Transience is found in every meeting and form of coexistence between people and things that live and exist by, or move across or along, the Black Sea. It may come in various forms and guises, from de facto states, tourism, migration, trafficking or military troops, and it needs to be written and captured in sensuous, affective and imaginative ways. With particular attention to poetics, politics and aesthetics, this volume focuses on the scales of transient moments and histories, and enables readers to see and sense the many forms of transience that occur in a given landscape, sea or space.

Transience is found in every meeting and form of coexistence between people and things that live and exist by, or move across or along, the Black Sea. It may come in various forms and guises, from de facto states, tourism, migration, trafficking or military troops, and it needs to be written and captured in sensuous, affective and imaginative ways. With particular attention to poetics, politics and aesthetics, this volume focuses on the scales of transient moments and histories, and enables readers to see and sense the many forms of transience that occur in a given landscape, sea or space.

NEW Updated Edition Winner of the Art of Eating Prize 2020 Winner of the Guild of Food Writers' Best Food Book Award 2019 Winner of the Edward Stanford Travel Food and Drink Book Award 2019 Winner of the John Avery Award at the André Simon Food and Drink Book Awards for 2018 Shortlisted for the James Beard International Cookbook Award ‘The next best thing to actually travelling with Caroline Eden – a warm, erudite and greedy guide – is to read her. This is my kind of book.’ – Diana Henry ‘Eden’s blazing talent and unabashedly greedy curiosity will have you strapped in beside her’ - Christine Muhlke, The New York Times 'The food in Black Sea is wonderful, but it’s Eden’s prose that really elevates this book to the extraordinary... I can’t remember any cookbook that’s drawn me in quite like this.’ – Helen Rosner, Art of Eating judge This is the tale of a journey between three great cities – Odesa, Ukraine’s celebrated port city, through Istanbul, the fulcrum balancing Europe and Asia and on to tough, stoic, lyrical Trabzon. With a nose for a good recipe and an ear for an extraordinary story, Caroline Eden travels from Odesa to Bessarabia, Romania, Bulgaria and Turkey’s Black Sea region, exploring interconnecting culinary cultures. From the Jewish table of Odesa, to meeting the last fisherwoman of Bulgaria and charting the legacies of the White Russian émigrés in Istanbul, Caroline gives readers a unique insight into a part of the world that is both shaded by darkness and illuminated by light. In this updated edition of the book, Caroline reflects on the events of the full-scale Russian invasion of Ukraine and the subsequent impact of the war on the people of the wider region. How Odesa, defiant against shelling and blackouts, has gained UNESCO protection while in Istanbul, over lunch with a Bosphorus ship-spotter, she finds out about the role of the Black Sea in the war and how Russians are smuggling stolen grain from Ukraine. Meticulously researched and documenting unprecedented meetings with remarkable individuals, Black Sea is like no other piece of travel writing. Packed with rich photography and sumptuous food, this biography of a region, its people and its recipes truly breaks new ground.

Abstract:

Landscape—the unique combination of landforms, plants, animals, and weather that compose any natural place—is inherently transient. Each essay in Transient Landscapes introduces this idea of a constantly metamorphosing global landscape, revealing how to see the ubiquity of landscape transience, both that which results through Earth’s natural environmental and climatological processes and that which comes from human intervention. The essays are grouped by type of environmental change: long-term, large-scale transformation driven by geologic forces such as tectonic uplift and volcanism; natural variability at shorter time scales, such as seasonal flooding; and modifications resulting from human activities, such as timber harvest, land drainage, and pollution. Each essay is set in a unique geographic location—including such diverse places as New Zealand, Northern California, Costa Rica, and the Scottish Highlands—and is largely drawn from Wohl’s personal experience researching in the field. A combination of travel writing, nature writing, and science writing, Transient Landscapes is a beautiful and thoughtful journey through the natural world.

This collection of essays looks at the history of African people in Britain mainly over the past 200 years

How should one approach the notion of the precarious in art – its meanings and its outcomes? Its presence in artistic practices may be transient, yet it instigates permanent changes in the production, discourse, and perception of art. The Permanence of the Transient: Precariousness in Art gathers essays that examine the traces and implications of precariousness in contemporary art, and lays a foundation for a thoughtful study of its emergence in related fields throughout the 20th and 21st centuries. The different perspectives represented in this volume touch on art history and theory, curatorial practice, media art, philosophy, language, and transnational studies, and highlight artists’ narratives. Together, these interdisciplinary essays locate precariousness as an undercurrent in contemporary art and a connective tissue across diverse areas of knowledge and everyday life.

Science of Weather, Climate and Ocean Extremes presents an evidence-based view of the most important ways in which the build-up of greenhouse gases in the atmosphere is affecting both our atmosphere and the oceans. The book provides compelling reasons why concerted action is required to slow the rate at which the atmosphere and oceans are changing. It not only covers longer-term changes in extremes and their causes, but also considers the drivers and attribution of extreme events, including relevant methods and techniques. Members of the Royal Meteorological Society are eligible for a 35% discount on all Developments in Weather and Climate Science series titles. See the RMetS member dashboard for the discount code. - Provides an evidence-based understanding of a significant risk to the future performance of human and natural systems - Includes assessments, advice and recommendations of extreme weather and climate events - Features case studies from around the globe to provide further context to the research

Already renowned for his science fiction and scientific nonfiction, Arthur C. Clarke became the world’s most famous science fiction writer after the success of 2001: A Space Odyssey. He then produced novels like Rendezvous with Rama and The Fountains of Paradise that many regard as his finest works. Gary Westfahl closely examines Clarke's remarkable career, ranging from his forgotten juvenilia to the passages he completed for a final novel, The Last Theorem. As Westfahl explains, Clarke’s science fiction offered original perspectives on subjects like new inventions, space travel, humanity’s destiny, alien encounters, the undersea world, and religion. While not inclined to mysticism, Clarke necessarily employed mystical language to describe the fantastic achievements of advanced aliens and future humans. Westfahl also contradicts the common perception that Clarke’s characters were bland and underdeveloped, arguing that these reticent, solitary individuals, who avoid conventional relationships, represent his most significant prediction of the future, as they embody the increasingly common lifestyle of people in the twenty-first century.

“What desire doesn’t seem as of the distance across a sea?” asks the voice in Kerri Webster’s debut collection of poetry, even as the poems attempt the transformation of that liminal space wherein word meets sense, loneliness meets solitude, and surface meets interior. Here, “the surface is our signature,” and the image of stain presents a way for that surface to reflect that which it conceals. In this space, human intimacy encounters the transience and frailty of language, and through these encounters we discover that grace lies in “believing always in imprint.”