Christy secretly harbors feelings for Dominic, who has looked out for her ever since she was a little girl. On Valentine’s Day when she was seventeen, she offered her virginity to him, but he reacted surprisingly coldly, and cruelly crushed her adolescent feelings. Christy ran away shortly afterward, leaving her hometown behind. It’s been eight years since then, and Christy must now return to take care of her mother. She has an unexpected reunion with Dominic, who is working as a doctor in town and who is more charming than ever! His handsome face and strong arms... He’s stolen her heart in an instant…again! ※This work is originally colored.※This work is originally colored.

The long awaited sequel to the "Frank Braun trilogy". "Vampire" is the final book of the series written by German author Hanns Heinz Ewers, in an uncensored translation for the first time by Joe Bandel. The first two books in the series are "Sorcerer's Apprentice" and "Alraune", also translated by Joe Bandel.

Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.

This volume consists of a collection of primary sources throwing light on the various aspects of interplay between zoology and visual culture in nineteenth-century Britain. Scientific illustration, both in specialist studies and in works intended for a broader lay readership, are included. These sources throw light on the difficulties of both authors and illustrators in conceptualising their subjects in visual forms, given the great extension of knowledge of the natural world and the technical complexities of image-making in the pre-photographic era. The study examines the impact of zoological knowledge and theories on imaginative art, and explores the aestheticisation and appropriation of nature, especially in relation to bird imagery in painting, illustration and the decorative arts. Finally, the collection examines the presentation of zoology and palæozoology to the general public, for both education and entertainment purposes. This title will be of great interest to students of the History of Science and Art History.

In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets. The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures.