A Shijo Poet at the Court of K•ing Somo: The Pine River Songs is translation of Songgang kasa, Chong Ch'ol's (1536-1593) famous collection of-Korean songs. The translations are by Kevin O'Rourke, one of the foremost translators of Korean literature into English in the world today. Professor O'Rourke includes in the volume a biographical sketch of the Choson dynasty poet-official and a crifica1 analysis of his work. These essays provide a fascinating background to the life and work of this enigmatic man. Royal Inspector (governor of a province, personal secretary to the king, second minister general of the army - these are some of the positions held by Chong Ch'ol during a career that was punctuated by periods of voluntary retirement, dismissal and exile. He was by nature a brilliant but rather stubborn man. Loved by his friends, hated py his enemies, his life was marked by continuous controversy. Korean commentators traditionally regard Chong Ch'ol as the greatest exponent of the essay-poem genre called kasa- his kasa were immensely popular in his own lifetime - and they consistently place him among_ the great shijo poets. Readers of A Shijo Poet at the Court of King Sonjo: The Pine River Songs will be struck by the literary quality of the shijo, which are without peer in the history of the genre, and by the urbanity and cultiva1ion of the Kasa poems. These poems come alive for the first time in English versions that stand on their own as English poems.

The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.

A Companion to World Literature is a far-reaching and sustained study of key authors, texts, and topics from around the world and throughout history. Six comprehensive volumes present essays from over 300 prominent international scholars focusing on many aspects of this vast and burgeoning field of literature, from its ancient origins to the most modern narratives. Almost by definition, the texts of world literature are unfamiliar; they stretch our hermeneutic circles, thrust us before unfamiliar genres, modes, forms, and themes. They require a greater degree of attention and focus, and in turn engage our imagination in new ways. This Companion explores texts within their particular cultural context, as well as their ability to speak to readers in other contexts, demonstrating the ways in which world literature can challenge parochial world views by identifying cultural commonalities. Each unique volume includes introductory chapters on a variety of theoretical viewpoints that inform the field, followed by essays considering the ways in which authors and their books contribute to and engage with the many visions and variations of world literature as a genre. Explores how texts, tropes, narratives, and genres reflect nations, languages, cultures, and periods Links world literary theory and texts in a clear, synoptic style Identifies how individual texts are influenced and affected by issues such as intertextuality, translation, and sociohistorical conditions Presents a variety of methodologies to demonstrate how modern scholars approach the study of world literature A significant addition to the field, A Companion to World Literature provides advanced students, teachers, and researchers with cutting-edge scholarship in world literature and literary theory.

During the premodern period, Japan had significant political, economic and cultural relations with Korea. This book purports that this period, from the fifteenth to the eighteenth century, was the formative stage of the East Asian diplomacy and ideology which laid the foundations for foreign relations between these two countries in the modern period. The book also investigates how Japan's and Korea's political and diplomatic ideologies emerged as a nascent form of nationalism which scholars have not previously clarified.