquerades as fact. In telling of his own famous teachers--and not only of their mastery of technique but of the way they acted in critical situations--the author reveals what true karate is. The stories he tells about himself are no less instructive: his determination to continue the art, after having started it to improve his health; his perseverance in the face of difficulties, even of poverty; his strict observance of the way of life of the samurai; and the spirit of self-reliance that he carried into an old age kept healthy by his practice of Karate-do.

This short history of karate makes no claim to comprehensiveness. Its only purpose is to give the practitioner a broad idea of the origins of his or her art. The final chapter is intended to stimulate thought and reflection on what modern karate is, can be and should be.

A classic text treasured by martial artists for over twenty years, Karate's History & Traditions was long recognized as the most authoritative source on martial arts history and technique. Now Bruce Haines, historian and martial artist, has updated this rich source to reflect changes that have taken place in the last two decades. This detailed but well–rounded martial arts guide covers the history of the Asian fighting arts from antiquity to modern times, answering many of the questions currently being debated by martial artists around the world. Each chapter describes the fighting arts of masters in many areas, including: Okinawa Japan China India Indonesia Malaysia Thailand Cambodia Vietnam Korea The Philippines Undertaking years of arduous research using the most reliable historical data, Haines has filled in many of the gaps in the histories of the fighting arts and has proven false many popular myths.

Complete Shotokan Karate is actually two books in one: a thorough history of Japanese karate in Asia and the United States, and an instructional manual for students of the Shotokan method. Part One outlines the history of karate from its probable origins in India (or perhaps Greece), and its transmission from China through Okinawa to Japan. Relevant aspects of Japanese history and culture, such as the samurai ethos and Zen, are emphasized. Part Two, profusely illustrated with over 600 clear black-and-white photographs and 20 line drawings, outlines instruction for kumite (sparring drills). Included are two-person drills such as the double-line drill and the circle drill which give practice in facing multiple opponents. Descriptions of many of these drills are not found in other English-language books. In addition, nine karate kata (forms) are presented, two of which, sochin and nijushiho, are rarely seen in print in English. The two parts of this exhaustive book--the first historical and philosophical, the second practical--combine to form one of the most comprehensive presentations of Shotokan karate available in English. Complete Shotokan Karate is an essential resource for all those interested in Japanese karate.

Previously published: rev. and ill. ed. St. Louis: Focus Publications, 1998.