NEW YORK TIMES BESTSELLER They were the family with everything. Money. Influence. Glamour. Power. The power to halt a police investigation in its tracks. The power to spin a story, concoct a lie, and believe it was the truth. The power to murder without guilt, without shame, and without ever paying the price. They were the Bradleys, America's royalty. But an outsider refuses to play his part. And now, the day of reckoning has arrived. Praise for A Season in Purgatory “Highly entertaining.”—Entertainment Weekly “Stunning.”—Liz Smith “Compelling.”—New York Daily News “Mesmerizing.”—The New York Times “Potent characterization and deftly crafted plotting.”—Publishers Weekly

NATIONAL BOOK AWARD LONGLIST The first English-language story collection from “one of Iran’s most important living fiction writers” (Guardian), “a playful, whip-smart literary conjuror: a Kundera or Rushdie of post-Khomeini Iran” (Wall Street Journal) In Seasons of Purgatory, the fantastical and the visceral merge in tales of tender desire and collective violence, the boredom and brutality of war, and the clash of modern urban life and rural traditions. Mandanipour, banned from publication in his native Iran, vividly renders the individual consciousness in extremis from a variety of perspectives: young and old, man and woman, conscript and prisoner. While delivering a ferocious social critique, these stories are steeped in the poetry and stark beauty of an ancient land and culture.

INTRODUCING THE CACKLEBERRY CLUB MYSTERY SERIES! The New York Times bestselling author of the Scrapbooking Mysteries and the Tea Shop Mysteries cooks up a delicious series full of friendship, murder, and one spectacular breakfast after another.... Suzanne, Toni, and Petra lost their husbands but found independence—and in each other, a life raft of support, inspiration, fresh baked goods, and their own business. But when the Cackleberry Club cafe opened its doors in the town of Kindred, who’d have guessed that the cozy oasis would become the scene of a crime? Suzanne’s lawyer is found in his car out back of the Cackleberry with egg on his face and blood on the dash. Suzanne’s taking the crime personally. The murder not only reveals a scandal in her late husband’s past, but a stranger fleeing a messianic sect is begging Suzanne for help. Now, discovering a link between a dead man with secrets and a runaway cultist may be putting Suzanne’s own life on the line.

When mayhem descends on a tiny logging town, former sheriff Cork O’Connor is called upon to investigate a murder in this “wonderful page-turner” (The Denver Post) that “prolongs suspense to the very end” (Publishers Weekly) by Edgar Award-winning author William Kent Krueger. Not far from Aurora, Minnesota (population 3,752), lies an ancient expanse of great white pines, sacred to the Anishinaabe tribe. When an explosion kills the night watchman at wealthy industrialist Karl Lindstrom’s nearby lumber mill, it’s obvious where suspicion will fall. Former sheriff Cork O’Connor agrees to help investigate, but he has mixed feelings about the case. For one thing, he is part Anishinaabe. For another, his wife, a lawyer, represents the tribe. Meanwhile, near Lindstrom’s lakeside home, a reclusive shipwreck survivor and his sidekick are harboring their own resentment of the industrialist. And it soon becomes clear to Cork that danger, both at home and in Aurora, lurks around every corner…

NEW YORK TIMES BESTSELLER • A “thoroughly absorbing” (Time) novel of love, rage, and ruin amidst the chaos in Los Angeles during the O.J. Simpson trial “Compulsively readable . . . deliciously wicked.”—Vogue Gus Bailey, journalist to high society, knows the sordid secrets of the very rich. Now he turns his penetrating gaze to a courtroom in Los Angeles, witnessing the trial of the century unfold before his startled eyes. By day, Gus is at the courthouse, the confidant of the Goldman and Simpson families, the lawyers, the journalists, the hangers-on, even the judge; at night he is the honored guest at the most dazzling gatherings in town as the movers and shakers of Los Angeles—from Kirk Douglas to Heidi Fleiss, from Elizabeth Taylor to Nancy Reagan—delight in the latest news from the corridors of the courthouse. As they share their own theories of the crime, Bailey bears witness to the ultimate perversion of principle and the most amazing gossip machine in Hollywood. A vivid, revealing achievement, Another City, Not My Own illuminates the meaning of guilt and innocence in America today.

NEW YORK TIMES BESTSELLER • “Good unclean fun . . . [a] convoluted, scandal-greased, exposed-backsides-of-the-rich-and-famous story . . . told in a confiding, breathless undertone.”—Entertainment Weekly Jules Mendelson is wealthy. Astronomically so. He and his wife lead the kind of charity-giving, art-filled, high-society life for which each has been carefully groomed. Until Jules falls in love with Flo March, a beautiful actress/waitress. What Flo discovers about the superrich is not a pretty sight. And in the end, she wants no more than what she was promised. But when Flo begins to share the true story of her life among the Mendelsons, not everyone is in a listening mood. And some cold shoulders have very sharp edges. . . .

Welcome to Purgatory - a world where anything can happen!Everything is going well for Liam. He's just won a martial arts competition and got lucky with a hot girl when he is suddenly flung through a portal into the strange world of Purgatory. A world full of valkyries, elves, goblins and succubi, pulsing with magic and sexual energy. A world where Liam's steel sword and iPod full of 20th Century knowledge make him a virtual superhero. A world where people want him dead...Purgatory Wars: Season One by Dragon Cobolt collects The Murder Stroke, Riposte, The Cross Guard and The Blood Groove - the first four novellas in this best-selling fantasy series - as well as three brand new stories. Over 220,000 words of epic adventure, unique characters and plenty of sex.

Profiles the 1975 murder of Martha Moxley, presents new evidence that points the finger of suspicion to Martha's neighbors, and discusses how the police mishandled the case and may have prevented the crime from being solved.

In Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers. This expanded Princeton Classics edition includes a new preface by the author.